Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#5456
of 909177 performers
Top 1%
Hugh Skinner works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Hugh Skinner appears in 11 films in the Nutevio catalogue, and none of them would work the same way without Hugh. Les Misérables is the clearest case: a film rated 7.3 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for mystery, comedy, drama. It is a style built on what is withheld as much as what is played.
Working with Thea Sharrock, Joseph Bullman, Ben Lewin and others, Hugh Skinner helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Les Misérables (2012) as Joly · Mamma Mia! Here We Go Again (2018) as Young Harry · Star Wars: The Last Jedi (2017) as Holdo's First Officer
Career snapshot
Ranked #5456 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
11
2012–2024
Career length
12 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.3
Les Misérables
Average Nutevio score
5.8
Across catalogue work
Highest IMDb rating
7.3
Les Misérables
Most frequent director
Thea Sharrock
1 film together
Longest collaboration
1×
With Thea Sharrock
Most common genre
Comedy
5 titles
Average runtime
1h 34m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.1
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2020s
6.0 average MV
The 2020s are where the work and the material meet. Wicked Little Letters, Partygate, The Invitation — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2020s
6.0
Across 6 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2020s
6.0
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Steven Berkoff's Tell Tale Heart, Mamma Mia! Here We Go Again, Star Wars: The Last Jedi.
Most productive era
2020s
6 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 7.31 film | 5.63 films |
| Action | 7.01 film | — |
| Thriller | 0.01 film | 6.01 film |
| Comedy | 6.62 films | 5.53 films |
| Crime | — | 6.91 film |
| Romance | 6.62 films | 6.51 film |
| Horror | 0.01 film | 6.01 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Highest rated performance
2012Les Misérables
Where our catalogue meets this career, as Joly. 7.3 on the Nutevio scale, the top of the catalogue for this performer.
Career peak
2023Partygate
Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
The current state of the argument, as Constable Papperwick.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
11 of 11 films
as Josh Fitzmaurice
Directed by Joseph Bullman
as Joly
Directed by Tom Hooper
as Max Thistlewaite
Directed by Ben Lewin
as Holdo's First Officer
Directed by Rian Johnson
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Josh Fitzmaurice
Partygate (2023)
Performance score7.3
The performance the rest of the career is read through. Josh Fitzmaurice gives Hugh Skinner a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Joly
Les Misérables (2012)
Performance score7.2
Les Misérables asks for something the previous films did not, and gets it. Joly is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Max Thistlewaite
Falling for Figaro (2021)
Performance score7.0
Falling for Figaro asks for something the previous films did not, and gets it. Max Thistlewaite is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Young Harry
Mamma Mia! Here We Go Again (2018)
Performance score7.0
Mamma Mia! Here We Go Again asks for something the previous films did not, and gets it. Young Harry is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Josh Fitzmaurice
Start here. Partygate is the clearest statement of what Hugh Skinner does — accessible, 65 minutes, and rated 6.9 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Hugh at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Les Misérables (2012)
Keeps the drama register of Partygate but asks for a colder reading of it.
Star Wars: The Last Jedi (2017)
A deliberate change of key after Les Misérables — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Mamma Mia! Here We Go Again (2018)
A deliberate change of key after Star Wars: The Last Jedi — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Falling for Figaro (2021)
Keeps the romance register of Mamma Mia! Here We Go Again but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Tom Hooper
Director
1 film together
Notably Les Misérables
Rian Johnson
Director
1 film together
Notably Star Wars: The Last Jedi
Ben Lewin
Director
1 film together
Notably Falling for Figaro
Joseph Bullman
Director
1 film together
Notably Partygate
Thea Sharrock
Director
1 film together
Notably Wicked Little Letters
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Tom Hooper
Director
1 film together · 7.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Les MisérablesRian Johnson
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Star Wars: The Last JediThea Sharrock
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Wicked Little LettersJoseph Bullman
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
PartygateBen Lewin
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Falling for FigaroSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Les Misérables
as Joly
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Les Misérables
as Joly
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Les Misérables
as Joly
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Star Wars: The Last Jedi
as Holdo's First Officer
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Partygate
as Josh Fitzmaurice
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Hugh Skinner has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
5 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Wicked Little Letters
as Constable Papperwick
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Wicked Little Letters
as Constable Papperwick
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Les Misérables
as Joly
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Wicked Little Letters
as Constable Papperwick
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Star Wars: The Last Jedi
as Holdo's First Officer
Images that would survive with the sound switched off.
Best action sequence
Star Wars: The Last Jedi
as Holdo's First Officer
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Les Misérables
as Joly
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Star Wars: The Last Jedi
as Holdo's First Officer
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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