Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#11461
of 909177 performers
Top 5%
Gina Jun works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Gina Jun appears in 14 films in the Nutevio catalogue, and none of them would work the same way without Gina. The Black Phone is the clearest case: a film rated 7.5 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for romance, comedy, horror. It is a style built on what is withheld as much as what is played.
Working with Scott Derrickson, Tobias Lindholm, Mayim Bialik and others, Gina Jun helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
The Black Phone (2022) as Bruce's Mother · To All the Boys: Always and Forever (2021) as NYU College Student · Charm City Kings (2020) as Dog Owner at Vet's Office
Career snapshot
Ranked #11461 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
14
2020–2024
Career length
4 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.5
The Black Phone
Average Nutevio score
6.3
Across catalogue work
Highest IMDb rating
7.8
Charm City Kings
Most frequent director
Scott Derrickson
1 film together
Longest collaboration
1×
With Scott Derrickson
Most common genre
Drama
9 titles
Average runtime
1h 50m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.1
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2020s
6.3 average MV
The 2020s are where the work and the material meet. Players, ReEntry, The Black Phone — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2020s
6.3
Across 14 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2020s
6.3
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2020s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Players, ReEntry, The Black Phone.
Most productive era
2020s
14 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2020s |
|---|---|
| Drama | 6.79 films |
| Action | 6.82 films |
| Thriller | 7.03 films |
| Comedy | 6.56 films |
| Crime | 6.91 film |
| Romance | 6.55 films |
| Horror | 7.51 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2020Charm City Kings
Where our catalogue meets this career, as Dog Owner at Vet's Office.
Highest rated performance · Career peak
2021To All the Boys: Always and Forever
7.5 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2024ReEntry
The current state of the argument, as Reporter.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
14 of 14 films
as Bruce's Mother
Directed by Scott Derrickson
as NYU College Student
Directed by Michael Fimognari
as Dog Owner at Vet's Office
Directed by Ángel Manuel Soto
as Christmas Party Guest (uncredited)
Directed by Clea DuVall
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Bruce's Mother
The Black Phone (2022)
Performance score7.3
The performance the rest of the career is read through. Bruce's Mother gives Gina Jun a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
NYU College Student
To All the Boys: Always and Forever (2021)
Performance score7.3
To All the Boys: Always and Forever asks for something the previous films did not, and gets it. NYU College Student is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Dog Owner at Vet's Office
Charm City Kings (2020)
Performance score7.2
Charm City Kings asks for something the previous films did not, and gets it. Dog Owner at Vet's Office is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Christmas Party Guest (uncredited)
Happiest Season (2020)
Performance score7.0
Happiest Season asks for something the previous films did not, and gets it. Christmas Party Guest (uncredited) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Bruce's Mother
Start here. The Black Phone is the clearest statement of what Gina Jun does — accessible, 103 minutes, and rated 7.5 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Gina at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Charm City Kings (2020)
A deliberate change of key after The Black Phone — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Happiest Season (2020)
A deliberate change of key after Charm City Kings — same instrument, unfamiliar tuning, and the reason range gets mentioned.
The King of Staten Island (2020)
Keeps the comedy register of Happiest Season but asks for a colder reading of it.
To All the Boys: Always and Forever (2021)
Keeps the comedy register of The King of Staten Island but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Clea DuVall
Director
1 film together
Notably Happiest Season
Judd Apatow
Director
1 film together
Notably The King of Staten Island
Ángel Manuel Soto
Director
1 film together
Notably Charm City Kings
Brian Andrew Mendoza
Director
1 film together
Notably Sweet Girl
Stefano Sollima
Director
1 film together
Notably Tom Clancy's Without Remorse
Michael Fimognari
Director
1 film together
Notably To All the Boys: Always and Forever
Rodrigo García
Director
1 film together
Notably Raymond & Ray
Mayim Bialik
Director
1 film together
Notably As They Made Us
Tobias Lindholm
Director
1 film together
Notably The Good Nurse
Scott Derrickson
Director
1 film together
Notably The Black Phone
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Scott Derrickson
Director
1 film together · 7.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Black PhoneMichael Fimognari
Director
1 film together · 7.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
To All the Boys: Always and ForeverÁngel Manuel Soto
Director
1 film together · 7.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Charm City KingsClea DuVall
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Happiest SeasonJudd Apatow
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The King of Staten IslandTobias Lindholm
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Good NurseStefano Sollima
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Tom Clancy's Without RemorseBrian Andrew Mendoza
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Sweet GirlRodrigo García
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Raymond & RayMayim Bialik
Director
1 film together · 5.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
As They Made UsSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Charm City Kings
as Dog Owner at Vet's Office
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
To All the Boys: Always and Forever
as NYU College Student
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
To All the Boys: Always and Forever
as NYU College Student
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
The King of Staten Island
as Baseball Fan
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
The Black Phone
as Bruce's Mother
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Gina Jun has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
9 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
The Good Nurse
as Doctor (uncredited)
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
The Black Phone
as Bruce's Mother
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Call Jane
as Reporter
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
The Good Nurse
as Doctor (uncredited)
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Sweet Girl
as Gala Guest
Images that would survive with the sound switched off.
Best action sequence
Sweet Girl
as Gala Guest
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
To All the Boys: Always and Forever
as NYU College Student
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
The Good Nurse
as Doctor (uncredited)
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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