Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#93165
of 909177 performers
Top 25%
Ingrid Thulin works on quiet performance rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Ingrid Thulin appears in 6 films in the Nutevio catalogue, and none of them would work the same way without Ingrid. Wild Strawberries is the clearest case: a film rated 7.8 by our editors, where the performance carries weight the script only implies.
The recognisable elements are quiet performance, drama, emotional range. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for drama, history, horror. It is a style built on what is withheld as much as what is played.
Working with Ingmar Bergman, Luchino Visconti, Ingrid Thulin helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Wild Strawberries (1957) as Marianne · Cries and Whispers (1972) as Karin · Winter Light (1963) as Märta Lundberg
Career snapshot
Ranked #93165 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
6
1957–1972
Career length
15 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.8
Wild Strawberries
Average Nutevio score
7.3
Across catalogue work
Highest IMDb rating
8.1
Wild Strawberries
Most frequent director
Ingmar Bergman
5 films together
Longest collaboration
5×
With Ingmar Bergman
Most common genre
Drama
6 titles
Average runtime
1h 41m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
7.0
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.7
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1950s
7.8 average MV
The 1950s are where the work and the material meet. Wild Strawberries — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1950s
7.8
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1950s
8.1
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1950s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Wild Strawberries.
Most productive era
1960s
4 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1950s | 1960s | 1970s |
|---|---|---|---|
| Drama | 7.81 film | 7.14 films | 7.51 film |
| Romance | — | 7.11 film | — |
| Horror | — | 7.11 film | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Highest rated performance · Career peak
Where our catalogue meets this career, as Marianne. 7.8 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
The current state of the argument, as Karin.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
6 of 6 films
as Märta Lundberg
Directed by Ingmar Bergman
as Ester
Directed by Ingmar Bergman
as Sophie Von Essenbeck
Directed by Luchino Visconti
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Marianne
Wild Strawberries (1957)
Performance score8.1
The performance the rest of the career is read through. Marianne gives Ingrid Thulin a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Märta Lundberg
Winter Light (1963)
Performance score8.0
Winter Light asks for something the previous films did not, and gets it. Märta Lundberg is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Karin
Cries and Whispers (1972)
Performance score7.8
Cries and Whispers asks for something the previous films did not, and gets it. Karin is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Ester
The Silence (1963)
Performance score7.7
The Silence asks for something the previous films did not, and gets it. Ester is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Marianne
Start here. Wild Strawberries is the clearest statement of what Ingrid Thulin does — accessible, 91 minutes, and rated 7.8 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Ingrid at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Winter Light (1963)
Same director as Wild Strawberries, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
The Silence (1963)
Same director as Winter Light, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
The Damned (1969)
Keeps the drama register of The Silence but asks for a colder reading of it.
Cries and Whispers (1972)
Keeps the drama register of The Damned but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Ingmar Bergman
Director
5 films together · 7.4 avg MV
A working relationship rather than a booking — 5 films, and the register shifts each time.
Best film together
Wild StrawberriesLuchino Visconti
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The DamnedSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Wild Strawberries
as Marianne
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
The Silence
as Ester
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Wild Strawberries
as Marianne
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Hour of the Wolf
as Veronica Vogler
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Wild Strawberries
as Marianne
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Ingrid Thulin has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Drama Legend
Awarded
6 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Wild Strawberries
as Marianne
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Hour of the Wolf
as Veronica Vogler
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
The Silence
as Ester
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Wild Strawberries
as Marianne
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Wild Strawberries
as Marianne
Images that would survive with the sound switched off.
Best action sequence
Wild Strawberries
as Marianne
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
The Damned
as Sophie Von Essenbeck
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Wild Strawberries
as Marianne
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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