Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#24598
of 909177 performers
Top 5%
Joséphine de la Baume works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Joséphine de la Baume appears in 9 films in the Nutevio catalogue, and none of them would work the same way without Joséphine. Rush is the clearest case: a film rated 7.7 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, quiet performance, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for thriller, romance, crime. It is a style built on what is withheld as much as what is played.
Working with Sylvie Verheyde, Patrick Hughes, Alex Ross Perry and others, Joséphine de la Baume helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Rush (2013) as Agnes Bonnet · One Day (2011) as Marie · The Hitman's Bodyguard (2017) as Interpol Agent
Career snapshot
Ranked #24598 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
9
2011–2025
Career length
14 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.7
Rush
Average Nutevio score
6.3
Across catalogue work
Highest IMDb rating
7.7
Rush
Most frequent director
Sylvie Verheyde
1 film together
Longest collaboration
1×
With Sylvie Verheyde
Most common genre
Drama
6 titles
Average runtime
1h 47m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.2
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.8 average MV
The 2010s are where the work and the material meet. The Hitman's Bodyguard, Listen Up Philip, Rush — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.8
Across 5 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.8
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. The Hitman's Bodyguard, Listen Up Philip, Rush.
Most productive era
2010s
5 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 7.03 films | 5.73 films |
| Action | 7.03 films | — |
| Thriller | 6.91 film | 5.21 film |
| Comedy | 6.43 films | 5.01 film |
| Crime | 6.62 films | 5.71 film |
| Romance | 7.41 film | 5.32 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2011One Day
Where our catalogue meets this career, as Marie.
Highest rated performance · Career peak
2013Rush
7.7 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2025Hell in Paradise
The current state of the argument, as Valéria.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
9 of 9 films
as Agnes Bonnet
Directed by Ron Howard
as Marie
Directed by Lone Scherfig
as Interpol Agent
Directed by Patrick Hughes
as Valéria
Directed by Unknown
as Josie
Directed by Sylvie Verheyde
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Agnes Bonnet
Rush (2013)
Performance score7.5
The performance the rest of the career is read through. Agnes Bonnet gives Joséphine de la Baume a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Marie
One Day (2011)
Performance score7.2
One Day asks for something the previous films did not, and gets it. Marie is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Interpol Agent
The Hitman's Bodyguard (2017)
Performance score6.8
The Hitman's Bodyguard asks for something the previous films did not, and gets it. Interpol Agent is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Valéria
Hell in Paradise (2025)
Performance score6.5
Hell in Paradise asks for something the previous films did not, and gets it. Valéria is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Agnes Bonnet
Start here. Rush is the clearest statement of what Joséphine de la Baume does — accessible, 123 minutes, and rated 7.7 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Joséphine at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
One Day (2011)
Keeps the drama register of Rush but asks for a colder reading of it.
The Hitman's Bodyguard (2017)
A deliberate change of key after One Day — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Madame Claude (2021)
Keeps the crime register of The Hitman's Bodyguard but asks for a colder reading of it.
Hell in Paradise (2025)
A deliberate change of key after Madame Claude — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Oliver Parker
Director
1 film together
Notably Johnny English Reborn
Lone Scherfig
Director
1 film together
Notably One Day
Ron Howard
Director
1 film together
Notably Rush
Alex Ross Perry
Director
1 film together
Notably Listen Up Philip
Patrick Hughes
Director
1 film together
Notably The Hitman's Bodyguard
Sylvie Verheyde
Director
1 film together
Notably Madame Claude
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Ron Howard
Director
1 film together · 7.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
RushLone Scherfig
Director
1 film together · 7.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
One DayPatrick Hughes
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Hitman's BodyguardOliver Parker
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Johnny English RebornAlex Ross Perry
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Listen Up PhilipSylvie Verheyde
Director
1 film together · 5.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Madame ClaudeSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Rush
as Agnes Bonnet
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
One Day
as Marie
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Rush
as Agnes Bonnet
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Rush
as Agnes Bonnet
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Rush
as Agnes Bonnet
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Joséphine de la Baume has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
6 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Rush
as Agnes Bonnet
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
The Hitman's Bodyguard
as Interpol Agent
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
One Day
as Marie
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
The Hitman's Bodyguard
as Interpol Agent
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Rush
as Agnes Bonnet
Images that would survive with the sound switched off.
Best action sequence
Rush
as Agnes Bonnet
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Waiting for Anya
as Madame
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Listen Up Philip
as Yvette
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
Michael Caine
Built a career in the same territory: drama and thriller
Cillian Murphy
Built a career in the same territory: drama and thriller
Morgan Freeman
Built a career in the same territory: action and crime
Matt Damon
Built a career in the same territory: drama and thriller
Leonardo DiCaprio
Built a career in the same territory: thriller and action
Robert De Niro
Built a career in the same territory: crime and thriller
Have your say
Community
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Reference
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