Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#29718
of 909177 performers
Top 5%
Ian Hanmore works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Ian Hanmore appears in 7 films in the Nutevio catalogue, and none of them would work the same way without Ian. Dungeons & Dragons: Honor Among Thieves is the clearest case: a film rated 7.4 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for science fiction, comedy, adventure. It is a style built on what is withheld as much as what is played.
Working with Bong Joon Ho, Paul W. S. Anderson, John Francis Daley and others, Ian Hanmore helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Dungeons & Dragons: Honor Among Thieves (2023) as Szass Tam · Mickey 17 (2025) as Darius Blank · Falling for Figaro (2021) as Patrick
Career snapshot
Ranked #29718 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
7
2003–2025
Career length
22 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.4
Dungeons & Dragons: Honor Among Thieves
Average Nutevio score
6.4
Across catalogue work
Highest IMDb rating
7.4
Dungeons & Dragons: Honor Among Thieves
Most frequent director
Bong Joon Ho
1 film together
Longest collaboration
1×
With Bong Joon Ho
Most common genre
Comedy
3 titles
Average runtime
1h 48m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.4
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2020s
6.5 average MV
The 2020s are where the work and the material meet. Mickey 17, In the Lost Lands, Tornado — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2020s
6.5
Across 6 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2020s
6.5
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Young Adam.
Most productive era
2020s
6 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2020s |
|---|---|---|
| Drama | 5.91 film | 6.11 film |
| Action | — | 6.03 films |
| Thriller | 5.91 film | — |
| Comedy | — | 6.93 films |
| Crime | 5.91 film | — |
| Romance | 5.91 film | 6.51 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2003Young Adam
Where our catalogue meets this career, as Freight Supervisor.
Highest rated performance · Career peak
2023Dungeons & Dragons: Honor Among Thieves
7.4 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2025Tornado
The current state of the argument, as Thief Bandit.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
7 of 7 films
as Szass Tam
Directed by John Francis Daley
as Darius Blank
Directed by Bong Joon Ho
as The Stranger (uncredited)
Directed by Paul W. S. Anderson
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Szass Tam
Dungeons & Dragons: Honor Among Thieves (2023)
Performance score7.2
The performance the rest of the career is read through. Szass Tam gives Ian Hanmore a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Darius Blank
Mickey 17 (2025)
Performance score6.7
Mickey 17 asks for something the previous films did not, and gets it. Darius Blank is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
The Stranger (uncredited)
In the Lost Lands (2025)
Performance score6.5
In the Lost Lands asks for something the previous films did not, and gets it. The Stranger (uncredited) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Thief Bandit
Tornado (2025)
Performance score6.5
Tornado asks for something the previous films did not, and gets it. Thief Bandit is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Szass Tam
Start here. Dungeons & Dragons: Honor Among Thieves is the clearest statement of what Ian Hanmore does — accessible, 134 minutes, and rated 7.4 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Ian at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Kingslayer (2022)
A deliberate change of key after Dungeons & Dragons: Honor Among Thieves — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Mickey 17 (2025)
A deliberate change of key after Kingslayer — same instrument, unfamiliar tuning, and the reason range gets mentioned.
In the Lost Lands (2025)
A deliberate change of key after Mickey 17 — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Tornado (2025)
Keeps the action register of In the Lost Lands but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
David Mackenzie
Director
1 film together
Notably Young Adam
Ben Lewin
Director
1 film together
Notably Falling for Figaro
John Francis Daley
Director
1 film together
Notably Dungeons & Dragons: Honor Among Thieves
Paul W. S. Anderson
Director
1 film together
Notably In the Lost Lands
Bong Joon Ho
Director
1 film together
Notably Mickey 17
Behind the camera
Who casts this performer, how often, and what the pairing produces.
John Francis Daley
Director
1 film together · 7.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Dungeons & Dragons: Honor Among ThievesBong Joon Ho
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Mickey 17Ben Lewin
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Falling for FigaroPaul W. S. Anderson
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
In the Lost LandsDavid Mackenzie
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Young AdamSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Dungeons & Dragons: Honor Among Thieves
as Szass Tam
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Falling for Figaro
as Patrick
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Dungeons & Dragons: Honor Among Thieves
as Szass Tam
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Dungeons & Dragons: Honor Among Thieves
as Szass Tam
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Dungeons & Dragons: Honor Among Thieves
as Szass Tam
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Ian Hanmore has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
22 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
3 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Dungeons & Dragons: Honor Among Thieves
as Szass Tam
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Dungeons & Dragons: Honor Among Thieves
as Szass Tam
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Falling for Figaro
as Patrick
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Dungeons & Dragons: Honor Among Thieves
as Szass Tam
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
In the Lost Lands
as The Stranger (uncredited)
Images that would survive with the sound switched off.
Best action sequence
In the Lost Lands
as The Stranger (uncredited)
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Falling for Figaro
as Patrick
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
In the Lost Lands
as The Stranger (uncredited)
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Works with the same directors — shared collaborators
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Have your say
Community
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Reference
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