Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#752
of 909177 performers
Top 1%
Jack Quaid works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Jack Quaid appears in 17 films in the Nutevio catalogue, and none of them would work the same way without Jack. Spider-Man: Across the Spider-Verse is the clearest case: a film rated 8.5 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for science fiction, horror, thriller. It is a style built on what is withheld as much as what is played.
Working with Drew Hancock, Ilya Naishuller, Christopher Nolan and others, Jack Quaid helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Spider-Man: Across the Spider-Verse (2023) as Peter Parker (voice) · Oppenheimer (2023) as Richard Feynman · Batman: The Long Halloween, Part One (2021) as Alberto (voice)
Career snapshot
Ranked #752 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
17
2012–2025
Career length
13 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
8.5
Spider-Man: Across the Spider-Verse
Average Nutevio score
7.0
Across catalogue work
Highest IMDb rating
8.3
Spider-Man: Across the Spider-Verse
Most frequent director
Matt Bettinelli-Olpin
2 films together
Longest collaboration
2×
With Matt Bettinelli-Olpin
Most common genre
Action
8 titles
Average runtime
1h 55m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
7.1
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.6
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2020s
7.2 average MV
The 2020s are where the work and the material meet. Companion, Heads of State, Neighborhood Watch — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2020s
7.2
Across 9 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2020s
7.1
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Plus One, Rampage, Smallfoot.
Most productive era
2020s
9 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.62 films | 8.21 film |
| Action | 7.04 films | 7.44 films |
| Thriller | 7.21 film | 6.85 films |
| Comedy | 6.55 films | 6.82 films |
| Crime | 6.71 film | 6.93 films |
| Romance | 6.62 films | — |
| Horror | 6.01 film | 6.93 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2012The Hunger Games
Where our catalogue meets this career, as Marvel.
Highest rated performance · Career peak
2023Spider-Man: Across the Spider-Verse
8.5 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2025Novocaine
The current state of the argument, as Nate.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
17 of 17 films
as Peter Parker (voice)
Directed by Joaquim Dos Santos
as Richard Feynman
Directed by Christopher Nolan
as Alberto (voice)
Directed by Chris Palmer
as Josh
Directed by Drew Hancock
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Peter Parker (voice)
Spider-Man: Across the Spider-Verse (2023)
Performance score8.2
The performance the rest of the career is read through. Peter Parker (voice) gives Jack Quaid a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Richard Feynman
Oppenheimer (2023)
Performance score7.9
Oppenheimer asks for something the previous films did not, and gets it. Richard Feynman is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Alberto (voice)
Batman: The Long Halloween, Part One (2021)
Performance score7.6
Batman: The Long Halloween, Part One asks for something the previous films did not, and gets it. Alberto (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Josh
Companion (2025)
Performance score7.4
Companion asks for something the previous films did not, and gets it. Josh is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Peter Parker (voice)
Start here. Spider-Man: Across the Spider-Verse is the clearest statement of what Jack Quaid does — accessible, 140 minutes, and rated 8.5 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Jack at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Batman: The Long Halloween, Part One (2021)
Keeps the action register of Spider-Man: Across the Spider-Verse but asks for a colder reading of it.
Oppenheimer (2023)
A deliberate change of key after Batman: The Long Halloween, Part One — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Companion (2025)
A deliberate change of key after Oppenheimer — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Novocaine (2025)
Keeps the thriller register of Companion but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Matt Bettinelli-Olpin
Director
2 films together
Notably Scream VI
Gary Ross
Director
1 film together
Notably The Hunger Games
Francis Lawrence
Director
1 film together
Notably The Hunger Games: Catching Fire
Courteney Cox
Director
1 film together
Notably Just Before I Go
Karey Kirkpatrick
Director
1 film together
Notably Smallfoot
Brad Peyton
Director
1 film together
Notably Rampage
Jeff Chan
Director
1 film together
Notably Plus One
Chris Palmer
Director
1 film together
Notably Batman: The Long Halloween, Part One
Joaquim Dos Santos
Director
1 film together
Notably Spider-Man: Across the Spider-Verse
Christopher Nolan
Director
1 film together
Notably Oppenheimer
Ilya Naishuller
Director
1 film together
Notably Heads of State
Drew Hancock
Director
1 film together
Notably Companion
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Matt Bettinelli-Olpin
Director
2 films together · 6.8 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
Scream VIJoaquim Dos Santos
Director
1 film together · 8.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Spider-Man: Across the Spider-VerseChristopher Nolan
Director
1 film together · 8.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
OppenheimerChris Palmer
Director
1 film together · 7.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Batman: The Long Halloween, Part OneFrancis Lawrence
Director
1 film together · 7.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Hunger Games: Catching FireGary Ross
Director
1 film together · 7.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Hunger GamesDrew Hancock
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
CompanionIlya Naishuller
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Heads of StateJeff Chan
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Plus OneKarey Kirkpatrick
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
SmallfootBrad Peyton
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
RampageCourteney Cox
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Just Before I GoSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Spider-Man: Across the Spider-Verse
as Peter Parker (voice)
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Oppenheimer
as Richard Feynman
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Spider-Man: Across the Spider-Verse
as Peter Parker (voice)
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Oppenheimer
as Richard Feynman
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Spider-Man: Across the Spider-Verse
as Peter Parker (voice)
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Jack Quaid has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Action Legend
Awarded
8 catalogue titles in action, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Spider-Man: Across the Spider-Verse
as Peter Parker (voice)
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Spider-Man: Across the Spider-Verse
as Peter Parker (voice)
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Oppenheimer
as Richard Feynman
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Scream
as Richie Kirsch
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Spider-Man: Across the Spider-Verse
as Peter Parker (voice)
Images that would survive with the sound switched off.
Best action sequence
Spider-Man: Across the Spider-Verse
as Peter Parker (voice)
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Smallfoot
as Pilot (voice)
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Oppenheimer
as Richard Feynman
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
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Robert Downey Jr.
Works with the same directors — Christopher Nolan
Have your say
Community
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Reference
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