Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#16856
of 909177 performers
Top 5%
Emmy Raver-Lampman works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Emmy Raver-Lampman appears in 7 films in the Nutevio catalogue, and none of them would work the same way without Emmy. The Beekeeper is the clearest case: a film rated 7.3 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for action, crime, thriller. It is a style built on what is withheld as much as what is played.
Working with Timo Tjahjanto, David Ayer, Alberto Belli and others, Emmy Raver-Lampman helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
The Beekeeper (2024) as Agent Verona Parker · Dog (2022) as Bella · Blacklight (2022) as Mira Jones
Career snapshot
Ranked #16856 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
7
2019–2027
Career length
8 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.3
The Beekeeper
Average Nutevio score
5.2
Across catalogue work
Highest IMDb rating
7.3
Dog
Most frequent director
Timo Tjahjanto
1 film together
Longest collaboration
1×
With Timo Tjahjanto
Most common genre
Action
3 titles
Average runtime
1h 11m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.1
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
5.3 average MV
The 2010s are where the work and the material meet. Stucco — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
5.3
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
5.3
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Stucco.
Most productive era
2020s
6 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | — | 7.31 film |
| Action | — | 4.53 films |
| Thriller | — | 4.53 films |
| Comedy | — | 5.93 films |
| Crime | — | 3.62 films |
| Horror | 5.31 film | 5.22 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2019Stucco
Where our catalogue meets this career, as Relaxer.
Highest rated performance
2022Dog
7.3 on the Nutevio scale, the top of the catalogue for this performer.
Career peak
2024The Beekeeper
Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2027The Beekeeper 2
The current state of the argument, as Agent Verona Parker.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
7 of 7 films
as Agent Verona Parker
Directed by David Ayer
as Mira Jones
Directed by Mark Williams
as Agent Verona Parker
Directed by Timo Tjahjanto
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Agent Verona Parker
The Beekeeper (2024)
Performance score7.6
The performance the rest of the career is read through. Agent Verona Parker gives Emmy Raver-Lampman a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Bella
Dog (2022)
Performance score7.2
Dog asks for something the previous films did not, and gets it. Bella is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Samantha
Gatlopp: Hell of a Game (2022)
Performance score6.8
Gatlopp: Hell of a Game asks for something the previous films did not, and gets it. Samantha is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Mira Jones
Blacklight (2022)
Performance score6.6
Blacklight asks for something the previous films did not, and gets it. Mira Jones is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Agent Verona Parker
Start here. The Beekeeper is the clearest statement of what Emmy Raver-Lampman does — accessible, 106 minutes, and rated 7.3 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Emmy at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Dog (2022)
A deliberate change of key after The Beekeeper — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Gatlopp: Hell of a Game (2022)
Keeps the comedy register of Dog but asks for a colder reading of it.
Blacklight (2022)
A deliberate change of key after Gatlopp: Hell of a Game — same instrument, unfamiliar tuning, and the reason range gets mentioned.
The Beekeeper 2 (2027)
Keeps the action register of Blacklight but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Janina Gavankar
Director
1 film together
Notably Stucco
Channing Tatum
Director
1 film together
Notably Dog
Mark Williams
Director
1 film together
Notably Blacklight
Alberto Belli
Director
1 film together
Notably Gatlopp: Hell of a Game
David Ayer
Director
1 film together
Notably The Beekeeper
Timo Tjahjanto
Director
1 film together
Notably The Beekeeper 2
Behind the camera
Who casts this performer, how often, and what the pairing produces.
David Ayer
Director
1 film together · 7.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The BeekeeperChanning Tatum
Director
1 film together · 7.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
DogMark Williams
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
BlacklightAlberto Belli
Director
1 film together · 6.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Gatlopp: Hell of a GameJanina Gavankar
Director
1 film together · 5.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
StuccoTimo Tjahjanto
Director
1 film together · 0.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Beekeeper 2Six degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
The Beekeeper
as Agent Verona Parker
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Dog
as Bella
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Dog
as Bella
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Dog
as Bella
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
The Beekeeper
as Agent Verona Parker
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Emmy Raver-Lampman has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Action Legend
Awarded
3 catalogue titles in action, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Dog
as Bella
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
The Beekeeper
as Agent Verona Parker
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Dog
as Bella
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
The Beekeeper
as Agent Verona Parker
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
The Beekeeper
as Agent Verona Parker
Images that would survive with the sound switched off.
Best action sequence
Blacklight
as Mira Jones
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Dog
as Bella
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Gatlopp: Hell of a Game
as Samantha
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
Michael Caine
Built a career in the same territory: adventure and drama
Matt Damon
Built a career in the same territory: adventure and drama
David Krumholtz
Built a career in the same territory: action and adventure
Cillian Murphy
Built a career in the same territory: drama and thriller
Morgan Freeman
Built a career in the same territory: action and crime
Edward Norton
Built a career in the same territory: comedy and adventure
Have your say
Community
Which Emmy Raver-Lampman performance holds up best?
Our readers argue about this one. Make your case, or read the ranked debate already in progress.
Join the conversation
Reference
Continue exploring
Trending performers
Directors they work with
Collections to read next
