Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#139840
of 909177 performers
Top 25%
Jean-Marie Winling represents the rare performer whose career became more ambitious with every decade — 36 years in, and Jean-Marie is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Jean-Marie Winling appears in 7 films in the Nutevio catalogue, and none of them would work the same way without Jean-Marie. Cyrano de Bergerac is the clearest case: a film rated 7.1 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, quiet performance, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for science fiction, comedy, animation. It is a style built on what is withheld as much as what is played.
Working with Jérôme Commandeur, Alexandre de La Patellière, Jean-Paul Rappeneau, Jean-Marie Winling helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Cyrano de Bergerac (1990) as Lignière · The Best Is Yet to Come (2019) as Bernard Montesiho, father of César · L'oubliée d'Amboise (2022) as Charles Dutertre
Career snapshot
Ranked #139840 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
7
1990–2026
Career length
36 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.1
Cyrano de Bergerac
Average Nutevio score
6.3
Across catalogue work
Highest IMDb rating
7.3
Cyrano de Bergerac
Most frequent director
Jérôme Commandeur
1 film together
Longest collaboration
1×
With Jérôme Commandeur
Most common genre
Comedy
5 titles
Average runtime
1h 38m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.6
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1990s
7.1 average MV
The 1990s are where the work and the material meet. Cyrano de Bergerac — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1990s
7.1
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1990s
7.3
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1990s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Cyrano de Bergerac.
Most productive era
2020s
5 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1990s | 2010s | 2020s |
|---|---|---|---|
| Drama | 7.11 film | 6.81 film | 6.23 films |
| Comedy | 7.11 film | 6.81 film | 6.03 films |
| Crime | — | — | 6.71 film |
| Romance | 7.11 film | — | 5.61 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Highest rated performance · Career peak
Where our catalogue meets this career, as Lignière. 7.1 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2026Vertiginous
The current state of the argument, as Christophe Bourgeois (voice).
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
7 of 7 films
as Bernard Montesiho, father of César
Directed by Alexandre de La Patellière
as Lignière
Directed by Jean-Paul Rappeneau
as Charles Dutertre
Directed by Unknown
as Christophe Bourgeois (voice)
Directed by Unknown
as Man in the bus
Directed by Unknown
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Bernard Montesiho, father of César
The Best Is Yet to Come (2019)
Performance score7.0
The performance the rest of the career is read through. Bernard Montesiho, father of César gives Jean-Marie Winling a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Lignière
Cyrano de Bergerac (1990)
Performance score7.0
Cyrano de Bergerac asks for something the previous films did not, and gets it. Lignière is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Charles Dutertre
L'oubliée d'Amboise (2022)
Performance score6.9
L'oubliée d'Amboise asks for something the previous films did not, and gets it. Charles Dutertre is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Christophe Bourgeois (voice)
Vertiginous (2026)
Performance score6.5
Vertiginous asks for something the previous films did not, and gets it. Christophe Bourgeois (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Bernard Montesiho, father of César
Start here. The Best Is Yet to Come is the clearest statement of what Jean-Marie Winling does — accessible, 117 minutes, and rated 6.8 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Jean-Marie at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Cyrano de Bergerac (1990)
Keeps the comedy register of The Best Is Yet to Come but asks for a colder reading of it.
L'oubliée d'Amboise (2022)
Keeps the drama register of Cyrano de Bergerac but asks for a colder reading of it.
Daaaaaalí! (2024)
Same director as L'oubliée d'Amboise, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Vertiginous (2026)
Same director as Daaaaaalí!, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Company kept
The directors and performers this career keeps returning to.
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Jean-Paul Rappeneau
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Cyrano de BergeracAlexandre de La Patellière
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Best Is Yet to ComeJérôme Commandeur
Director
1 film together · 6.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Employee of the MonthSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Cyrano de Bergerac
as Lignière
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Cyrano de Bergerac
as Lignière
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Cyrano de Bergerac
as Lignière
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Daaaaaalí!
as Man in the bus
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
The Best Is Yet to Come
as Bernard Montesiho, father of César
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Jean-Marie Winling has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
36 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
5 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
L'oubliée d'Amboise
as Charles Dutertre
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
L'oubliée d'Amboise
as Charles Dutertre
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Dreamchild
as Claude Receveur
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
L'oubliée d'Amboise
as Charles Dutertre
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Cyrano de Bergerac
as Lignière
Images that would survive with the sound switched off.
Best action sequence
Daaaaaalí!
as Man in the bus
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Cyrano de Bergerac
as Lignière
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Daaaaaalí!
as Man in the bus
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Reference
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