Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#47936
of 909177 performers
Top 10%
Joe Berryman works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Joe Berryman appears in 7 films in the Nutevio catalogue, and none of them would work the same way without Joe. Hell or High Water is the clearest case: a film rated 7.3 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for action, western, drama. It is a style built on what is withheld as much as what is played.
Working with Vincent D'Onofrio, David Mackenzie, Stephen Gaghan and others, Joe Berryman helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Hell or High Water (2016) as Bank Manager · Paul (2011) as Gas Station Attendant · Gold (2016) as Angry Investor #2
Career snapshot
Ranked #47936 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
7
2011–2019
Career length
8 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.3
Hell or High Water
Average Nutevio score
6.3
Across catalogue work
Highest IMDb rating
7.3
Hell or High Water
Most frequent director
Vincent D'Onofrio
1 film together
Longest collaboration
1×
With Vincent D'Onofrio
Most common genre
Drama
4 titles
Average runtime
1h 44m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.2
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.3 average MV
The 2010s are where the work and the material meet. The Kid, Dreamland, Hell or High Water — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.3
Across 7 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.3
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. The Kid, Dreamland, Hell or High Water.
Most productive era
2010s
7 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s |
|---|---|
| Drama | 6.44 films |
| Action | 6.01 film |
| Thriller | 6.32 films |
| Comedy | 6.13 films |
| Crime | 6.42 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2011Paul
Where our catalogue meets this career, as Gas Station Attendant.
Highest rated performance · Career peak
7.3 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2019Dreamland
The current state of the argument, as Sheriff Ross.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
7 of 7 films
as Bank Manager
Directed by David Mackenzie
as Gas Station Attendant
Directed by Greg Mottola
as Angry Investor #2
Directed by Stephen Gaghan
as Older Doctor
Directed by Vincent D'Onofrio
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Bank Manager
Hell or High Water (2016)
Performance score7.2
The performance the rest of the career is read through. Bank Manager gives Joe Berryman a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Gas Station Attendant
Paul (2011)
Performance score6.7
Paul asks for something the previous films did not, and gets it. Gas Station Attendant is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Angry Investor #2
Gold (2016)
Performance score6.6
Gold asks for something the previous films did not, and gets it. Angry Investor #2 is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Older Doctor
The Kid (2019)
Performance score6.5
The Kid asks for something the previous films did not, and gets it. Older Doctor is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Bank Manager
Start here. Hell or High Water is the clearest statement of what Joe Berryman does — accessible, 102 minutes, and rated 7.3 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Joe at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Paul (2011)
A deliberate change of key after Hell or High Water — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Gold (2016)
Keeps the adventure register of Paul but asks for a colder reading of it.
The Kid (2019)
Keeps the drama register of Gold but asks for a colder reading of it.
Dreamland (2019)
Keeps the drama register of The Kid but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Greg Mottola
Director
1 film together
Notably Paul
Michael Hoffman
Director
1 film together
Notably Gambit
Seth MacFarlane
Director
1 film together
Notably A Million Ways to Die in the West
Stephen Gaghan
Director
1 film together
Notably Gold
David Mackenzie
Director
1 film together
Notably Hell or High Water
Vincent D'Onofrio
Director
1 film together
Notably The Kid
Behind the camera
Who casts this performer, how often, and what the pairing produces.
David Mackenzie
Director
1 film together · 7.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Hell or High WaterGreg Mottola
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
PaulStephen Gaghan
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
GoldSeth MacFarlane
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
A Million Ways to Die in the WestVincent D'Onofrio
Director
1 film together · 6.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The KidMichael Hoffman
Director
1 film together · 5.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
GambitSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Hell or High Water
as Bank Manager
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Gold
as Angry Investor #2
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Hell or High Water
as Bank Manager
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Gold
as Angry Investor #2
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Hell or High Water
as Bank Manager
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Joe Berryman has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
4 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Hell or High Water
as Bank Manager
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Hell or High Water
as Bank Manager
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Gold
as Angry Investor #2
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Hell or High Water
as Bank Manager
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Hell or High Water
as Bank Manager
Images that would survive with the sound switched off.
Best action sequence
The Kid
as Older Doctor
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Hell or High Water
as Bank Manager
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
A Million Ways to Die in the West
as Teacher
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Morgan Freeman
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Reference
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