Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Kathleen Hanna appears in 3 films in the Nutevio catalogue, and none of them would work the same way without Kathleen. Poly Styrene: I Am a Cliché is the clearest case: a film rated 6.4 by our editors, where the performance carries weight the script only implies.
The recognisable elements are quiet performance, emotional range, versatility. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for music, documentary, romance. It is a style built on what is withheld as much as what is played.
Working with Tamra Davis, Rebecca Miller, Kathleen Hanna helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Poly Styrene: I Am a Cliché (2021) as Self · Maggie's Plan (2016) as Québécois Female Singer · The Best Summer (2026) as Self
Career snapshot
A Nutevio catalogue profile for Kathleen Hanna.
Films in Nutevio
3
2016–2026
Career length
10 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
6.4
Poly Styrene: I Am a Cliché
Average Nutevio score
4.1
Across catalogue work
Highest IMDb rating
6.6
Poly Styrene: I Am a Cliché
Most frequent director
Tamra Davis
1 film together
Longest collaboration
1×
With Tamra Davis
Most common genre
Music
2 titles
Average runtime
1h 33m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.1
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.0 average MV
The 2010s are where the work and the material meet. Maggie's Plan — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.0
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
5.7
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Maggie's Plan.
Most productive era
2020s
2 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.01 film | — |
| Comedy | 6.01 film | — |
| Romance | 6.01 film | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Career peak
2016Maggie's Plan
Where our catalogue meets this career, as Québécois Female Singer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Highest rated performance
2021Poly Styrene: I Am a Cliché
6.4 on the Nutevio scale, the top of the catalogue for this performer.
Most recent film
2026The Best Summer
The current state of the argument, as Self.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
3 of 3 films
as Self
Directed by Tamra Davis
as Québécois Female Singer
Directed by Rebecca Miller
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Self
The Best Summer (2026)
Performance score6.5
The performance the rest of the career is read through. Self gives Kathleen Hanna a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Self
Poly Styrene: I Am a Cliché (2021)
Performance score6.5
Poly Styrene: I Am a Cliché asks for something the previous films did not, and gets it. Self is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Québécois Female Singer
Maggie's Plan (2016)
Performance score6.5
Maggie's Plan asks for something the previous films did not, and gets it. Québécois Female Singer is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Self
Start here. The Best Summer is the clearest statement of what Kathleen Hanna does — accessible, 84 minutes, and rated 0.0 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Kathleen at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Maggie's Plan (2016)
A deliberate change of key after The Best Summer — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Poly Styrene: I Am a Cliché (2021)
A deliberate change of key after Maggie's Plan — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Rebecca Miller
Director
1 film together · 6.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Maggie's PlanTamra Davis
Director
1 film together · 0.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Best SummerSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Poly Styrene: I Am a Cliché
as Self
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Maggie's Plan
as Québécois Female Singer
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Poly Styrene: I Am a Cliché
as Self
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Maggie's Plan
as Québécois Female Singer
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
The Best Summer
as Self
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Kathleen Hanna has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Music Legend
Awarded
2 catalogue titles in music, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Poly Styrene: I Am a Cliché
as Self
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Poly Styrene: I Am a Cliché
as Self
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Maggie's Plan
as Québécois Female Singer
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Poly Styrene: I Am a Cliché
as Self
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Poly Styrene: I Am a Cliché
as Self
Images that would survive with the sound switched off.
Best action sequence
Maggie's Plan
as Québécois Female Singer
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Maggie's Plan
as Québécois Female Singer
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Maggie's Plan
as Québécois Female Singer
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Reference
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