Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#120968
of 909177 performers
Top 25%
Gina Hiraizumi works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Gina Hiraizumi appears in 5 films in the Nutevio catalogue, and none of them would work the same way without Gina. The Wrong Stepmother is the clearest case: a film rated 6.8 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, quiet performance, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for tv movie, thriller, action. It is a style built on what is withheld as much as what is played.
Working with , Gina Hiraizumi helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
The Wrong Stepmother (2019) as Cynthia · Pool Boy Nightmare (2020) as Detective Davidson · Sister of the Bride (2019) as Anna
Career snapshot
Ranked #120968 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
5
2000–2020
Career length
20 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
6.8
The Wrong Stepmother
Average Nutevio score
6.4
Across catalogue work
Highest IMDb rating
6.8
The Wrong Stepmother
Most frequent director
—
Longest collaboration
—
Most common genre
TV Movie
3 titles
Average runtime
1h 35m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.4
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.6 average MV
The 2010s are where the work and the material meet. Sister of the Bride, The Wrong Stepmother — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.6
Across 2 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.6
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. 100 Girls.
Most productive era
2010s
2 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s | 2020s |
|---|---|---|---|
| Drama | 5.71 film | — | — |
| Action | — | — | 6.31 film |
| Thriller | — | 6.81 film | 6.42 films |
| Comedy | 5.71 film | 6.41 film | — |
| Crime | — | 6.81 film | 6.31 film |
| Romance | 5.71 film | 6.41 film | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2000100 Girls
Where our catalogue meets this career, as Baby Carriage Girl (uncredited).
Highest rated performance · Career peak
6.8 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2020Last Three Days
The current state of the argument, as Amane.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
5 of 5 films
as Detective Davidson
Directed by Unknown
as Amane
Directed by Unknown
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Cynthia
The Wrong Stepmother (2019)
Performance score6.7
The performance the rest of the career is read through. Cynthia gives Gina Hiraizumi a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Detective Davidson
Pool Boy Nightmare (2020)
Performance score6.6
Pool Boy Nightmare asks for something the previous films did not, and gets it. Detective Davidson is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Amane
Last Three Days (2020)
Performance score6.5
Last Three Days asks for something the previous films did not, and gets it. Amane is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Anna
Sister of the Bride (2019)
Performance score6.5
Sister of the Bride asks for something the previous films did not, and gets it. Anna is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Cynthia
Start here. The Wrong Stepmother is the clearest statement of what Gina Hiraizumi does — accessible, 86 minutes, and rated 6.8 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Gina at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
100 Girls (2000)
Same director as The Wrong Stepmother, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Sister of the Bride (2019)
Same director as 100 Girls, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Pool Boy Nightmare (2020)
Same director as Sister of the Bride, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Last Three Days (2020)
Same director as Pool Boy Nightmare, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Company kept
The directors and performers this career keeps returning to.
Not enough analysed work in the catalogue yet. This section fills in automatically as titles are imported.
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Six degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Sister of the Bride
as Anna
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
100 Girls
as Baby Carriage Girl (uncredited)
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
The Wrong Stepmother
as Cynthia
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
100 Girls
as Baby Carriage Girl (uncredited)
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
The Wrong Stepmother
as Cynthia
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Gina Hiraizumi has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
20 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
TV Movie Legend
Awarded
3 catalogue titles in tv movie, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
The Wrong Stepmother
as Cynthia
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Last Three Days
as Amane
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
100 Girls
as Baby Carriage Girl (uncredited)
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Last Three Days
as Amane
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Last Three Days
as Amane
Images that would survive with the sound switched off.
Best action sequence
Last Three Days
as Amane
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
100 Girls
as Baby Carriage Girl (uncredited)
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Pool Boy Nightmare
as Detective Davidson
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
Which Gina Hiraizumi performance holds up best?
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Reference
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