Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#46500
of 909177 performers
Top 10%
George Raft represents the rare performer whose career became more ambitious with every decade — 35 years in, and George is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
George Raft appears in 7 films in the Nutevio catalogue, and none of them would work the same way without George. Some Like It Hot is the clearest case: a film rated 8.0 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for action, comedy, adventure. It is a style built on what is withheld as much as what is played.
Working with Ken Hughes, Lewis Milestone, Billy Wilder and others, George Raft helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Some Like It Hot (1959) as Spats Colombo · Scarface (1932) as Guino Rinaldo · Around the World in 80 Days (1956) as Saloon Bouncer
Career snapshot
Ranked #46500 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
7
1932–1967
Career length
35 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
8.0
Some Like It Hot
Average Nutevio score
6.7
Across catalogue work
Highest IMDb rating
8.1
Some Like It Hot
Most frequent director
Ken Hughes
1 film together
Longest collaboration
1×
With Ken Hughes
Most common genre
Comedy
4 titles
Average runtime
2h 0m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.9
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.7
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1950s
7.0 average MV
The 1950s are where the work and the material meet. Some Like It Hot, Around the World in 80 Days, Black Widow — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1950s
7.0
Across 3 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1930s
7.1
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1930s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Each Dawn I Die, Scarface.
Most productive era
1950s
3 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1930s | 1950s | 1960s |
|---|---|---|---|
| Drama | 6.82 films | 6.31 film | — |
| Action | 7.11 film | — | 5.71 film |
| Thriller | 6.82 films | — | 6.41 film |
| Comedy | — | 7.32 films | 6.12 films |
| Crime | 6.82 films | 8.01 film | 6.41 film |
| Romance | — | 7.32 films | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
1932Scarface
Where our catalogue meets this career, as Guino Rinaldo.
Highest rated performance · Career peak
1959Some Like It Hot
8.0 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
1967Casino Royale
The current state of the argument, as George Raft.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
7 of 7 films
as Spats Colombo
Directed by Billy Wilder
as Guino Rinaldo
Directed by Howard Hawks
as 'Hood' Stacey
Directed by William Keighley
as Saloon Bouncer
Directed by Michael Anderson
as George Raft
Directed by Ken Hughes
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Spats Colombo
Some Like It Hot (1959)
Performance score8.0
The performance the rest of the career is read through. Spats Colombo gives George Raft a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Guino Rinaldo
Scarface (1932)
Performance score7.2
Scarface asks for something the previous films did not, and gets it. Guino Rinaldo is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
'Hood' Stacey
Each Dawn I Die (1939)
Performance score7.0
Each Dawn I Die asks for something the previous films did not, and gets it. 'Hood' Stacey is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Saloon Bouncer
Around the World in 80 Days (1956)
Performance score6.6
Around the World in 80 Days asks for something the previous films did not, and gets it. Saloon Bouncer is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Spats Colombo
Start here. Some Like It Hot is the clearest statement of what George Raft does — accessible, 123 minutes, and rated 8.0 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet George at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Scarface (1932)
Keeps the crime register of Some Like It Hot but asks for a colder reading of it.
Each Dawn I Die (1939)
Keeps the crime register of Scarface but asks for a colder reading of it.
Around the World in 80 Days (1956)
A deliberate change of key after Each Dawn I Die — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Casino Royale (1967)
Keeps the comedy register of Around the World in 80 Days but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Howard Hawks
Director
1 film together
Notably Scarface
William Keighley
Director
1 film together
Notably Each Dawn I Die
Nunnally Johnson
Director
1 film together
Notably Black Widow
Michael Anderson
Director
1 film together
Notably Around the World in 80 Days
Billy Wilder
Director
1 film together
Notably Some Like It Hot
Lewis Milestone
Director
1 film together
Notably Ocean's Eleven
Ken Hughes
Director
1 film together
Notably Casino Royale
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Billy Wilder
Director
1 film together · 8.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Some Like It HotHoward Hawks
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
ScarfaceMichael Anderson
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Around the World in 80 DaysWilliam Keighley
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Each Dawn I DieLewis Milestone
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Ocean's ElevenNunnally Johnson
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Black WidowKen Hughes
Director
1 film together · 5.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Casino RoyaleSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Some Like It Hot
as Spats Colombo
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Around the World in 80 Days
as Saloon Bouncer
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Some Like It Hot
as Spats Colombo
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Ocean's Eleven
as Jack Strager
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Some Like It Hot
as Spats Colombo
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. George Raft has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
35 years of relevant work — not merely a long career, but a long career of choices.
Comedy Legend
Awarded
4 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Some Like It Hot
as Spats Colombo
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Scarface
as Guino Rinaldo
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Around the World in 80 Days
as Saloon Bouncer
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Black Widow
as Detective Bruce
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Scarface
as Guino Rinaldo
Images that would survive with the sound switched off.
Best action sequence
Casino Royale
as George Raft
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Around the World in 80 Days
as Saloon Bouncer
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Casino Royale
as George Raft
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Reference
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