Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#31174
of 909177 performers
Top 5%
Florence Stanley works on transformation rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Florence Stanley appears in 4 films in the Nutevio catalogue, and none of them would work the same way without Florence. Atlantis: The Lost Empire is the clearest case: a film rated 7.1 by our editors, where the performance carries weight the script only implies.
The recognisable elements are transformation, emotional range, versatility. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for action, science fiction, fantasy. It is a style built on what is withheld as much as what is played.
Working with Toby Shelton, Peyton Reed, Kirk Wise and others, Florence Stanley helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Atlantis: The Lost Empire (2001) as Wilhelmina Bertha Packard (voice) · A Goofy Movie (1995) as Waitress (voice) · Atlantis: Milo's Return (2003) as Packard (voice)
Career snapshot
Ranked #31174 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
4
1995–2003
Career length
8 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.1
Atlantis: The Lost Empire
Average Nutevio score
6.6
Across catalogue work
Highest IMDb rating
7.0
Atlantis: The Lost Empire
Most frequent director
Toby Shelton
1 film together
Longest collaboration
1×
With Toby Shelton
Most common genre
Family
3 titles
Average runtime
1h 29m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1990s
7.0 average MV
The 1990s are where the work and the material meet. A Goofy Movie — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1990s
7.0
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1990s
7.0
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1990s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. A Goofy Movie.
Most productive era
2000s
3 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1990s | 2000s |
|---|---|---|
| Action | — | 6.31 film |
| Comedy | 7.01 film | 6.11 film |
| Romance | 7.01 film | 6.11 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
1995A Goofy Movie
Where our catalogue meets this career, as Waitress (voice).
Highest rated performance · Career peak
7.1 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2003Down with Love
The current state of the argument, as Dry Cleaner's Wife.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
4 of 4 films
as Wilhelmina Bertha Packard (voice)
Directed by Kirk Wise
as Waitress (voice)
Directed by Kevin Lima
as Packard (voice)
Directed by Toby Shelton
as Dry Cleaner's Wife
Directed by Peyton Reed
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Wilhelmina Bertha Packard (voice)
Atlantis: The Lost Empire (2001)
Performance score7.0
The performance the rest of the career is read through. Wilhelmina Bertha Packard (voice) gives Florence Stanley a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Waitress (voice)
A Goofy Movie (1995)
Performance score6.9
A Goofy Movie asks for something the previous films did not, and gets it. Waitress (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Packard (voice)
Atlantis: Milo's Return (2003)
Performance score6.5
Atlantis: Milo's Return asks for something the previous films did not, and gets it. Packard (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Dry Cleaner's Wife
Down with Love (2003)
Performance score6.5
Down with Love asks for something the previous films did not, and gets it. Dry Cleaner's Wife is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Wilhelmina Bertha Packard (voice)
Start here. Atlantis: The Lost Empire is the clearest statement of what Florence Stanley does — accessible, 95 minutes, and rated 7.1 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Florence at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
A Goofy Movie (1995)
Keeps the adventure register of Atlantis: The Lost Empire but asks for a colder reading of it.
Atlantis: Milo's Return (2003)
Keeps the family register of A Goofy Movie but asks for a colder reading of it.
Down with Love (2003)
A deliberate change of key after Atlantis: Milo's Return — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Kevin Lima
Director
1 film together
Notably A Goofy Movie
Kirk Wise
Director
1 film together
Notably Atlantis: The Lost Empire
Peyton Reed
Director
1 film together
Notably Down with Love
Toby Shelton
Director
1 film together
Notably Atlantis: Milo's Return
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Kirk Wise
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Atlantis: The Lost EmpireKevin Lima
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
A Goofy MovieToby Shelton
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Atlantis: Milo's ReturnPeyton Reed
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Down with LoveSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Atlantis: The Lost Empire
as Wilhelmina Bertha Packard (voice)
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
A Goofy Movie
as Waitress (voice)
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Atlantis: The Lost Empire
as Wilhelmina Bertha Packard (voice)
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Down with Love
as Dry Cleaner's Wife
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Atlantis: The Lost Empire
as Wilhelmina Bertha Packard (voice)
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Florence Stanley has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Family Legend
Awarded
3 catalogue titles in family, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
A Goofy Movie
as Waitress (voice)
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Atlantis: The Lost Empire
as Wilhelmina Bertha Packard (voice)
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
A Goofy Movie
as Waitress (voice)
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
A Goofy Movie
as Waitress (voice)
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Atlantis: The Lost Empire
as Wilhelmina Bertha Packard (voice)
Images that would survive with the sound switched off.
Best action sequence
Atlantis: Milo's Return
as Packard (voice)
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
A Goofy Movie
as Waitress (voice)
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Atlantis: The Lost Empire
as Wilhelmina Bertha Packard (voice)
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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