Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#12604
of 909177 performers
Top 5%
Esodie Geiger works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Esodie Geiger appears in 15 films in the Nutevio catalogue, and none of them would work the same way without Esodie. Spare Parts is the clearest case: a film rated 7.2 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for mystery, horror, thriller. It is a style built on what is withheld as much as what is played.
Working with Nick Rowland, Tiller Russell, Robert Lorenz and others, Esodie Geiger helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Spare Parts (2015) as Laundry Owner · Felon (2008) as Female Judge · She Rides Shotgun (2025) as Maya
Career snapshot
Ranked #12604 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
15
2007–2025
Career length
18 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.2
Spare Parts
Average Nutevio score
6.3
Across catalogue work
Highest IMDb rating
7.2
Spare Parts
Most frequent director
Ric Roman Waugh
2 films together
Longest collaboration
2×
With Ric Roman Waugh
Most common genre
Thriller
9 titles
Average runtime
1h 50m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2000s
6.5 average MV
The 2000s are where the work and the material meet. Terminator Salvation, Felon, Swing Vote — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2000s
6.5
Across 4 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2000s
6.4
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Terminator Salvation, Felon, Swing Vote.
Most productive era
2010s
6 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s | 2020s |
|---|---|---|---|
| Drama | 6.63 films | 7.13 films | 5.92 films |
| Action | 6.62 films | 5.63 films | 6.92 films |
| Thriller | 6.73 films | 7.01 film | 6.15 films |
| Comedy | 5.81 film | 5.82 films | — |
| Crime | 6.92 films | 7.01 film | 6.62 films |
| Romance | — | 7.01 film | — |
| Horror | — | — | 5.71 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as Military Nurse (uncredited).
Highest rated performance · Career peak
2015Spare Parts
7.2 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
The current state of the argument, as Maya.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
15 of 15 films
as Laundry Owner
Directed by Sean McNamara
as Female Judge
Directed by Ric Roman Waugh
as Judge
Directed by Ric Roman Waugh
as Mrs. Tupelo
Directed by Unknown
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Laundry Owner
Spare Parts (2015)
Performance score7.1
The performance the rest of the career is read through. Laundry Owner gives Esodie Geiger a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Female Judge
Felon (2008)
Performance score7.0
Felon asks for something the previous films did not, and gets it. Female Judge is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Maya
She Rides Shotgun (2025)
Performance score6.9
She Rides Shotgun asks for something the previous films did not, and gets it. Maya is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Judge
Shot Caller (2017)
Performance score6.9
Shot Caller asks for something the previous films did not, and gets it. Judge is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Laundry Owner
Start here. Spare Parts is the clearest statement of what Esodie Geiger does — accessible, 115 minutes, and rated 7.2 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Esodie at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Felon (2008)
Keeps the drama register of Spare Parts but asks for a colder reading of it.
Shot Caller (2017)
Same director as Felon, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
The Space Between Us (2017)
Keeps the drama register of Shot Caller but asks for a colder reading of it.
She Rides Shotgun (2025)
A deliberate change of key after The Space Between Us — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Ric Roman Waugh
Director
2 films together
Notably Felon
Paul Haggis
Director
1 film together
Notably In the Valley of Elah
McG
Director
1 film together
Notably Terminator Salvation
Brian Levant
Director
1 film together
Notably The Spy Next Door
Sean McNamara
Director
1 film together
Notably Spare Parts
Roel Reiné
Director
1 film together
Notably The Condemned 2
Robert Lorenz
Director
1 film together
Notably The Marksman
Tiller Russell
Director
1 film together
Notably Silk Road
Nick Rowland
Director
1 film together
Notably She Rides Shotgun
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Ric Roman Waugh
Director
2 films together · 7.0 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
FelonSean McNamara
Director
1 film together · 7.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Spare PartsNick Rowland
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
She Rides ShotgunRobert Lorenz
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The MarksmanPaul Haggis
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
In the Valley of ElahTiller Russell
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Silk RoadMcG
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Terminator SalvationBrian Levant
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Spy Next DoorRoel Reiné
Director
1 film together · 5.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Condemned 2Six degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Spare Parts
as Laundry Owner
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
The Space Between Us
as Mrs. Tupelo
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Spare Parts
as Laundry Owner
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Swing Vote
as Trailer Reporter #3
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Spare Parts
as Laundry Owner
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Esodie Geiger has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Thriller Legend
Awarded
9 catalogue titles in thriller, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
In the Valley of Elah
as Military Nurse (uncredited)
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Felon
as Female Judge
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
The Space Between Us
as Mrs. Tupelo
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
In the Valley of Elah
as Military Nurse (uncredited)
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Felon
as Female Judge
Images that would survive with the sound switched off.
Best action sequence
Felon
as Female Judge
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Felon
as Female Judge
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
HIM
as Doctor Bowers
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Reference
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