Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Ian Conningham appears in 5 films in the Nutevio catalogue, and none of them would work the same way without Ian. Mary Poppins Returns is the clearest case: a film rated 6.6 by our editors, where the performance carries weight the script only implies.
The recognisable elements are quiet performance, versatility, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for drama, war, history. It is a style built on what is withheld as much as what is played.
Working with Thomas Napper, Oliver Parker, Rob Marshall and others, Ian Conningham helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Mary Poppins Returns (2018) as Pub Landlord · Lady Macbeth (2016) as Detective Logan · Widow Clicquot (2024) as Paquet
Career snapshot
A Nutevio catalogue profile for Ian Conningham.
Films in Nutevio
5
2016–2025
Career length
9 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
6.6
Mary Poppins Returns
Average Nutevio score
5.2
Across catalogue work
Highest IMDb rating
6.7
The Great Escaper
Most frequent director
Thomas Napper
1 film together
Longest collaboration
1×
With Thomas Napper
Most common genre
Drama
3 titles
Average runtime
1h 24m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.1
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.6 average MV
The 2010s are where the work and the material meet. Mary Poppins Returns, Lady Macbeth — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.6
Across 2 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.5
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Mary Poppins Returns, Lady Macbeth.
Most productive era
2020s
3 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.61 film | 6.52 films |
| Comedy | 6.61 film | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Highest rated performance · Career peak
2016Lady Macbeth
Where our catalogue meets this career, as Detective Logan. 6.6 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2025Requirements
The current state of the argument, as Doctor.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
5 of 5 films
as Pub Landlord
Directed by Rob Marshall
as Detective Logan
Directed by William Oldroyd
as Paquet
Directed by Thomas Napper
as LCT Commander Parker
Directed by Oliver Parker
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Pub Landlord
Mary Poppins Returns (2018)
Performance score6.6
The performance the rest of the career is read through. Pub Landlord gives Ian Conningham a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Detective Logan
Lady Macbeth (2016)
Performance score6.6
Lady Macbeth asks for something the previous films did not, and gets it. Detective Logan is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Doctor
Requirements (2025)
Performance score6.5
Requirements asks for something the previous films did not, and gets it. Doctor is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Paquet
Widow Clicquot (2024)
Performance score6.5
Widow Clicquot asks for something the previous films did not, and gets it. Paquet is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Pub Landlord
Start here. Mary Poppins Returns is the clearest statement of what Ian Conningham does — accessible, 131 minutes, and rated 6.6 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Ian at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Lady Macbeth (2016)
A deliberate change of key after Mary Poppins Returns — same instrument, unfamiliar tuning, and the reason range gets mentioned.
The Great Escaper (2023)
Keeps the drama register of Lady Macbeth but asks for a colder reading of it.
Widow Clicquot (2024)
Keeps the drama register of The Great Escaper but asks for a colder reading of it.
Requirements (2025)
A deliberate change of key after Widow Clicquot — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
William Oldroyd
Director
1 film together
Notably Lady Macbeth
Rob Marshall
Director
1 film together
Notably Mary Poppins Returns
Oliver Parker
Director
1 film together
Notably The Great Escaper
Thomas Napper
Director
1 film together
Notably Widow Clicquot
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Rob Marshall
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Mary Poppins ReturnsWilliam Oldroyd
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Lady MacbethThomas Napper
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Widow ClicquotOliver Parker
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Great EscaperSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Mary Poppins Returns
as Pub Landlord
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Lady Macbeth
as Detective Logan
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Lady Macbeth
as Detective Logan
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Mary Poppins Returns
as Pub Landlord
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Mary Poppins Returns
as Pub Landlord
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Ian Conningham has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Drama Legend
Awarded
3 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Mary Poppins Returns
as Pub Landlord
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Lady Macbeth
as Detective Logan
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Lady Macbeth
as Detective Logan
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Mary Poppins Returns
as Pub Landlord
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Mary Poppins Returns
as Pub Landlord
Images that would survive with the sound switched off.
Best action sequence
Widow Clicquot
as Paquet
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
The Great Escaper
as LCT Commander Parker
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Mary Poppins Returns
as Pub Landlord
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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