Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#42894
of 909177 performers
Top 5%
Kevin Hernandez works on quiet performance rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Kevin Hernandez appears in 6 films in the Nutevio catalogue, and none of them would work the same way without Kevin. Short Term 12 is the clearest case: a film rated 7.7 by our editors, where the performance carries weight the script only implies.
The recognisable elements are quiet performance, charisma, drama. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for comedy, drama, crime. It is a style built on what is withheld as much as what is played.
Working with Joshua Leonard, Dan Gilroy, Destin Daniel Cretton and others, Kevin Hernandez helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Short Term 12 (2013) as Luis · Get the Gringo (2012) as Kid · The Dishwasher (2019) as Nicolàs
Career snapshot
Ranked #42894 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
6
2011–2019
Career length
8 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.7
Short Term 12
Average Nutevio score
6.4
Across catalogue work
Highest IMDb rating
7.7
Short Term 12
Most frequent director
Joshua Leonard
1 film together
Longest collaboration
1×
With Joshua Leonard
Most common genre
Drama
5 titles
Average runtime
1h 21m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.2
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.4 average MV
The 2010s are where the work and the material meet. The Dishwasher, Dark Was the Night, Roman J. Israel, Esq. — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.4
Across 6 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.4
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. The Dishwasher, Dark Was the Night, Roman J. Israel, Esq..
Most productive era
2010s
6 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s |
|---|---|
| Drama | 6.55 films |
| Action | 6.61 film |
| Thriller | 6.42 films |
| Comedy | 6.02 films |
| Crime | 6.42 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2011The Sitter
Where our catalogue meets this career, as Rodrigo Pedulla.
Highest rated performance · Career peak
2013Short Term 12
7.7 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2019The Dishwasher
The current state of the argument, as Nicolàs.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
6 of 6 films
as Luis
Directed by Destin Daniel Cretton
as Nicolàs
Directed by Unknown
as Kid
Directed by Adrian Grünberg
as Diego Ortiz
Directed by Dan Gilroy
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Luis
Short Term 12 (2013)
Performance score7.7
The performance the rest of the career is read through. Luis gives Kevin Hernandez a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Nicolàs
The Dishwasher (2019)
Performance score7.2
The Dishwasher asks for something the previous films did not, and gets it. Nicolàs is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Kid
Get the Gringo (2012)
Performance score7.0
Get the Gringo asks for something the previous films did not, and gets it. Kid is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Drew
Dark Was the Night (2018)
Performance score6.5
Dark Was the Night asks for something the previous films did not, and gets it. Drew is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Luis
Start here. Short Term 12 is the clearest statement of what Kevin Hernandez does — accessible, 96 minutes, and rated 7.7 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Kevin at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Get the Gringo (2012)
Keeps the drama register of Short Term 12 but asks for a colder reading of it.
Roman J. Israel, Esq. (2017)
Keeps the crime register of Get the Gringo but asks for a colder reading of it.
Dark Was the Night (2018)
Keeps the drama register of Roman J. Israel, Esq. but asks for a colder reading of it.
The Dishwasher (2019)
Keeps the drama register of Dark Was the Night but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
David Gordon Green
Director
1 film together
Notably The Sitter
Adrian Grünberg
Director
1 film together
Notably Get the Gringo
Destin Daniel Cretton
Director
1 film together
Notably Short Term 12
Dan Gilroy
Director
1 film together
Notably Roman J. Israel, Esq.
Joshua Leonard
Director
1 film together
Notably Dark Was the Night
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Destin Daniel Cretton
Director
1 film together · 7.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Short Term 12Adrian Grünberg
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Get the GringoDan Gilroy
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Roman J. Israel, Esq.Joshua Leonard
Director
1 film together · 5.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Dark Was the NightDavid Gordon Green
Director
1 film together · 5.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The SitterSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Short Term 12
as Luis
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Short Term 12
as Luis
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Short Term 12
as Luis
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Roman J. Israel, Esq.
as Diego Ortiz
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Short Term 12
as Luis
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Kevin Hernandez has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
5 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Short Term 12
as Luis
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Get the Gringo
as Kid
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Short Term 12
as Luis
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Roman J. Israel, Esq.
as Diego Ortiz
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Short Term 12
as Luis
Images that would survive with the sound switched off.
Best action sequence
Get the Gringo
as Kid
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Roman J. Israel, Esq.
as Diego Ortiz
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
The Sitter
as Rodrigo Pedulla
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Matt Damon
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Leonardo DiCaprio
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Robert De Niro
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Have your say
Community
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Reference
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