Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#30965
of 909177 performers
Top 5%
James Fraser is the performer our scores keep defending against the popular vote — a career of films that get better the further you stand from their release week.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
James Fraser appears in 5 films in the Nutevio catalogue, and none of them would work the same way without James. Pirates of the Caribbean: Dead Men Tell No Tales is the clearest case: a film rated 6.8 by our editors, where the performance carries weight the script only implies.
The recognisable elements are quiet performance, versatility, drama. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for drama, comedy, music. It is a style built on what is withheld as much as what is played.
Working with Madeleine Gottlieb, Espen Sandberg, Rod Hardy, James Fraser helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Pirates of the Caribbean: Dead Men Tell No Tales (2017) as Young Greenhorn · December Boys (2007) as Spit · Snare (2019) as Jobe
Career snapshot
Ranked #30965 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
5
2007–2025
Career length
18 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
6.8
Pirates of the Caribbean: Dead Men Tell No Tales
Average Nutevio score
3.8
Across catalogue work
Highest IMDb rating
6.7
Pirates of the Caribbean: Dead Men Tell No Tales
Most frequent director
Madeleine Gottlieb
2 films together
Longest collaboration
2×
With Madeleine Gottlieb
Most common genre
Drama
4 titles
Average runtime
0h 54m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.2
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.3 average MV
The 2010s are where the work and the material meet. Snare, Pirates of the Caribbean: Dead Men Tell No Tales — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.3
Across 2 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2000s
6.0
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. December Boys.
Most productive era
2010s
2 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s | 2020s |
|---|---|---|---|
| Drama | 6.21 film | 5.91 film | 0.02 films |
| Action | — | 6.81 film | — |
| Comedy | — | 5.91 film | — |
| Romance | 6.21 film | — | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2007December Boys
Where our catalogue meets this career, as Spit.
Highest rated performance · Career peak
2017Pirates of the Caribbean: Dead Men Tell No Tales
6.8 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2025White Lines
The current state of the argument, as Jacob.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
5 of 5 films
as Young Greenhorn
Directed by Espen Sandberg
as Jobe
Directed by Madeleine Gottlieb
as Spit
Directed by Rod Hardy
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Young Greenhorn
Pirates of the Caribbean: Dead Men Tell No Tales (2017)
Performance score6.7
The performance the rest of the career is read through. Young Greenhorn gives James Fraser a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Jacob
White Lines (2025)
Performance score6.5
White Lines asks for something the previous films did not, and gets it. Jacob is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Noah
Laura (2020)
Performance score6.5
Laura asks for something the previous films did not, and gets it. Noah is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Jobe
Snare (2019)
Performance score6.5
Snare asks for something the previous films did not, and gets it. Jobe is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Young Greenhorn
Start here. Pirates of the Caribbean: Dead Men Tell No Tales is the clearest statement of what James Fraser does — accessible, 129 minutes, and rated 6.8 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet James at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
December Boys (2007)
A deliberate change of key after Pirates of the Caribbean: Dead Men Tell No Tales — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Snare (2019)
Keeps the drama register of December Boys but asks for a colder reading of it.
Laura (2020)
Same director as Snare, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
White Lines (2025)
Keeps the drama register of Laura but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Madeleine Gottlieb
Director
2 films together · 3.0 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
SnareEspen Sandberg
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Pirates of the Caribbean: Dead Men Tell No TalesRod Hardy
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
December BoysSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Pirates of the Caribbean: Dead Men Tell No Tales
as Young Greenhorn
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
December Boys
as Spit
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Pirates of the Caribbean: Dead Men Tell No Tales
as Young Greenhorn
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Pirates of the Caribbean: Dead Men Tell No Tales
as Young Greenhorn
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Pirates of the Caribbean: Dead Men Tell No Tales
as Young Greenhorn
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. James Fraser has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
4 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Pirates of the Caribbean: Dead Men Tell No Tales
as Young Greenhorn
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Pirates of the Caribbean: Dead Men Tell No Tales
as Young Greenhorn
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
December Boys
as Spit
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Pirates of the Caribbean: Dead Men Tell No Tales
as Young Greenhorn
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Pirates of the Caribbean: Dead Men Tell No Tales
as Young Greenhorn
Images that would survive with the sound switched off.
Best action sequence
Pirates of the Caribbean: Dead Men Tell No Tales
as Young Greenhorn
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Snare
as Jobe
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Snare
as Jobe
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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