Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#41158
of 909177 performers
Top 5%
Jazmyn Simon works on quiet performance rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Jazmyn Simon appears in 5 films in the Nutevio catalogue, and none of them would work the same way without Jazmyn. Psych: The Movie is the clearest case: a film rated 7.2 by our editors, where the performance carries weight the script only implies.
The recognisable elements are quiet performance, transformation, versatility. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for romance, comedy, crime. It is a style built on what is withheld as much as what is played.
Working with Doug Liman, Steve Franks, Tyler Perry, Jazmyn Simon helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Psych: The Movie (2017) as Selene · Psych 2: Lassie Come Home (2020) as Selene Gilmore · Psych 3: This Is Gus (2021) as Selene
Career snapshot
Ranked #41158 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
5
2017–2021
Career length
4 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.2
Psych: The Movie
Average Nutevio score
6.6
Across catalogue work
Highest IMDb rating
7.2
Psych: The Movie
Most frequent director
Steve Franks
3 films together
Longest collaboration
3×
With Steve Franks
Most common genre
Comedy
4 titles
Average runtime
1h 42m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.2
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
7.0 average MV
The 2010s are where the work and the material meet. Acrimony, Psych: The Movie — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
7.0
Across 2 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
7.0
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Acrimony, Psych: The Movie.
Most productive era
2020s
3 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.71 film | — |
| Thriller | 6.71 film | — |
| Comedy | 7.21 film | 6.43 films |
| Crime | 7.21 film | 6.43 films |
| Romance | — | 5.21 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Highest rated performance · Career peak
2017Psych: The Movie
Where our catalogue meets this career, as Selene. 7.2 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
The current state of the argument, as Selene.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
5 of 5 films
as Selene
Directed by Steve Franks
as Selene
Directed by Steve Franks
as June
Directed by Tyler Perry
as Maria
Directed by Doug Liman
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Selene
Psych 3: This Is Gus (2021)
Performance score7.1
The performance the rest of the career is read through. Selene gives Jazmyn Simon a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Selene
Psych: The Movie (2017)
Performance score7.1
Psych: The Movie asks for something the previous films did not, and gets it. Selene is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Selene Gilmore
Psych 2: Lassie Come Home (2020)
Performance score6.9
Psych 2: Lassie Come Home asks for something the previous films did not, and gets it. Selene Gilmore is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
June
Acrimony (2018)
Performance score6.9
Acrimony asks for something the previous films did not, and gets it. June is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Selene
Start here. Psych 3: This Is Gus is the clearest statement of what Jazmyn Simon does — accessible, 96 minutes, and rated 6.9 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Jazmyn at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Psych: The Movie (2017)
Same director as Psych 3: This Is Gus, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Acrimony (2018)
A deliberate change of key after Psych: The Movie — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Psych 2: Lassie Come Home (2020)
A deliberate change of key after Acrimony — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Locked Down (2021)
Keeps the comedy register of Psych 2: Lassie Come Home but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Steve Franks
Director
3 films together · 7.0 avg MV
A working relationship rather than a booking — 3 films, and the register shifts each time.
Best film together
Psych: The MovieTyler Perry
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
AcrimonyDoug Liman
Director
1 film together · 5.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Locked DownSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Psych: The Movie
as Selene
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Acrimony
as June
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Psych: The Movie
as Selene
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Psych: The Movie
as Selene
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Psych 3: This Is Gus
as Selene
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Jazmyn Simon has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
4 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Psych: The Movie
as Selene
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Psych: The Movie
as Selene
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Locked Down
as Maria
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Psych: The Movie
as Selene
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Psych: The Movie
as Selene
Images that would survive with the sound switched off.
Best action sequence
Psych: The Movie
as Selene
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Locked Down
as Maria
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Psych 3: This Is Gus
as Selene
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Richmond Arquette
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Bob Stephenson
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Have your say
Community
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Reference
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