Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#105963
of 909177 performers
Top 25%
Frank Toth is the performer our scores keep defending against the popular vote — a career of films that get better the further you stand from their release week.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Frank Toth appears in 2 films in the Nutevio catalogue, and none of them would work the same way without Frank. E.T. the Extra-Terrestrial is the clearest case: a film rated 8.9 by our editors, where the performance carries weight the script only implies.
The recognisable elements are emotional range, rewatchability, screen presence. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for family, sci-fi, adventure. It is a style built on what is withheld as much as what is played.
Working with Steven Spielberg, Frank Toth helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
E.T. the Extra-Terrestrial (1982) as Policeman · E.T. the Extra-Terrestrial (1982) as Policeman
Career snapshot
Ranked #105963 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
2
1982–1982
Career length
1 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
8.9
E.T. the Extra-Terrestrial
Average Nutevio score
8.3
Across catalogue work
Highest IMDb rating
7.9
E.T. the Extra-Terrestrial
Most frequent director
Steven Spielberg
2 films together
Longest collaboration
2×
With Steven Spielberg
Most common genre
Family
2 titles
Average runtime
1h 55m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
7.6
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
7.1
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1980s
8.3 average MV
The 1980s are where the work and the material meet. E.T. the Extra-Terrestrial, E.T. the Extra-Terrestrial — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1980s
8.3
Across 2 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1980s
7.7
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1980s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. E.T. the Extra-Terrestrial, E.T. the Extra-Terrestrial.
Most productive era
1980s
2 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1980s |
|---|---|
| Sci-Fi | 8.91 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Highest rated performance · Career peak
1982E.T. the Extra-Terrestrial
Where our catalogue meets this career, as Policeman. 8.9 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
1982E.T. the Extra-Terrestrial
The current state of the argument, as Policeman.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
2 of 2 films
as Policeman
Directed by Steven Spielberg
as Policeman
Directed by Steven Spielberg
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Showing 1 of 1 title · 1 total credit · active 1982–1982
The defining work
#1
Policeman
E.T. the Extra-Terrestrial (1982)
Performance score8.5
The performance the rest of the career is read through. Policeman gives Frank Toth a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Policeman
E.T. the Extra-Terrestrial (1982)
Performance score7.5
E.T. the Extra-Terrestrial asks for something the previous films did not, and gets it. Policeman is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Policeman
Start here. E.T. the Extra-Terrestrial is the clearest statement of what Frank Toth does — accessible, 115 minutes, and rated 8.9 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Frank at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
E.T. the Extra-Terrestrial (1982)
Same director as E.T. the Extra-Terrestrial, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Company kept
The directors and performers this career keeps returning to.
Steven Spielberg
Director
2 films together
Notably E.T. the Extra-Terrestrial
Henry Thomas
Actor
1 film together
Notably E.T. the Extra-Terrestrial
Drew Barrymore
Actor
1 film together
Notably E.T. the Extra-Terrestrial
Robert MacNaughton
Actor
1 film together
Notably E.T. the Extra-Terrestrial
Peter Coyote
Actor
1 film together
Notably E.T. the Extra-Terrestrial
Dee Wallace
Actor
1 film together
Notably E.T. the Extra-Terrestrial
Erika Eleniak
Actor
1 film together
Notably E.T. the Extra-Terrestrial
K.C. Martel
Actor
1 film together
Notably E.T. the Extra-Terrestrial
C. Thomas Howell
Actor
1 film together
Notably E.T. the Extra-Terrestrial
Sean Frye
Actor
1 film together
Notably E.T. the Extra-Terrestrial
David M. O'Dell
Actor
1 film together
Notably E.T. the Extra-Terrestrial
Richard Swingler
Actor
1 film together
Notably E.T. the Extra-Terrestrial
Robert Barton
Actor
1 film together
Notably E.T. the Extra-Terrestrial
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Steven Spielberg
Director
2 films together · 8.3 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
E.T. the Extra-TerrestrialSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
E.T. the Extra-Terrestrial
as Policeman
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
E.T. the Extra-Terrestrial
as Policeman
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
E.T. the Extra-Terrestrial
as Policeman
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
E.T. the Extra-Terrestrial
as Policeman
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
E.T. the Extra-Terrestrial
as Policeman
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Frank Toth has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Frank Toth
1 library film
| Nutevio Performer Score | 8.0 | 7.9 |
|---|---|---|
| Career ranking | #454 of 681 | #527 of 681 |
| Awards on file | Unknown | Unknown |
| Oscar wins | Unknown | Unknown |
| Oscar nominations | Unknown | Unknown |
| Average Nutevio score | 8.9 | 8.9 |
| Genres | Family, Sci-Fi, Adventure | Family, Sci-Fi, Adventure |
| Directors | Steven Spielberg | Steven Spielberg |
| Performance DNA | Emotional range, Rewatchability, Screen presence | Emotional range, Screen presence, Rewatchability |
| Career timeline | 1982–1982 | 1982–1982 |
| Most iconic role | Policeman — E.T. the Extra-Terrestrial | Elliott — E.T. the Extra-Terrestrial |
| Most rewatchable film | E.T. the Extra-Terrestrial | E.T. the Extra-Terrestrial |
| Filmography | 1 catalogue film | 1 catalogue film |
Films together
E.T. the Extra-Terrestrial
Shared directors
Steven Spielberg
Shared collections
Best Family Movies, Adventure Movies, Sci-Fi Movies
Collaborators in common
Steven Spielberg · Drew Barrymore · Robert MacNaughton · Peter Coyote · Dee Wallace · Erika Eleniak · K.C. Martel · C. Thomas Howell
Our editors cannot separate them on the catalogue as it stands. Frank Toth and Henry Thomas score within a rounding error of each other.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Family Legend
Awarded
2 catalogue titles in family, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
E.T. the Extra-Terrestrial
as Policeman
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
E.T. the Extra-Terrestrial
as Policeman
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
E.T. the Extra-Terrestrial
as Policeman
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
E.T. the Extra-Terrestrial
as Policeman
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
E.T. the Extra-Terrestrial
as Policeman
Images that would survive with the sound switched off.
Best action sequence
E.T. the Extra-Terrestrial
as Policeman
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
E.T. the Extra-Terrestrial
as Policeman
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
E.T. the Extra-Terrestrial
as Policeman
The public vote sits below ours on this one, and the direction is the reason for the gap.
Across the library
Every Nutevio collection this name turns up in, and how high they rank there.
Collection footprint
Appears in 3 Nutevio collections
Keep reading
From the magazine
If you like this performer
Henry Thomas
Works with the same directors — Steven Spielberg
Drew Barrymore
Works with the same directors — Steven Spielberg
Robert MacNaughton
Works with the same directors — Steven Spielberg
Peter Coyote
Works with the same directors — Steven Spielberg
Dee Wallace
Works with the same directors — Steven Spielberg
Erika Eleniak
Works with the same directors — Steven Spielberg
Have your say
Community
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Reference
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