Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#13670
of 909177 performers
Top 5%
Ida Lupino works on transformation rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Ida Lupino appears in 4 films in the Nutevio catalogue, and none of them would work the same way without Ida. High Sierra is the clearest case: a film rated 6.8 by our editors, where the performance carries weight the script only implies.
The recognisable elements are transformation, versatility, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for adventure, drama, action. It is a style built on what is withheld as much as what is played.
Working with Michael Curtiz, Raoul Walsh, Alfred L. Werker and others, Ida Lupino helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
High Sierra (1941) as Marie · The Sea Wolf (1941) as Ruth Webster · The Adventures of Sherlock Holmes (1939) as Ann Brandon
Career snapshot
Ranked #13670 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
4
1935–1941
Career length
6 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
6.8
High Sierra
Average Nutevio score
6.7
Across catalogue work
Highest IMDb rating
7.2
The Sea Wolf
Most frequent director
Michael Curtiz
1 film together
Longest collaboration
1×
With Michael Curtiz
Most common genre
Drama
3 titles
Average runtime
1h 33m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1940s
6.8 average MV
The 1940s are where the work and the material meet. The Sea Wolf, High Sierra — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1940s
6.8
Across 2 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1940s
7.2
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1930s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. The Adventures of Sherlock Holmes, Peter Ibbetson.
Most productive era
1930s
2 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1930s | 1940s |
|---|---|---|
| Drama | 6.61 film | 6.82 films |
| Action | — | 6.81 film |
| Thriller | 6.61 film | — |
| Crime | 6.61 film | 6.81 film |
| Romance | 6.61 film | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
1935Peter Ibbetson
Where our catalogue meets this career, as Agnes.
Highest rated performance · Career peak · Most recent film
1941High Sierra
6.8 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once. The current state of the argument, as Marie.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
4 of 4 films
as Marie
Directed by Raoul Walsh
as Ruth Webster
Directed by Michael Curtiz
as Ann Brandon
Directed by Alfred L. Werker
as Agnes
Directed by Henry Hathaway
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Marie
High Sierra (1941)
Performance score7.4
The performance the rest of the career is read through. Marie gives Ida Lupino a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Ruth Webster
The Sea Wolf (1941)
Performance score7.1
The Sea Wolf asks for something the previous films did not, and gets it. Ruth Webster is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Ann Brandon
The Adventures of Sherlock Holmes (1939)
Performance score7.0
The Adventures of Sherlock Holmes asks for something the previous films did not, and gets it. Ann Brandon is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Agnes
Peter Ibbetson (1935)
Performance score6.8
Peter Ibbetson asks for something the previous films did not, and gets it. Agnes is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Marie
Start here. High Sierra is the clearest statement of what Ida Lupino does — accessible, 100 minutes, and rated 6.8 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Ida at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Peter Ibbetson (1935)
Keeps the drama register of High Sierra but asks for a colder reading of it.
The Adventures of Sherlock Holmes (1939)
A deliberate change of key after Peter Ibbetson — same instrument, unfamiliar tuning, and the reason range gets mentioned.
The Sea Wolf (1941)
A deliberate change of key after The Adventures of Sherlock Holmes — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Henry Hathaway
Director
1 film together
Notably Peter Ibbetson
Alfred L. Werker
Director
1 film together
Notably The Adventures of Sherlock Holmes
Raoul Walsh
Director
1 film together
Notably High Sierra
Michael Curtiz
Director
1 film together
Notably The Sea Wolf
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Raoul Walsh
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
High SierraMichael Curtiz
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Sea WolfAlfred L. Werker
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Adventures of Sherlock HolmesHenry Hathaway
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Peter IbbetsonSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
High Sierra
as Marie
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Peter Ibbetson
as Agnes
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
High Sierra
as Marie
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Peter Ibbetson
as Agnes
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
High Sierra
as Marie
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Ida Lupino has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Drama Legend
Awarded
3 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
The Adventures of Sherlock Holmes
as Ann Brandon
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
The Adventures of Sherlock Holmes
as Ann Brandon
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Peter Ibbetson
as Agnes
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
The Adventures of Sherlock Holmes
as Ann Brandon
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
High Sierra
as Marie
Images that would survive with the sound switched off.
Best action sequence
High Sierra
as Marie
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Peter Ibbetson
as Agnes
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
High Sierra
as Marie
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
Michael Caine
Built a career in the same territory: adventure and drama
Matt Damon
Built a career in the same territory: adventure and drama
Morgan Freeman
Built a career in the same territory: action and crime
Jamie Harris
Built a career in the same territory: adventure and drama
Elliot Page
Built a career in the same territory: adventure and drama
Christian Bale
Built a career in the same territory: action and crime
Have your say
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Reference
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