Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#40866
of 909177 performers
Top 5%
Jamie Harrold represents the rare performer whose career became more ambitious with every decade — 28 years in, and Jamie is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Jamie Harrold appears in 8 films in the Nutevio catalogue, and none of them would work the same way without Jamie. To Wong Foo, Thanks for Everything! Julie Newmar is the clearest case: a film rated 7.5 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, quiet performance, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for drama, history, mystery. It is a style built on what is withheld as much as what is played.
Working with Michael Cuesta, Phil Alden Robinson, Frank Oz and others, Jamie Harrold helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
To Wong Foo, Thanks for Everything! Julie Newmar (1995) as Billy Budd · Erin Brockovich (2000) as Scott · Natural Born Killers (1994) as Kid #2
Career snapshot
Ranked #40866 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
8
1994–2022
Career length
28 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.5
To Wong Foo, Thanks for Everything! Julie Newmar
Average Nutevio score
6.5
Across catalogue work
Highest IMDb rating
7.5
To Wong Foo, Thanks for Everything! Julie Newmar
Most frequent director
Michael Cuesta
1 film together
Longest collaboration
1×
With Michael Cuesta
Most common genre
Drama
8 titles
Average runtime
1h 52m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.9
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.6
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1990s
7.3 average MV
The 1990s are where the work and the material meet. To Wong Foo, Thanks for Everything! Julie Newmar, Natural Born Killers — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1990s
7.3
Across 2 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1990s
7.3
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1990s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. To Wong Foo, Thanks for Everything! Julie Newmar, Natural Born Killers.
Most productive era
2000s
5 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1990s | 2000s | 2020s |
|---|---|---|---|
| Drama | 7.32 films | 6.45 films | 5.91 film |
| Action | — | 6.62 films | — |
| Thriller | 7.11 film | 6.13 films | — |
| Comedy | 7.51 film | — | — |
| Crime | 7.11 film | 6.71 film | — |
| Romance | — | 6.11 film | — |
| Horror | — | 5.31 film | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as Kid #2.
Highest rated performance · Career peak
1995To Wong Foo, Thanks for Everything! Julie Newmar
7.5 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
The current state of the argument, as Vagabond.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
8 of 8 films
as Kid #2
Directed by Oliver Stone
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Billy Budd
To Wong Foo, Thanks for Everything! Julie Newmar (1995)
Performance score7.3
The performance the rest of the career is read through. Billy Budd gives Jamie Harrold a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Scott
Erin Brockovich (2000)
Performance score7.2
Erin Brockovich asks for something the previous films did not, and gets it. Scott is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Kid #2
Natural Born Killers (1994)
Performance score7.0
Natural Born Killers asks for something the previous films did not, and gets it. Kid #2 is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Steven
The Score (2001)
Performance score6.9
The Score asks for something the previous films did not, and gets it. Steven is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Billy Budd
Start here. To Wong Foo, Thanks for Everything! Julie Newmar is the clearest statement of what Jamie Harrold does — accessible, 108 minutes, and rated 7.5 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Jamie at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Natural Born Killers (1994)
Keeps the drama register of To Wong Foo, Thanks for Everything! Julie Newmar but asks for a colder reading of it.
Erin Brockovich (2000)
Keeps the drama register of Natural Born Killers but asks for a colder reading of it.
The Score (2001)
Keeps the drama register of Erin Brockovich but asks for a colder reading of it.
The Better Angels (2022)
Keeps the drama register of The Score but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Oliver Stone
Director
1 film together
Notably Natural Born Killers
Joan Chen
Director
1 film together
Notably Autumn in New York
Frank Oz
Director
1 film together
Notably The Score
Phil Alden Robinson
Director
1 film together
Notably The Sum of All Fears
Michael Cuesta
Director
1 film together
Notably Tell-Tale
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Oliver Stone
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Natural Born KillersFrank Oz
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The ScorePhil Alden Robinson
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Sum of All FearsJoan Chen
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Autumn in New YorkMichael Cuesta
Director
1 film together · 5.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Tell-TaleSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Erin Brockovich
as Scott
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Autumn in New York
as (uncredited)
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
To Wong Foo, Thanks for Everything! Julie Newmar
as Billy Budd
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Autumn in New York
as (uncredited)
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
To Wong Foo, Thanks for Everything! Julie Newmar
as Billy Budd
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Jamie Harrold has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
28 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
8 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
To Wong Foo, Thanks for Everything! Julie Newmar
as Billy Budd
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Natural Born Killers
as Kid #2
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Autumn in New York
as (uncredited)
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Tell-Tale
as Stanovich
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
The Score
as Steven
Images that would survive with the sound switched off.
Best action sequence
The Sum of All Fears
as Dillon
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Natural Born Killers
as Kid #2
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
To Wong Foo, Thanks for Everything! Julie Newmar
as Billy Budd
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
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