Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#8253
of 909177 performers
Top 1%
Kate del Castillo works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Kate del Castillo appears in 13 films in the Nutevio catalogue, and none of them would work the same way without Kate. Instincts is the clearest case: a film rated 7.6 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for action, crime, thriller. It is a style built on what is withheld as much as what is played.
Working with Michael Dowse, Miguel Puga, Oz Rodríguez and others, Kate del Castillo helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Instincts (2025) · The Book of Life (2014) as La Muerte (voice) · Under the Same Moon (2007) as Rosario
Career snapshot
Ranked #8253 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
13
2007–2025
Career length
18 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.6
Instincts
Average Nutevio score
6.5
Across catalogue work
Highest IMDb rating
7.9
Under the Same Moon
Most frequent director
Patricia Riggen
2 films together
Longest collaboration
2×
With Patricia Riggen
Most common genre
Thriller
5 titles
Average runtime
1h 35m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.4
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2000s
7.4 average MV
The 2000s are where the work and the material meet. Under the Same Moon — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2000s
7.4
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2000s
7.9
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Under the Same Moon.
Most productive era
2020s
7 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s | 2020s |
|---|---|---|---|
| Drama | 7.41 film | 6.52 films | — |
| Action | — | — | 6.63 films |
| Thriller | — | 5.91 film | 6.94 films |
| Comedy | — | — | 6.53 films |
| Crime | — | 5.91 film | 6.92 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as Rosario.
Highest rated performance · Career peak · Most recent film
2025Instincts
7.6 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once. The current state of the argument.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
13 of 13 films
as La Muerte (voice)
Directed by Jorge R. Gutierrez
as Sisiki (voice)
Directed by Miguel Puga
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Instincts
Instincts (2025)
Performance score7.9
The performance the rest of the career is read through. The role gives Kate del Castillo a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Rosario
Under the Same Moon (2007)
Performance score7.7
Under the Same Moon asks for something the previous films did not, and gets it. Rosario is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
La Muerte (voice)
The Book of Life (2014)
Performance score7.3
The Book of Life asks for something the previous films did not, and gets it. La Muerte (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Sisiki (voice)
The Casagrandes Movie (2024)
Performance score7.1
The Casagrandes Movie asks for something the previous films did not, and gets it. Sisiki (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
Start here. Instincts is the clearest statement of what Kate del Castillo does — accessible, 90 minutes, and rated 7.6 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Kate at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Under the Same Moon (2007)
A deliberate change of key after Instincts — same instrument, unfamiliar tuning, and the reason range gets mentioned.
The Book of Life (2014)
A deliberate change of key after Under the Same Moon — same instrument, unfamiliar tuning, and the reason range gets mentioned.
The Casagrandes Movie (2024)
Keeps the family register of The Book of Life but asks for a colder reading of it.
The Biggest Fan (2025)
Keeps the comedy register of The Casagrandes Movie but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Patricia Riggen
Director
2 films together
Notably Under the Same Moon
Jorge R. Gutierrez
Director
1 film together
Notably The Book of Life
Sam Miller
Director
1 film together
Notably No Good Deed
Ben Hernandez Bray
Director
1 film together
Notably El Chicano
Bilall Fallah
Director
1 film together
Notably Bad Boys for Life
Oz Rodríguez
Director
1 film together
Notably 30 Rock: A One-Time Special
Miguel Puga
Director
1 film together
Notably The Casagrandes Movie
Michael Dowse
Director
1 film together
Notably Trap House
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Patricia Riggen
Director
2 films together · 6.9 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
Under the Same MoonJorge R. Gutierrez
Director
1 film together · 7.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Book of LifeBilall Fallah
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Bad Boys for LifeMiguel Puga
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Casagrandes MovieMichael Dowse
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Trap HouseBen Hernandez Bray
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
El ChicanoOz Rodríguez
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
30 Rock: A One-Time SpecialSam Miller
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
No Good DeedSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Under the Same Moon
as Rosario
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
The Book of Life
as La Muerte (voice)
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Instincts
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
30 Rock: A One-Time Special
as Kate del Castillo
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Instincts
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Kate del Castillo has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Thriller Legend
Awarded
5 catalogue titles in thriller, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
The Book of Life
as La Muerte (voice)
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Instincts
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
The Book of Life
as La Muerte (voice)
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
The Book of Life
as La Muerte (voice)
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Bad Boys for Life
as Isabel Aretas
Images that would survive with the sound switched off.
Best action sequence
Bad Boys for Life
as Isabel Aretas
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
The 33
as Katty Valdivia
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
30 Rock: A One-Time Special
as Kate del Castillo
The public vote sits below ours on this one, and the direction is the reason for the gap.
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