Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Grant Ross appears in 4 films in the Nutevio catalogue, and none of them would work the same way without Grant. The Kissing Booth 2 is the clearest case: a film rated 7.6 by our editors, where the performance carries weight the script only implies.
The recognisable elements are transformation, quiet performance, versatility. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for action, mystery, thriller. It is a style built on what is withheld as much as what is played.
Working with Ashley Avis, Grant Ross helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
The Kissing Booth 2 (2020) as Berkeley Admissions Officer · Black Beauty (2020) as Horse Trader · Muzzle: City of Wolves (2025) as Detective Spitzer
Career snapshot
A Nutevio catalogue profile for Grant Ross.
Films in Nutevio
4
2020–2025
Career length
5 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.6
The Kissing Booth 2
Average Nutevio score
7.0
Across catalogue work
Highest IMDb rating
8.0
Black Beauty
Most frequent director
Ashley Avis
1 film together
Longest collaboration
1×
With Ashley Avis
Most common genre
Action
2 titles
Average runtime
2h 1m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.4
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2020s
7.0 average MV
The 2020s are where the work and the material meet. Muzzle: City of Wolves, Black Beauty, The Kissing Booth 2 — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2020s
7.0
Across 4 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2020s
7.2
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2020s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Muzzle: City of Wolves, Black Beauty, The Kissing Booth 2.
Most productive era
2020s
4 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2020s |
|---|---|
| Drama | 7.41 film |
| Action | 6.52 films |
| Thriller | 6.52 films |
| Comedy | 7.61 film |
| Crime | 6.51 film |
| Romance | 7.61 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2020Black Beauty
Where our catalogue meets this career, as Horse Trader.
Highest rated performance · Career peak
7.6 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
The current state of the argument, as Detective Spitzer.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
4 of 4 films
as Berkeley Admissions Officer
Directed by Unknown
as Horse Trader
Directed by Ashley Avis
as Detective Spitzer
Directed by Unknown
as Reporter 1
Directed by Unknown
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Berkeley Admissions Officer
The Kissing Booth 2 (2020)
Performance score7.4
The performance the rest of the career is read through. Berkeley Admissions Officer gives Grant Ross a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Horse Trader
Black Beauty (2020)
Performance score7.2
Black Beauty asks for something the previous films did not, and gets it. Horse Trader is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Detective Spitzer
Muzzle: City of Wolves (2025)
Performance score6.6
Muzzle: City of Wolves asks for something the previous films did not, and gets it. Detective Spitzer is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Reporter 1
The Last Days of American Crime (2020)
Performance score6.5
The Last Days of American Crime asks for something the previous films did not, and gets it. Reporter 1 is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Berkeley Admissions Officer
Start here. The Kissing Booth 2 is the clearest statement of what Grant Ross does — accessible, 132 minutes, and rated 7.6 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Grant at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Black Beauty (2020)
A deliberate change of key after The Kissing Booth 2 — same instrument, unfamiliar tuning, and the reason range gets mentioned.
The Last Days of American Crime (2020)
A deliberate change of key after Black Beauty — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Muzzle: City of Wolves (2025)
Same director as The Last Days of American Crime, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Company kept
The directors and performers this career keeps returning to.
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Ashley Avis
Director
1 film together · 7.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Black BeautySix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
The Kissing Booth 2
as Berkeley Admissions Officer
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
The Kissing Booth 2
as Berkeley Admissions Officer
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
The Kissing Booth 2
as Berkeley Admissions Officer
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
The Kissing Booth 2
as Berkeley Admissions Officer
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
The Kissing Booth 2
as Berkeley Admissions Officer
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Grant Ross has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Action Legend
Awarded
2 catalogue titles in action, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
The Kissing Booth 2
as Berkeley Admissions Officer
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Muzzle: City of Wolves
as Detective Spitzer
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
The Kissing Booth 2
as Berkeley Admissions Officer
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Muzzle: City of Wolves
as Detective Spitzer
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
The Kissing Booth 2
as Berkeley Admissions Officer
Images that would survive with the sound switched off.
Best action sequence
Muzzle: City of Wolves
as Detective Spitzer
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
The Kissing Booth 2
as Berkeley Admissions Officer
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
The Last Days of American Crime
as Reporter 1
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
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Cillian Murphy
Built a career in the same territory: drama and thriller
Zach Grenier
Built a career in the same territory: crime and mystery
Richmond Arquette
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Have your say
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Reference
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