Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#27024
of 909177 performers
Top 5%
Felix Silla represents the rare performer whose career became more ambitious with every decade — 25 years in, and Felix is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Felix Silla appears in 6 films in the Nutevio catalogue, and none of them would work the same way without Felix. Planet of the Apes is the clearest case: a film rated 7.6 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for action, fantasy, comedy. It is a style built on what is withheld as much as what is played.
Working with Tim Burton, Ivan Reitman, Mel Brooks and others, Felix Silla helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Planet of the Apes (1968) as Child Gorilla (uncredited) · Batman Returns (1992) as Emperor Penguin · Spaceballs (1987) as Dink
Career snapshot
Ranked #27024 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
6
1967–1992
Career length
25 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.6
Planet of the Apes
Average Nutevio score
7.0
Across catalogue work
Highest IMDb rating
7.7
Planet of the Apes
Most frequent director
Tim Burton
1 film together
Longest collaboration
1×
With Tim Burton
Most common genre
Science Fiction
3 titles
Average runtime
1h 44m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.9
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.7
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1960s
7.2 average MV
The 1960s are where the work and the material meet. Planet of the Apes, Point Blank — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1960s
7.2
Across 2 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1960s
7.3
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1960s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Planet of the Apes, Point Blank.
Most productive era
1960s
2 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1960s | 1970s | 1980s | 1990s |
|---|---|---|---|---|
| Drama | 7.22 films | — | — | — |
| Action | 7.61 film | — | — | 7.11 film |
| Thriller | 6.81 film | — | — | — |
| Comedy | — | — | 6.82 films | — |
| Crime | 6.81 film | — | — | — |
| Horror | — | 6.71 film | — | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
1967Point Blank
Where our catalogue meets this career, as Bellhop (uncredited).
Highest rated performance · Career peak
7.6 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
1992Batman Returns
The current state of the argument, as Emperor Penguin.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
6 of 6 films
as Child Gorilla (uncredited)
Directed by Franklin J. Schaffner
as Emperor Penguin
Directed by Tim Burton
as Dink
Directed by Mel Brooks
as Bellhop (uncredited)
Directed by John Boorman
as Courtroom Spectator (uncredited)
Directed by Ivan Reitman
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Child Gorilla (uncredited)
Planet of the Apes (1968)
Performance score7.4
The performance the rest of the career is read through. Child Gorilla (uncredited) gives Felix Silla a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Emperor Penguin
Batman Returns (1992)
Performance score7.0
Batman Returns asks for something the previous films did not, and gets it. Emperor Penguin is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Dink
Spaceballs (1987)
Performance score6.8
Spaceballs asks for something the previous films did not, and gets it. Dink is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Bellhop (uncredited)
Point Blank (1967)
Performance score6.7
Point Blank asks for something the previous films did not, and gets it. Bellhop (uncredited) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Child Gorilla (uncredited)
Start here. Planet of the Apes is the clearest statement of what Felix Silla does — accessible, 112 minutes, and rated 7.6 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Felix at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Point Blank (1967)
Keeps the drama register of Planet of the Apes but asks for a colder reading of it.
Spaceballs (1987)
A deliberate change of key after Point Blank — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Ghostbusters II (1989)
Keeps the comedy register of Spaceballs but asks for a colder reading of it.
Batman Returns (1992)
Keeps the fantasy register of Ghostbusters II but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
John Boorman
Director
1 film together
Notably Point Blank
Franklin J. Schaffner
Director
1 film together
Notably Planet of the Apes
David Cronenberg
Director
1 film together
Notably The Brood
Mel Brooks
Director
1 film together
Notably Spaceballs
Ivan Reitman
Director
1 film together
Notably Ghostbusters II
Tim Burton
Director
1 film together
Notably Batman Returns
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Franklin J. Schaffner
Director
1 film together · 7.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Planet of the ApesTim Burton
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Batman ReturnsMel Brooks
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
SpaceballsJohn Boorman
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Point BlankIvan Reitman
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Ghostbusters IIDavid Cronenberg
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The BroodSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Planet of the Apes
as Child Gorilla (uncredited)
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Planet of the Apes
as Child Gorilla (uncredited)
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Planet of the Apes
as Child Gorilla (uncredited)
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Ghostbusters II
as Courtroom Spectator (uncredited)
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Planet of the Apes
as Child Gorilla (uncredited)
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Felix Silla has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
25 years of relevant work — not merely a long career, but a long career of choices.
Science Fiction Legend
Awarded
3 catalogue titles in science fiction, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Planet of the Apes
as Child Gorilla (uncredited)
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Planet of the Apes
as Child Gorilla (uncredited)
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Planet of the Apes
as Child Gorilla (uncredited)
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Point Blank
as Bellhop (uncredited)
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Planet of the Apes
as Child Gorilla (uncredited)
Images that would survive with the sound switched off.
Best action sequence
Planet of the Apes
as Child Gorilla (uncredited)
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Point Blank
as Bellhop (uncredited)
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Batman Returns
as Emperor Penguin
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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