Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#109303
of 909177 performers
Top 25%
Ibnu Widodo works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Ibnu Widodo appears in 14 films in the Nutevio catalogue, and none of them would work the same way without Ibnu. The Science of Fictions is the clearest case: a film rated 6.6 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, quiet performance, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for crime, drama, thriller. It is a style built on what is withheld as much as what is played.
Working with Danial Rifki, Hanung Bramantyo, Sidharta Tata, Ibnu Widodo helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
The Science of Fictions (2020) · Children of Heaven (2026) as Soto Seller · Sakaratul Maut (2024) as Sopir Truk Kecelakaan
Career snapshot
Ranked #109303 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
14
2019–2026
Career length
7 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
6.6
The Science of Fictions
Average Nutevio score
2.7
Across catalogue work
Highest IMDb rating
8.2
The Science of Fictions
Most frequent director
Danial Rifki
1 film together
Longest collaboration
1×
With Danial Rifki
Most common genre
Drama
11 titles
Average runtime
0h 52m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.1
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2020s
2.9 average MV
The 2020s are where the work and the material meet. Ayah, Aku Mau Cerita...., Children of Heaven, Cerita Lila — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2020s
2.9
Across 13 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2020s
3.0
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Bura.
Most productive era
2020s
13 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 0.01 film | 2.510 films |
| Thriller | — | 2.13 films |
| Comedy | — | 0.01 film |
| Crime | — | 0.03 films |
| Romance | — | 6.21 film |
| Horror | — | 6.23 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2019Bura
Where our catalogue meets this career, as Ustad.
Highest rated performance · Career peak
6.6 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2026Cerita Lila
The current state of the argument, as Kresna.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
14 of 14 films
Directed by Unknown
as Kresna
Directed by Unknown
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
The Science of Fictions
The Science of Fictions (2020)
Performance score6.6
The performance the rest of the career is read through. The role gives Ibnu Widodo a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Gusti
Ayah, Aku Mau Cerita.... (2026)
Performance score6.5
Ayah, Aku Mau Cerita.... asks for something the previous films did not, and gets it. Gusti is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Soto Seller
Children of Heaven (2026)
Performance score6.5
Children of Heaven asks for something the previous films did not, and gets it. Soto Seller is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Kresna
Cerita Lila (2026)
Performance score6.5
Cerita Lila asks for something the previous films did not, and gets it. Kresna is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
Start here. The Science of Fictions is the clearest statement of what Ibnu Widodo does — accessible, 106 minutes, and rated 6.6 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Ibnu at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
The Queen of Witchcraft (2025)
Same director as The Science of Fictions, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Ayah, Aku Mau Cerita.... (2026)
Keeps the drama register of The Queen of Witchcraft but asks for a colder reading of it.
Children of Heaven (2026)
Keeps the drama register of Ayah, Aku Mau Cerita.... but asks for a colder reading of it.
Cerita Lila (2026)
The turn in the path: a film the public underrates and we do not. By this point you will know why.
Company kept
The directors and performers this career keeps returning to.
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Hanung Bramantyo
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Children of HeavenSidharta Tata
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Sakaratul MautDanial Rifki
Director
1 film together · 0.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Ayah, Aku Mau Cerita....Six degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
The Science of Fictions
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Gendut Siapa Takut?!
as Pengarah Peran
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
The Science of Fictions
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Children of Heaven
as Soto Seller
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
The Science of Fictions
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Ibnu Widodo has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
11 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
The Science of Fictions
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Sakaratul Maut
as Sopir Truk Kecelakaan
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Gendut Siapa Takut?!
as Pengarah Peran
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Ayah, Aku Mau Cerita....
as Gusti
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
The Science of Fictions
Images that would survive with the sound switched off.
Best action sequence
The Debtor
as Darso
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Gendut Siapa Takut?!
as Pengarah Peran
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Cerita Lila
as Kresna
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
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Edward Norton
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Harvey Keitel
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Have your say
Community
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Reference
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