Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#14256
of 909177 performers
Top 5%
Hannah Walters works on drama rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Hannah Walters appears in 4 films in the Nutevio catalogue, and none of them would work the same way without Hannah. This Is England is the clearest case: a film rated 7.5 by our editors, where the performance carries weight the script only implies.
The recognisable elements are drama, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for drama, thriller, action. It is a style built on what is withheld as much as what is played.
Working with Philip Barantini, Espen Sandberg, Rob Marshall and others, Hannah Walters helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
This Is England (2007) as Shoe Shop Assistant · Boiling Point (2021) as Emily · Pirates of the Caribbean: Dead Men Tell No Tales (2017) as Beatrice
Career snapshot
Ranked #14256 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
4
2007–2021
Career length
14 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.5
This Is England
Average Nutevio score
7.0
Across catalogue work
Highest IMDb rating
7.5
This Is England
Most frequent director
Philip Barantini
1 film together
Longest collaboration
1×
With Philip Barantini
Most common genre
Drama
2 titles
Average runtime
1h 55m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.6
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2000s
7.5 average MV
The 2000s are where the work and the material meet. This Is England — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2000s
7.5
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2000s
7.5
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. This Is England.
Most productive era
2010s
2 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s | 2020s |
|---|---|---|---|
| Drama | 7.51 film | — | 7.21 film |
| Action | — | 6.72 films | — |
| Thriller | — | — | 7.21 film |
| Crime | 7.51 film | — | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Highest rated performance · Career peak
2007This Is England
Where our catalogue meets this career, as Shoe Shop Assistant. 7.5 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2021Boiling Point
The current state of the argument, as Emily.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
4 of 4 films
as Emily
Directed by Philip Barantini
as Shoe Shop Assistant
Directed by Shane Meadows
as Beatrice
Directed by Espen Sandberg
as Woman at The Captain's Daughter (uncredited)
Directed by Rob Marshall
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Emily
Boiling Point (2021)
Performance score7.3
The performance the rest of the career is read through. Emily gives Hannah Walters a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Shoe Shop Assistant
This Is England (2007)
Performance score7.3
This Is England asks for something the previous films did not, and gets it. Shoe Shop Assistant is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Beatrice
Pirates of the Caribbean: Dead Men Tell No Tales (2017)
Performance score6.6
Pirates of the Caribbean: Dead Men Tell No Tales asks for something the previous films did not, and gets it. Beatrice is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Woman at The Captain's Daughter (uncredited)
Pirates of the Caribbean: On Stranger Tides (2011)
Performance score6.6
Pirates of the Caribbean: On Stranger Tides asks for something the previous films did not, and gets it. Woman at The Captain's Daughter (uncredited) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Emily
Start here. Boiling Point is the clearest statement of what Hannah Walters does — accessible, 92 minutes, and rated 7.2 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Hannah at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
This Is England (2007)
Keeps the drama register of Boiling Point but asks for a colder reading of it.
Pirates of the Caribbean: On Stranger Tides (2011)
A deliberate change of key after This Is England — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Pirates of the Caribbean: Dead Men Tell No Tales (2017)
Keeps the action register of Pirates of the Caribbean: On Stranger Tides but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Shane Meadows
Director
1 film together
Notably This Is England
Rob Marshall
Director
1 film together
Notably Pirates of the Caribbean: On Stranger Tides
Espen Sandberg
Director
1 film together
Notably Pirates of the Caribbean: Dead Men Tell No Tales
Philip Barantini
Director
1 film together
Notably Boiling Point
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Shane Meadows
Director
1 film together · 7.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
This Is EnglandPhilip Barantini
Director
1 film together · 7.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Boiling PointEspen Sandberg
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Pirates of the Caribbean: Dead Men Tell No TalesRob Marshall
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Pirates of the Caribbean: On Stranger TidesSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
This Is England
as Shoe Shop Assistant
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Boiling Point
as Emily
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
This Is England
as Shoe Shop Assistant
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Pirates of the Caribbean: On Stranger Tides
as Woman at The Captain's Daughter (uncredited)
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Boiling Point
as Emily
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Hannah Walters has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
2 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
This Is England
as Shoe Shop Assistant
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
This Is England
as Shoe Shop Assistant
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Boiling Point
as Emily
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
This Is England
as Shoe Shop Assistant
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Pirates of the Caribbean: Dead Men Tell No Tales
as Beatrice
Images that would survive with the sound switched off.
Best action sequence
Pirates of the Caribbean: On Stranger Tides
as Woman at The Captain's Daughter (uncredited)
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
This Is England
as Shoe Shop Assistant
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Pirates of the Caribbean: Dead Men Tell No Tales
as Beatrice
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
Matt Damon
Built a career in the same territory: adventure and drama
Michael Caine
Built a career in the same territory: adventure and drama
Elliot Page
Built a career in the same territory: adventure and drama
David Krumholtz
Built a career in the same territory: action and adventure
Cillian Murphy
Built a career in the same territory: drama and thriller
Morgan Freeman
Built a career in the same territory: action and crime
Have your say
Community
Which Hannah Walters performance holds up best?
Our readers argue about this one. Make your case, or read the ranked debate already in progress.
Join the conversation
Reference
Continue exploring
Trending performers
Directors they work with
Collections to read next
