Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#12431
of 909177 performers
Top 5%
Jack Haven works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Jack Haven appears in 12 films in the Nutevio catalogue, and none of them would work the same way without Jack. Teenage Sex and Death at Camp Miasma is the clearest case: a film rated 7.2 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, quiet performance, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for mystery, fantasy, drama. It is a style built on what is withheld as much as what is played.
Working with Jack Haven, Dean Parisot, Jay Roach and others, Jack Haven helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Teenage Sex and Death at Camp Miasma (2026) as Little Death · The Glass Castle (2017) as Maureen Walls · Bombshell (2019) as Julia Clarke
Career snapshot
Ranked #12431 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
12
2015–2026
Career length
11 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.2
Teenage Sex and Death at Camp Miasma
Average Nutevio score
5.2
Across catalogue work
Highest IMDb rating
7.2
Teenage Sex and Death at Camp Miasma
Most frequent director
Jack Haven
2 films together
Longest collaboration
2×
With Jack Haven
Most common genre
Drama
7 titles
Average runtime
1h 34m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.1
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.2 average MV
The 2010s are where the work and the material meet. Bombshell, Action Point, The Glass Castle — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.2
Across 5 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.3
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Bombshell, Action Point, The Glass Castle.
Most productive era
2020s
7 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.25 films | 3.12 films |
| Comedy | 5.83 films | 6.33 films |
| Romance | — | 7.21 film |
| Horror | — | 6.34 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2015Irrational Man
Where our catalogue meets this career, as Braylin Student.
Highest rated performance · Career peak · Most recent film
2026Teenage Sex and Death at Camp Miasma
7.2 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once. The current state of the argument, as Little Death.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
12 of 12 films
as Little Death
Directed by Unknown
as Maureen Walls
Directed by Destin Daniel Cretton
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Little Death
Teenage Sex and Death at Camp Miasma (2026)
Performance score7.1
The performance the rest of the career is read through. Little Death gives Jack Haven a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Maureen Walls
The Glass Castle (2017)
Performance score7.0
The Glass Castle asks for something the previous films did not, and gets it. Maureen Walls is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Riley
Amelia’s Children (2024)
Performance score6.8
Amelia’s Children asks for something the previous films did not, and gets it. Riley is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Maddy
I Saw the TV Glow (2024)
Performance score6.7
I Saw the TV Glow asks for something the previous films did not, and gets it. Maddy is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Little Death
Start here. Teenage Sex and Death at Camp Miasma is the clearest statement of what Jack Haven does — accessible, 112 minutes, and rated 7.2 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Jack at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
The Glass Castle (2017)
A deliberate change of key after Teenage Sex and Death at Camp Miasma — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Bombshell (2019)
Keeps the drama register of The Glass Castle but asks for a colder reading of it.
Amelia’s Children (2024)
A deliberate change of key after Bombshell — same instrument, unfamiliar tuning, and the reason range gets mentioned.
I Saw the TV Glow (2024)
Same director as Amelia’s Children, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Company kept
The directors and performers this career keeps returning to.
Jack Haven
Director
2 films together
Notably Une Fraise
Woody Allen
Director
1 film together
Notably Irrational Man
Alexander Payne
Director
1 film together
Notably Downsizing
Destin Daniel Cretton
Director
1 film together
Notably The Glass Castle
Tim Kirkby
Director
1 film together
Notably Action Point
Jay Roach
Director
1 film together
Notably Bombshell
Dean Parisot
Director
1 film together
Notably Bill & Ted Face the Music
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Jack Haven
Director
2 films together · 0.0 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
Une FraiseDestin Daniel Cretton
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Glass CastleJay Roach
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
BombshellWoody Allen
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Irrational ManDean Parisot
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Bill & Ted Face the MusicTim Kirkby
Director
1 film together · 5.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Action PointAlexander Payne
Director
1 film together · 5.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
DownsizingSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
The Glass Castle
as Maureen Walls
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Teenage Sex and Death at Camp Miasma
as Little Death
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Teenage Sex and Death at Camp Miasma
as Little Death
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Downsizing
as Dusan's Girlfriend
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Teenage Sex and Death at Camp Miasma
as Little Death
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Jack Haven has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
7 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Teenage Sex and Death at Camp Miasma
as Little Death
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Amelia’s Children
as Riley
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Teenage Sex and Death at Camp Miasma
as Little Death
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Amelia’s Children
as Riley
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
The Glass Castle
as Maureen Walls
Images that would survive with the sound switched off.
Best action sequence
Bill & Ted Face the Music
as Billie
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Irrational Man
as Braylin Student
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
I Saw the TV Glow
as Maddy
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
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Reference
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