Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#56637
of 909177 performers
Top 10%
Kate Moss works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Kate Moss appears in 8 films in the Nutevio catalogue, and none of them would work the same way without Kate. Confessions II – The Film is the clearest case: a film rated 8.8 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, quiet performance, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for music, documentary, romance. It is a style built on what is withheld as much as what is played.
Working with Kevin Macdonald, George Michael, Sadie Frost and others, Kate Moss helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Confessions II – The Film (2026) as Self · McQueen (2018) as Self · George Michael: Freedom Uncut (2022) as Self
Career snapshot
Ranked #56637 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
8
2016–2026
Career length
10 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
8.8
Confessions II – The Film
Average Nutevio score
6.6
Across catalogue work
Highest IMDb rating
8.8
Confessions II – The Film
Most frequent director
Kevin Macdonald
1 film together
Longest collaboration
1×
With Kevin Macdonald
Most common genre
Documentary
4 titles
Average runtime
1h 21m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.4
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2020s
7.0 average MV
The 2020s are where the work and the material meet. Confessions II – The Film, High & Low – John Galliano, George Michael: Freedom Uncut — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2020s
7.0
Across 4 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2020s
7.0
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. McQueen, Red Nose Day Actually, Zoolander 2.
Most productive era
2010s
4 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Action | 4.91 film | — |
| Comedy | 5.73 films | — |
| Romance | 7.01 film | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2016Zoolander 2
Where our catalogue meets this career, as Kate Moss.
Highest rated performance · Career peak · Most recent film
8.8 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once. The current state of the argument, as Self.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
8 of 8 films
as Herself
Directed by Richard Curtis
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Self
Confessions II – The Film (2026)
Performance score8.4
The performance the rest of the career is read through. Self gives Kate Moss a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Self
McQueen (2018)
Performance score7.6
McQueen asks for something the previous films did not, and gets it. Self is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Self
George Michael: Freedom Uncut (2022)
Performance score7.0
George Michael: Freedom Uncut asks for something the previous films did not, and gets it. Self is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Herself
Red Nose Day Actually (2017)
Performance score6.9
Red Nose Day Actually asks for something the previous films did not, and gets it. Herself is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Self
Start here. Confessions II – The Film is the clearest statement of what Kate Moss does — accessible, 14 minutes, and rated 8.8 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Kate at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Red Nose Day Actually (2017)
A deliberate change of key after Confessions II – The Film — same instrument, unfamiliar tuning, and the reason range gets mentioned.
McQueen (2018)
A deliberate change of key after Red Nose Day Actually — same instrument, unfamiliar tuning, and the reason range gets mentioned.
George Michael: Freedom Uncut (2022)
Keeps the documentary register of McQueen but asks for a colder reading of it.
High & Low – John Galliano (2024)
Keeps the documentary register of George Michael: Freedom Uncut but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Mandie Fletcher
Director
1 film together
Notably Absolutely Fabulous: The Movie
Ben Stiller
Director
1 film together
Notably Zoolander 2
Richard Curtis
Director
1 film together
Notably Red Nose Day Actually
Sadie Frost
Director
1 film together
Notably Quant
George Michael
Director
1 film together
Notably George Michael: Freedom Uncut
Kevin Macdonald
Director
1 film together
Notably High & Low – John Galliano
Behind the camera
Who casts this performer, how often, and what the pairing produces.
George Michael
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
George Michael: Freedom UncutRichard Curtis
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Red Nose Day ActuallyKevin Macdonald
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
High & Low – John GallianoSadie Frost
Director
1 film together · 6.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
QuantMandie Fletcher
Director
1 film together · 5.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Absolutely Fabulous: The MovieBen Stiller
Director
1 film together · 4.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Zoolander 2Six degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
McQueen
as Self
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Red Nose Day Actually
as Herself
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Confessions II – The Film
as Self
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Absolutely Fabulous: The Movie
as Kate Moss
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Confessions II – The Film
as Self
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Kate Moss has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Documentary Legend
Awarded
4 catalogue titles in documentary, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Confessions II – The Film
as Self
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Confessions II – The Film
as Self
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Red Nose Day Actually
as Herself
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
McQueen
as Self
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Confessions II – The Film
as Self
Images that would survive with the sound switched off.
Best action sequence
Zoolander 2
as Kate Moss
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Red Nose Day Actually
as Herself
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Absolutely Fabulous: The Movie
as Kate Moss
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Community
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Reference
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