Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#22849
of 909177 performers
Top 5%
Ilana Glazer works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Ilana Glazer appears in 6 films in the Nutevio catalogue, and none of them would work the same way without Ilana. Ben Platt: Live from Radio City Music Hall is the clearest case: a film rated 7.8 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for drama, history, comedy. It is a style built on what is withheld as much as what is played.
Working with Grant Heslov, Pamela Adlon, John Lee and others, Ilana Glazer helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Ben Platt: Live from Radio City Music Hall (2020) as Self · Good Night, and Good Luck (2025) as Shirley Wershba · The Night Before (2015) as Rebecca Grinch
Career snapshot
Ranked #22849 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
6
2015–2025
Career length
10 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.8
Ben Platt: Live from Radio City Music Hall
Average Nutevio score
6.4
Across catalogue work
Highest IMDb rating
7.8
Ben Platt: Live from Radio City Music Hall
Most frequent director
Grant Heslov
1 film together
Longest collaboration
1×
With Grant Heslov
Most common genre
Comedy
3 titles
Average runtime
1h 38m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.2
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2020s
6.6 average MV
The 2020s are where the work and the material meet. Good Night, and Good Luck, Babes, False Positive — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2020s
6.6
Across 4 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2020s
6.6
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Rough Night, The Night Before.
Most productive era
2020s
4 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 5.71 film | 7.31 film |
| Thriller | — | 5.61 film |
| Comedy | 5.92 films | 5.91 film |
| Horror | — | 5.61 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2015The Night Before
Where our catalogue meets this career, as Rebecca Grinch.
Highest rated performance · Career peak
2020Ben Platt: Live from Radio City Music Hall
7.8 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
The current state of the argument, as Shirley Wershba.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
6 of 6 films
as Shirley Wershba
Directed by Grant Heslov
as Lucia "Lucy" Martin
Directed by John Lee
as Frankie
Directed by Lucia Aniello
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Self
Ben Platt: Live from Radio City Music Hall (2020)
Performance score7.6
The performance the rest of the career is read through. Self gives Ilana Glazer a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Shirley Wershba
Good Night, and Good Luck (2025)
Performance score7.4
Good Night, and Good Luck asks for something the previous films did not, and gets it. Shirley Wershba is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Eden
Babes (2024)
Performance score6.7
Babes asks for something the previous films did not, and gets it. Eden is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Lucia "Lucy" Martin
False Positive (2021)
Performance score6.5
False Positive asks for something the previous films did not, and gets it. Lucia "Lucy" Martin is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Self
Start here. Ben Platt: Live from Radio City Music Hall is the clearest statement of what Ilana Glazer does — accessible, 85 minutes, and rated 7.8 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Ilana at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Rough Night (2017)
A deliberate change of key after Ben Platt: Live from Radio City Music Hall — same instrument, unfamiliar tuning, and the reason range gets mentioned.
False Positive (2021)
A deliberate change of key after Rough Night — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Babes (2024)
A deliberate change of key after False Positive — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Good Night, and Good Luck (2025)
A deliberate change of key after Babes — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Jonathan Levine
Director
1 film together
Notably The Night Before
Lucia Aniello
Director
1 film together
Notably Rough Night
Alex Timbers
Director
1 film together
Notably Ben Platt: Live from Radio City Music Hall
John Lee
Director
1 film together
Notably False Positive
Pamela Adlon
Director
1 film together
Notably Babes
Grant Heslov
Director
1 film together
Notably Good Night, and Good Luck
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Alex Timbers
Director
1 film together · 7.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Ben Platt: Live from Radio City Music HallGrant Heslov
Director
1 film together · 7.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Good Night, and Good LuckJonathan Levine
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Night BeforePamela Adlon
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
BabesLucia Aniello
Director
1 film together · 5.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Rough NightJohn Lee
Director
1 film together · 5.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
False PositiveSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Ben Platt: Live from Radio City Music Hall
as Self
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Good Night, and Good Luck
as Shirley Wershba
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Ben Platt: Live from Radio City Music Hall
as Self
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Ben Platt: Live from Radio City Music Hall
as Self
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Ben Platt: Live from Radio City Music Hall
as Self
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Ilana Glazer has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
3 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Ben Platt: Live from Radio City Music Hall
as Self
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Ben Platt: Live from Radio City Music Hall
as Self
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Good Night, and Good Luck
as Shirley Wershba
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
False Positive
as Lucia "Lucy" Martin
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Ben Platt: Live from Radio City Music Hall
as Self
Images that would survive with the sound switched off.
Best action sequence
The Night Before
as Rebecca Grinch
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Good Night, and Good Luck
as Shirley Wershba
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
False Positive
as Lucia "Lucy" Martin
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Reference
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