Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#2957
of 909177 performers
Top 1%
Jessie Buckley works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Jessie Buckley appears in 15 films in the Nutevio catalogue, and none of them would work the same way without Jessie. Hamnet is the clearest case: a film rated 7.7 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for science fiction, horror, fantasy. It is a style built on what is withheld as much as what is played.
Working with Maggie Gyllenhaal, Chloé Zhao, Thea Sharrock and others, Jessie Buckley helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Hamnet (2025) as Agnes · The Scarecrows' Wedding (2026) as Betty O'Barley (voice) · The Courier (2020) as Sheila Wynne
Career snapshot
Ranked #2957 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
15
2019–2026
Career length
7 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.7
Hamnet
Average Nutevio score
6.7
Across catalogue work
Highest IMDb rating
7.7
Hamnet
Most frequent director
Maggie Gyllenhaal
2 films together
Longest collaboration
2×
With Maggie Gyllenhaal
Most common genre
Drama
10 titles
Average runtime
1h 46m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.8 average MV
The 2010s are where the work and the material meet. Judy, Wild Rose — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.8
Across 2 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.7
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Judy, Wild Rose.
Most productive era
2020s
13 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.82 films | 6.78 films |
| Thriller | — | 6.53 films |
| Comedy | 6.81 film | 6.63 films |
| Romance | — | 6.93 films |
| Horror | — | 6.12 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2019Judy
Where our catalogue meets this career, as Rosalyn Wilder.
Highest rated performance · Career peak
2025Hamnet
7.7 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
The current state of the argument, as Betty O'Barley (voice).
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
15 of 15 films
as Betty O'Barley (voice)
Directed by Unknown
as Rose-Lynn Harlan
Directed by Tom Harper
as Rose Gooding
Directed by Thea Sharrock
as Isabel Fezziwig (voice)
Directed by Unknown
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Agnes
Hamnet (2025)
Performance score8.2
The performance the rest of the career is read through. Agnes gives Jessie Buckley a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Betty O'Barley (voice)
The Scarecrows' Wedding (2026)
Performance score7.4
The Scarecrows' Wedding asks for something the previous films did not, and gets it. Betty O'Barley (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Rose-Lynn Harlan
Wild Rose (2019)
Performance score7.4
Wild Rose asks for something the previous films did not, and gets it. Rose-Lynn Harlan is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Rose Gooding
Wicked Little Letters (2024)
Performance score7.3
Wicked Little Letters asks for something the previous films did not, and gets it. Rose Gooding is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Agnes
Start here. Hamnet is the clearest statement of what Jessie Buckley does — accessible, 125 minutes, and rated 7.7 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Jessie at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Wild Rose (2019)
Keeps the drama register of Hamnet but asks for a colder reading of it.
Scrooge: A Christmas Carol (2022)
A deliberate change of key after Wild Rose — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Wicked Little Letters (2024)
A deliberate change of key after Scrooge: A Christmas Carol — same instrument, unfamiliar tuning, and the reason range gets mentioned.
The Scarecrows' Wedding (2026)
A deliberate change of key after Wicked Little Letters — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Maggie Gyllenhaal
Director
2 films together
Notably The Lost Daughter
Tom Harper
Director
1 film together
Notably Wild Rose
Rupert Goold
Director
1 film together
Notably Judy
Philippa Lowthorpe
Director
1 film together
Notably Misbehaviour
Charlie Kaufman
Director
1 film together
Notably I'm Thinking of Ending Things
Stephen Gaghan
Director
1 film together
Notably Dolittle
Sarah Polley
Director
1 film together
Notably Women Talking
Alex Garland
Director
1 film together
Notably Men
Thea Sharrock
Director
1 film together
Notably Wicked Little Letters
Chloé Zhao
Director
1 film together
Notably Hamnet
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Maggie Gyllenhaal
Director
2 films together · 6.3 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
The Lost DaughterChloé Zhao
Director
1 film together · 7.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
HamnetThea Sharrock
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Wicked Little LettersSarah Polley
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Women TalkingTom Harper
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Wild RoseRupert Goold
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
JudyStephen Gaghan
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
DolittleCharlie Kaufman
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
I'm Thinking of Ending ThingsPhilippa Lowthorpe
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
MisbehaviourAlex Garland
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
MenSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Hamnet
as Agnes
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Hamnet
as Agnes
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Hamnet
as Agnes
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Dolittle
as Queen Victoria
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Hamnet
as Agnes
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Jessie Buckley has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
10 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Wicked Little Letters
as Rose Gooding
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
I'm Thinking of Ending Things
as Young Woman
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
The Scarecrows' Wedding
as Betty O'Barley (voice)
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
I'm Thinking of Ending Things
as Young Woman
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Hamnet
as Agnes
Images that would survive with the sound switched off.
Best action sequence
Dolittle
as Queen Victoria
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Wild Rose
as Rose-Lynn Harlan
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
The Lost Daughter
as Young Leda Caruso
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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