Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#231991
of 909177 performers
Top 50%
Kieron Moore works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Kieron Moore appears in 3 films in the Nutevio catalogue, and none of them would work the same way without Kieron. Darby O'Gill and the Little People is the clearest case: a film rated 6.5 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for action, mystery, comedy. It is a style built on what is withheld as much as what is played.
Working with Stanley Donen, Steve Sekely, Robert Stevenson, Kieron Moore helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Darby O'Gill and the Little People (1959) as Pony Sugrue · Arabesque (1966) as Yussef Kasim · The Day of the Triffids (1963) as Tom Goodwin
Career snapshot
Ranked #231991 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
3
1959–1966
Career length
7 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
6.5
Darby O'Gill and the Little People
Average Nutevio score
6.3
Across catalogue work
Highest IMDb rating
6.7
Darby O'Gill and the Little People
Most frequent director
Stanley Donen
1 film together
Longest collaboration
1×
With Stanley Donen
Most common genre
Action
1 title
Average runtime
1h 36m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.2
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1950s
6.5 average MV
The 1950s are where the work and the material meet. Darby O'Gill and the Little People — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1950s
6.5
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1950s
6.7
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1950s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Darby O'Gill and the Little People.
Most productive era
1960s
2 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1950s | 1960s |
|---|---|---|
| Action | — | 6.31 film |
| Thriller | — | 6.31 film |
| Comedy | — | 6.31 film |
| Romance | 6.51 film | — |
| Horror | — | 6.21 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Highest rated performance · Career peak
1959Darby O'Gill and the Little People
Where our catalogue meets this career, as Pony Sugrue. 6.5 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
1966Arabesque
The current state of the argument, as Yussef Kasim.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
3 of 3 films
as Pony Sugrue
Directed by Robert Stevenson
as Yussef Kasim
Directed by Stanley Donen
as Tom Goodwin
Directed by Steve Sekely
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Pony Sugrue
Darby O'Gill and the Little People (1959)
Performance score6.7
The performance the rest of the career is read through. Pony Sugrue gives Kieron Moore a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Yussef Kasim
Arabesque (1966)
Performance score6.5
Arabesque asks for something the previous films did not, and gets it. Yussef Kasim is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Tom Goodwin
The Day of the Triffids (1963)
Performance score6.5
The Day of the Triffids asks for something the previous films did not, and gets it. Tom Goodwin is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Pony Sugrue
Start here. Darby O'Gill and the Little People is the clearest statement of what Kieron Moore does — accessible, 91 minutes, and rated 6.5 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Kieron at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
The Day of the Triffids (1963)
A deliberate change of key after Darby O'Gill and the Little People — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Arabesque (1966)
A deliberate change of key after The Day of the Triffids — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Robert Stevenson
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Darby O'Gill and the Little PeopleStanley Donen
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
ArabesqueSteve Sekely
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Day of the TriffidsSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Arabesque
as Yussef Kasim
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Darby O'Gill and the Little People
as Pony Sugrue
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Darby O'Gill and the Little People
as Pony Sugrue
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Darby O'Gill and the Little People
as Pony Sugrue
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Darby O'Gill and the Little People
as Pony Sugrue
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Kieron Moore has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Darby O'Gill and the Little People
as Pony Sugrue
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Arabesque
as Yussef Kasim
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Darby O'Gill and the Little People
as Pony Sugrue
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Arabesque
as Yussef Kasim
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Arabesque
as Yussef Kasim
Images that would survive with the sound switched off.
Best action sequence
Arabesque
as Yussef Kasim
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Darby O'Gill and the Little People
as Pony Sugrue
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
The Day of the Triffids
as Tom Goodwin
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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