Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#6786
of 909177 performers
Top 1%
Holliday Grainger works on quiet performance rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Holliday Grainger appears in 10 films in the Nutevio catalogue, and none of them would work the same way without Holliday. Tell It to the Bees is the clearest case: a film rated 7.5 by our editors, where the performance carries weight the script only implies.
The recognisable elements are quiet performance, versatility, emotional range. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for science fiction, comedy, adventure. It is a style built on what is withheld as much as what is played.
Working with Bong Joon Ho, Justin Chadwick, Roger Michell and others, Holliday Grainger helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Tell It to the Bees (2019) as Lydia Weekes · Jane Eyre (2011) as Diana Rivers · Mickey 17 (2025) as Red Hair
Career snapshot
Ranked #6786 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
10
2011–2025
Career length
14 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.5
Tell It to the Bees
Average Nutevio score
6.5
Across catalogue work
Highest IMDb rating
7.5
Tell It to the Bees
Most frequent director
Bong Joon Ho
1 film together
Longest collaboration
1×
With Bong Joon Ho
Most common genre
Drama
9 titles
Average runtime
1h 55m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2020s
6.8 average MV
The 2020s are where the work and the material meet. Mickey 17 — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2020s
6.8
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2020s
6.8
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Tell It to the Bees, Tulip Fever, My Cousin Rachel.
Most productive era
2010s
9 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.49 films | — |
| Comedy | — | 6.81 film |
| Romance | 6.58 films | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2011Jane Eyre
Where our catalogue meets this career, as Diana Rivers.
Highest rated performance · Career peak
7.5 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2025Mickey 17
The current state of the argument, as Red Hair.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
10 of 10 films
as Diana Rivers
Directed by Cary Joji Fukunaga
as Anastasia Tremaine
Directed by Kenneth Branagh
as Red Hair
Directed by Bong Joon Ho
as Maria
Directed by Justin Chadwick
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Lydia Weekes
Tell It to the Bees (2019)
Performance score7.8
The performance the rest of the career is read through. Lydia Weekes gives Holliday Grainger a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Diana Rivers
Jane Eyre (2011)
Performance score7.1
Jane Eyre asks for something the previous films did not, and gets it. Diana Rivers is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Anastasia Tremaine
Cinderella (2015)
Performance score7.0
Cinderella asks for something the previous films did not, and gets it. Anastasia Tremaine is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Red Hair
Mickey 17 (2025)
Performance score6.7
Mickey 17 asks for something the previous films did not, and gets it. Red Hair is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Lydia Weekes
Start here. Tell It to the Bees is the clearest statement of what Holliday Grainger does — accessible, 106 minutes, and rated 7.5 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Holliday at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Jane Eyre (2011)
Keeps the romance register of Tell It to the Bees but asks for a colder reading of it.
Cinderella (2015)
Keeps the romance register of Jane Eyre but asks for a colder reading of it.
Tulip Fever (2017)
Keeps the romance register of Cinderella but asks for a colder reading of it.
Mickey 17 (2025)
A deliberate change of key after Tulip Fever — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Cary Joji Fukunaga
Director
1 film together
Notably Jane Eyre
Mike Newell
Director
1 film together
Notably Great Expectations
Joe Wright
Director
1 film together
Notably Anna Karenina
Lone Scherfig
Director
1 film together
Notably The Riot Club
Kenneth Branagh
Director
1 film together
Notably Cinderella
Roger Michell
Director
1 film together
Notably My Cousin Rachel
Justin Chadwick
Director
1 film together
Notably Tulip Fever
Bong Joon Ho
Director
1 film together
Notably Mickey 17
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Cary Joji Fukunaga
Director
1 film together · 7.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Jane EyreBong Joon Ho
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Mickey 17Kenneth Branagh
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
CinderellaJoe Wright
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Anna KareninaJustin Chadwick
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Tulip FeverMike Newell
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Great ExpectationsLone Scherfig
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Riot ClubRoger Michell
Director
1 film together · 5.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
My Cousin RachelSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Tell It to the Bees
as Lydia Weekes
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Tell It to the Bees
as Lydia Weekes
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Tell It to the Bees
as Lydia Weekes
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Anna Karenina
as Baroness
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Tell It to the Bees
as Lydia Weekes
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Holliday Grainger has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
9 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Tell It to the Bees
as Lydia Weekes
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Tell It to the Bees
as Lydia Weekes
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Tell It to the Bees
as Lydia Weekes
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Cinderella
as Anastasia Tremaine
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Tell It to the Bees
as Lydia Weekes
Images that would survive with the sound switched off.
Best action sequence
Mickey 17
as Red Hair
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Cinderella
as Anastasia Tremaine
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Bel Ami
as Suzanne Rousset
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
Matt Damon
Built a career in the same territory: adventure and drama
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Built a career in the same territory: family and comedy
Bonnie Hunt
Built a career in the same territory: family and comedy
Tom Wilkinson
Built a career in the same territory: comedy and adventure
Song Kang-ho
Works with the same directors — shared collaborators
Lee Sun-kyun
Works with the same directors — shared collaborators
Have your say
Community
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Reference
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