Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#13337
of 909177 performers
Top 5%
Johnny Vegas works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Johnny Vegas appears in 9 films in the Nutevio catalogue, and none of them would work the same way without Johnny. Dial M for Middlesbrough is the clearest case: a film rated 6.5 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for comedy, fantasy, family. It is a style built on what is withheld as much as what is played.
Working with Phil Johnston, Ed Bye, Nick Park and others, Johnny Vegas helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Dial M for Middlesbrough (2019) as Terry · Tulip Fever (2017) as Apothecary · Early Man (2018) as Asbo (voice)
Career snapshot
Ranked #13337 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
9
2004–2025
Career length
21 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
6.5
Dial M for Middlesbrough
Average Nutevio score
6.0
Across catalogue work
Highest IMDb rating
6.5
Tulip Fever
Most frequent director
Phil Johnston
1 film together
Longest collaboration
1×
With Phil Johnston
Most common genre
Comedy
7 titles
Average runtime
1h 38m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.1 average MV
The 2010s are where the work and the material meet. Dial M for Middlesbrough, Tales from the Lodge, Early Man — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.1
Across 5 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.1
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. The Libertine.
Most productive era
2010s
5 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s | 2020s |
|---|---|---|---|
| Drama | 5.91 film | 6.51 film | — |
| Action | — | 6.01 film | 6.01 film |
| Thriller | — | — | 6.01 film |
| Comedy | — | 6.04 films | 5.73 films |
| Romance | 5.91 film | 6.51 film | — |
| Horror | — | 6.02 films | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2004The Libertine
Where our catalogue meets this career, as Sackville.
Highest rated performance
2017Tulip Fever
6.5 on the Nutevio scale, the top of the catalogue for this performer.
Career peak
Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
The current state of the argument, as Robert / Botty.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
9 of 9 films
as Terry
Directed by Ed Bye
as Jim Twit (voice)
Directed by Phil Johnston
as Robert / Botty
Directed by Unknown
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Terry
Dial M for Middlesbrough (2019)
Performance score7.2
The performance the rest of the career is read through. Terry gives Johnny Vegas a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Jim Twit (voice)
The Twits (2025)
Performance score6.5
The Twits asks for something the previous films did not, and gets it. Jim Twit (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Robert / Botty
Time Travel Is Dangerous! (2025)
Performance score6.5
Time Travel Is Dangerous! asks for something the previous films did not, and gets it. Robert / Botty is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Rex
Paul Dood’s Deadly Lunch Break (2021)
Performance score6.5
Paul Dood’s Deadly Lunch Break asks for something the previous films did not, and gets it. Rex is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Terry
Start here. Dial M for Middlesbrough is the clearest statement of what Johnny Vegas does — accessible, 87 minutes, and rated 6.5 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Johnny at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Tales from the Lodge (2019)
Keeps the comedy register of Dial M for Middlesbrough but asks for a colder reading of it.
Paul Dood’s Deadly Lunch Break (2021)
Same director as Tales from the Lodge, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
The Twits (2025)
Keeps the comedy register of Paul Dood’s Deadly Lunch Break but asks for a colder reading of it.
Time Travel Is Dangerous! (2025)
Keeps the comedy register of The Twits but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Louis Leterrier
Director
1 film together
Notably Grimsby
Justin Chadwick
Director
1 film together
Notably Tulip Fever
Nick Park
Director
1 film together
Notably Early Man
Ed Bye
Director
1 film together
Notably Dial M for Middlesbrough
Phil Johnston
Director
1 film together
Notably The Twits
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Ed Bye
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Dial M for MiddlesbroughJustin Chadwick
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Tulip FeverNick Park
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Early ManLouis Leterrier
Director
1 film together · 6.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
GrimsbyPhil Johnston
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The TwitsSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Tulip Fever
as Apothecary
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Tulip Fever
as Apothecary
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Tulip Fever
as Apothecary
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Tulip Fever
as Apothecary
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Dial M for Middlesbrough
as Terry
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Johnny Vegas has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
21 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
7 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Dial M for Middlesbrough
as Terry
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Dial M for Middlesbrough
as Terry
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Tulip Fever
as Apothecary
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Dial M for Middlesbrough
as Terry
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Paul Dood’s Deadly Lunch Break
as Rex
Images that would survive with the sound switched off.
Best action sequence
Paul Dood’s Deadly Lunch Break
as Rex
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Early Man
as Asbo (voice)
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Grimsby
as Milky Pimms
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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