Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#20911
of 909177 performers
Top 5%
José María de Tavira represents the rare performer whose career became more ambitious with every decade — 28 years in, and José is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
José María de Tavira appears in 5 films in the Nutevio catalogue, and none of them would work the same way without José. Un hombre por semana is the clearest case: a film rated 7.5 by our editors, where the performance carries weight the script only implies.
The recognisable elements are quiet performance, versatility, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for romance, comedy, drama. It is a style built on what is withheld as much as what is played.
Working with Ana de la Reguera, José Manuel Cravioto, Fernando Sariñana and others, José María de Tavira helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Un hombre por semana (2026) · Love Hurts (2002) as Alejandro · The Mask of Zorro (1998) as Young Alejandro Murrieta
Career snapshot
Ranked #20911 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
5
1998–2026
Career length
28 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.5
Un hombre por semana
Average Nutevio score
5.5
Across catalogue work
Highest IMDb rating
8.1
Love Hurts
Most frequent director
Ana de la Reguera
1 film together
Longest collaboration
1×
With Ana de la Reguera
Most common genre
Comedy
3 titles
Average runtime
1h 51m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2000s
7.4 average MV
The 2000s are where the work and the material meet. Love Hurts — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2000s
7.4
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2000s
8.1
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1990s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. The Mask of Zorro.
Most productive era
2020s
3 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1990s | 2000s | 2020s |
|---|---|---|---|
| Drama | — | 7.41 film | 7.51 film |
| Action | 6.71 film | — | — |
| Comedy | — | — | 4.43 films |
| Romance | — | 7.41 film | 7.51 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as Young Alejandro Murrieta.
Highest rated performance · Career peak
7.5 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2026Art Is Dark and Full of Horrors
The current state of the argument, as Chema.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
5 of 5 films
Directed by Ana de la Reguera
as Alejandro
Directed by Fernando Sariñana
as Young Alejandro Murrieta
Directed by Martin Campbell
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Un hombre por semana
Un hombre por semana (2026)
Performance score7.3
The performance the rest of the career is read through. The role gives José María de Tavira a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Alejandro
Love Hurts (2002)
Performance score7.2
Love Hurts asks for something the previous films did not, and gets it. Alejandro is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Young Alejandro Murrieta
The Mask of Zorro (1998)
Performance score6.6
The Mask of Zorro asks for something the previous films did not, and gets it. Young Alejandro Murrieta is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Chema
Art Is Dark and Full of Horrors (2026)
Performance score6.5
Art Is Dark and Full of Horrors asks for something the previous films did not, and gets it. Chema is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
Start here. Un hombre por semana is the clearest statement of what José María de Tavira does — accessible, 97 minutes, and rated 7.5 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet José at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
The Mask of Zorro (1998)
A deliberate change of key after Un hombre por semana — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Love Hurts (2002)
A deliberate change of key after The Mask of Zorro — same instrument, unfamiliar tuning, and the reason range gets mentioned.
A Deadly Invitation (2023)
A deliberate change of key after Love Hurts — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Art Is Dark and Full of Horrors (2026)
Keeps the comedy register of A Deadly Invitation but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Martin Campbell
Director
1 film together
Notably The Mask of Zorro
Fernando Sariñana
Director
1 film together
Notably Love Hurts
José Manuel Cravioto
Director
1 film together
Notably A Deadly Invitation
Ana de la Reguera
Director
1 film together
Notably Un hombre por semana
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Ana de la Reguera
Director
1 film together · 7.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Un hombre por semanaFernando Sariñana
Director
1 film together · 7.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Love HurtsMartin Campbell
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Mask of ZorroJosé Manuel Cravioto
Director
1 film together · 5.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
A Deadly InvitationSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Love Hurts
as Alejandro
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Un hombre por semana
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Love Hurts
as Alejandro
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Love Hurts
as Alejandro
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Un hombre por semana
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. José María de Tavira has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
28 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
3 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Un hombre por semana
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Un hombre por semana
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Un hombre por semana
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
A Deadly Invitation
as Figue
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
The Mask of Zorro
as Young Alejandro Murrieta
Images that would survive with the sound switched off.
Best action sequence
The Mask of Zorro
as Young Alejandro Murrieta
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Un hombre por semana
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
The Mask of Zorro
as Young Alejandro Murrieta
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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