Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Jim Codrington appears in 5 films in the Nutevio catalogue, and none of them would work the same way without Jim. Resident Evil: Apocalypse is the clearest case: a film rated 6.5 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for romance, mystery, tv movie. It is a style built on what is withheld as much as what is played.
Working with John Madden, Reginald Hudlin, Mike Newell, Jim Codrington helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Resident Evil: Apocalypse (2004) as Lieutenant · Nightalk (2022) as Det. Charlie · Killshot (2008) as 1st FBI Agent
Career snapshot
A Nutevio catalogue profile for Jim Codrington.
Films in Nutevio
5
1999–2022
Career length
23 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
6.5
Resident Evil: Apocalypse
Average Nutevio score
6.1
Across catalogue work
Highest IMDb rating
6.4
Resident Evil: Apocalypse
Most frequent director
John Madden
1 film together
Longest collaboration
1×
With John Madden
Most common genre
Crime
2 titles
Average runtime
1h 37m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2000s
6.2 average MV
The 2000s are where the work and the material meet. Killshot, Resident Evil: Apocalypse, The Ladies Man — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2000s
6.2
Across 3 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1990s
5.9
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1990s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Pushing Tin.
Most productive era
2000s
3 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1990s | 2000s | 2020s |
|---|---|---|---|
| Drama | 6.11 film | 6.11 film | — |
| Action | — | 6.51 film | — |
| Thriller | — | 6.11 film | 6.11 film |
| Comedy | 6.11 film | 5.91 film | — |
| Crime | — | 6.11 film | 6.11 film |
| Romance | — | — | 6.11 film |
| Horror | — | 6.51 film | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Career peak
1999Pushing Tin
Where our catalogue meets this career, as Pilot (voice). Weighing billing against the film's own quality, this is the point where everything aligned at once.
Highest rated performance
6.5 on the Nutevio scale, the top of the catalogue for this performer.
Most recent film
2022Nightalk
The current state of the argument, as Det. Charlie.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
5 of 5 films
as 1st FBI Agent
Directed by John Madden
as Lieutenant
Directed by Unknown
as Soul Station Manager
Directed by Reginald Hudlin
as Pilot (voice)
Directed by Mike Newell
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Det. Charlie
Nightalk (2022)
Performance score6.5
The performance the rest of the career is read through. Det. Charlie gives Jim Codrington a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
1st FBI Agent
Killshot (2008)
Performance score6.5
Killshot asks for something the previous films did not, and gets it. 1st FBI Agent is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Lieutenant
Resident Evil: Apocalypse (2004)
Performance score6.5
Resident Evil: Apocalypse asks for something the previous films did not, and gets it. Lieutenant is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Soul Station Manager
The Ladies Man (2000)
Performance score6.5
The Ladies Man asks for something the previous films did not, and gets it. Soul Station Manager is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Det. Charlie
Start here. Nightalk is the clearest statement of what Jim Codrington does — accessible, 89 minutes, and rated 6.1 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Jim at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Pushing Tin (1999)
A deliberate change of key after Nightalk — same instrument, unfamiliar tuning, and the reason range gets mentioned.
The Ladies Man (2000)
Keeps the comedy register of Pushing Tin but asks for a colder reading of it.
Resident Evil: Apocalypse (2004)
A deliberate change of key after The Ladies Man — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Killshot (2008)
A deliberate change of key after Resident Evil: Apocalypse — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Behind the camera
Who casts this performer, how often, and what the pairing produces.
John Madden
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
KillshotMike Newell
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Pushing TinReginald Hudlin
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Ladies ManSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Pushing Tin
as Pilot (voice)
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Nightalk
as Det. Charlie
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Resident Evil: Apocalypse
as Lieutenant
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Pushing Tin
as Pilot (voice)
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Nightalk
as Det. Charlie
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Jim Codrington has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
23 years of relevant work — not merely a long career, but a long career of choices.
Crime Legend
Awarded
2 catalogue titles in crime, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Resident Evil: Apocalypse
as Lieutenant
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Resident Evil: Apocalypse
as Lieutenant
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Nightalk
as Det. Charlie
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Nightalk
as Det. Charlie
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Resident Evil: Apocalypse
as Lieutenant
Images that would survive with the sound switched off.
Best action sequence
Resident Evil: Apocalypse
as Lieutenant
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Killshot
as 1st FBI Agent
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
The Ladies Man
as Soul Station Manager
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
Which Jim Codrington performance holds up best?
Our readers argue about this one. Make your case, or read the ranked debate already in progress.
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Reference
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