Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#98331
of 909177 performers
Top 25%
Gary Raymond represents the rare performer whose career became more ambitious with every decade — 66 years in, and Gary is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Gary Raymond appears in 5 films in the Nutevio catalogue, and none of them would work the same way without Gary. Jason and the Argonauts is the clearest case: a film rated 7.0 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for romance, music, drama. It is a style built on what is withheld as much as what is played.
Working with Oliver Hermanus, George Stevens, Don Chaffey and others, Gary Raymond helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Jason and the Argonauts (1963) as Acastus · Suddenly, Last Summer (1959) as George Holly · The History of Sound (2025) as William
Career snapshot
Ranked #98331 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
5
1959–2025
Career length
66 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.0
Jason and the Argonauts
Average Nutevio score
6.8
Across catalogue work
Highest IMDb rating
7.3
Suddenly, Last Summer
Most frequent director
Oliver Hermanus
1 film together
Longest collaboration
1×
With Oliver Hermanus
Most common genre
Drama
4 titles
Average runtime
2h 26m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
7.0
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
7.1
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1950s
6.9 average MV
The 1950s are where the work and the material meet. Suddenly, Last Summer — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1950s
6.9
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1950s
7.3
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1950s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Suddenly, Last Summer.
Most productive era
1960s
3 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1950s | 1960s | 2020s |
|---|---|---|---|
| Drama | 6.91 film | 6.62 films | 6.81 film |
| Action | — | 6.71 film | — |
| Thriller | 6.91 film | — | — |
| Romance | — | 6.71 film | 6.81 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as George Holly.
Highest rated performance · Career peak
7.0 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
The current state of the argument, as William.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
5 of 5 films
as Acastus
Directed by Don Chaffey
as George Holly
Directed by Joseph L. Mankiewicz
as Prince Sancho
Directed by Anthony Mann
as William
Directed by Oliver Hermanus
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Acastus
Jason and the Argonauts (1963)
Performance score7.4
The performance the rest of the career is read through. Acastus gives Gary Raymond a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
George Holly
Suddenly, Last Summer (1959)
Performance score7.1
Suddenly, Last Summer asks for something the previous films did not, and gets it. George Holly is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Prince Sancho
El Cid (1961)
Performance score6.9
El Cid asks for something the previous films did not, and gets it. Prince Sancho is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
William
The History of Sound (2025)
Performance score6.7
The History of Sound asks for something the previous films did not, and gets it. William is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Acastus
Start here. Jason and the Argonauts is the clearest statement of what Gary Raymond does — accessible, 104 minutes, and rated 7.0 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Gary at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Suddenly, Last Summer (1959)
A deliberate change of key after Jason and the Argonauts — same instrument, unfamiliar tuning, and the reason range gets mentioned.
El Cid (1961)
Keeps the drama register of Suddenly, Last Summer but asks for a colder reading of it.
The Greatest Story Ever Told (1965)
Keeps the drama register of El Cid but asks for a colder reading of it.
The History of Sound (2025)
Keeps the drama register of The Greatest Story Ever Told but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Joseph L. Mankiewicz
Director
1 film together
Notably Suddenly, Last Summer
Anthony Mann
Director
1 film together
Notably El Cid
Don Chaffey
Director
1 film together
Notably Jason and the Argonauts
George Stevens
Director
1 film together
Notably The Greatest Story Ever Told
Oliver Hermanus
Director
1 film together
Notably The History of Sound
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Don Chaffey
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Jason and the ArgonautsJoseph L. Mankiewicz
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Suddenly, Last SummerOliver Hermanus
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The History of SoundAnthony Mann
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
El CidGeorge Stevens
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Greatest Story Ever ToldSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
The History of Sound
as William
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
The History of Sound
as William
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Jason and the Argonauts
as Acastus
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
The Greatest Story Ever Told
as Simon Peter
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Jason and the Argonauts
as Acastus
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Gary Raymond has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
66 years of relevant work — not merely a long career, but a long career of choices.
Drama Legend
Awarded
4 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Suddenly, Last Summer
as George Holly
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Suddenly, Last Summer
as George Holly
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
The History of Sound
as William
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Suddenly, Last Summer
as George Holly
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Jason and the Argonauts
as Acastus
Images that would survive with the sound switched off.
Best action sequence
Jason and the Argonauts
as Acastus
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
The History of Sound
as William
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
The History of Sound
as William
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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