Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#7273
of 909177 performers
Top 1%
Gideon Adlon works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Gideon Adlon appears in 11 films in the Nutevio catalogue, and none of them would work the same way without Gideon. Justice League: Crisis on Infinite Earths Part Three is the clearest case: a film rated 7.2 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for romance, drama, thriller. It is a style built on what is withheld as much as what is played.
Working with Jeff Wamester, Christopher Berkeley, John Hyams and others, Gideon Adlon helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Justice League: Crisis on Infinite Earths Part Three (2024) as Batgirl (voice) · Under the Boardwalk (2023) as Denise (voice) · The Mustang (2019) as Martha
Career snapshot
Ranked #7273 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
11
2018–2024
Career length
6 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.2
Justice League: Crisis on Infinite Earths Part Three
Average Nutevio score
6.6
Across catalogue work
Highest IMDb rating
7.2
Justice League: Crisis on Infinite Earths Part Three
Most frequent director
Jeff Wamester
3 films together
Longest collaboration
3×
With Jeff Wamester
Most common genre
Animation
5 titles
Average runtime
1h 32m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.6 average MV
The 2010s are where the work and the material meet. The Mustang, Blockers — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.6
Across 2 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.6
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. The Mustang, Blockers.
Most productive era
2020s
9 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.91 film | 6.22 films |
| Action | — | 6.84 films |
| Thriller | — | 6.31 film |
| Comedy | 6.31 film | 7.21 film |
| Romance | — | 6.82 films |
| Horror | — | 6.33 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2018Blockers
Where our catalogue meets this career, as Sam.
Career peak
2019The Mustang
Weighing billing against the film's own quality, this is the point where everything aligned at once.
Highest rated performance
7.2 on the Nutevio scale, the top of the catalogue for this performer.
Most recent film
2024Justice League: Crisis on Infinite Earths Part Two
The current state of the argument, as Batgirl / Kryptonian Voice (voice).
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
11 of 11 films
as Batgirl (voice)
Directed by Jeff Wamester
as Claire
Directed by Unknown
as Martha
Directed by Laure de Clermont-Tonnerre
as Denise (voice)
Directed by Unknown
as Batgirl / Kryptonian Voice (voice)
Directed by Jeff Wamester
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Batgirl (voice)
Justice League: Crisis on Infinite Earths Part Three (2024)
Performance score7.3
The performance the rest of the career is read through. Batgirl (voice) gives Gideon Adlon a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Claire
Witch Hunt (2021)
Performance score7.3
Witch Hunt asks for something the previous films did not, and gets it. Claire is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Martha
The Mustang (2019)
Performance score7.3
The Mustang asks for something the previous films did not, and gets it. Martha is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Denise (voice)
Under the Boardwalk (2023)
Performance score7.1
Under the Boardwalk asks for something the previous films did not, and gets it. Denise (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Batgirl (voice)
Start here. Justice League: Crisis on Infinite Earths Part Three is the clearest statement of what Gideon Adlon does — accessible, 99 minutes, and rated 7.2 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Gideon at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
The Mustang (2019)
A deliberate change of key after Justice League: Crisis on Infinite Earths Part Three — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Witch Hunt (2021)
A deliberate change of key after The Mustang — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Under the Boardwalk (2023)
Same director as Witch Hunt, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Justice League: Crisis on Infinite Earths Part Two (2024)
Keeps the animation register of Under the Boardwalk but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Jeff Wamester
Director
3 films together
Notably Justice League: Crisis on Infinite Earths Part Three
Kay Cannon
Director
1 film together
Notably Blockers
Laure de Clermont-Tonnerre
Director
1 film together
Notably The Mustang
Zoe Lister-Jones
Director
1 film together
Notably The Craft: Legacy
John Hyams
Director
1 film together
Notably Sick
Christopher Berkeley
Director
1 film together
Notably Batman: The Doom That Came to Gotham
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Jeff Wamester
Director
3 films together · 6.8 avg MV
A working relationship rather than a booking — 3 films, and the register shifts each time.
Best film together
Justice League: Crisis on Infinite Earths Part ThreeLaure de Clermont-Tonnerre
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The MustangChristopher Berkeley
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Batman: The Doom That Came to GothamKay Cannon
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
BlockersJohn Hyams
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
SickZoe Lister-Jones
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Craft: LegacySix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Justice League: Crisis on Infinite Earths Part Three
as Batgirl (voice)
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Under the Boardwalk
as Denise (voice)
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Under the Boardwalk
as Denise (voice)
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Batman: The Doom That Came to Gotham
as Oracle / Poison Ivy (voice)
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Justice League: Crisis on Infinite Earths Part Three
as Batgirl (voice)
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Gideon Adlon has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Animation Legend
Awarded
5 catalogue titles in animation, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Batman: The Doom That Came to Gotham
as Oracle / Poison Ivy (voice)
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Batman: The Doom That Came to Gotham
as Oracle / Poison Ivy (voice)
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Miller's Girl
as Winnie Black
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Sick
as Parker
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Justice League: Crisis on Infinite Earths Part Three
as Batgirl (voice)
Images that would survive with the sound switched off.
Best action sequence
Batman: The Doom That Came to Gotham
as Oracle / Poison Ivy (voice)
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Under the Boardwalk
as Denise (voice)
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Miller's Girl
as Winnie Black
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Reference
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