Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#8924
of 909177 performers
Top 1%
Kimberly Scott represents the rare performer whose career became more ambitious with every decade — 32 years in, and Kimberly is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Kimberly Scott appears in 12 films in the Nutevio catalogue, and none of them would work the same way without Kimberly. I Am Sam is the clearest case: a film rated 7.6 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for music, drama, history. It is a style built on what is withheld as much as what is played.
Working with Liesl Tommy, Edward Zwick, Oliver Stone and others, Kimberly Scott helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
I Am Sam (2001) as Gertie · Falling Down (1993) as Detective Jones · The Abyss (1989) as Lisa 'One Night' Standing
Career snapshot
Ranked #8924 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
12
1989–2021
Career length
32 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.6
I Am Sam
Average Nutevio score
6.5
Across catalogue work
Highest IMDb rating
7.6
I Am Sam
Most frequent director
Joel Schumacher
4 films together
Longest collaboration
4×
With Joel Schumacher
Most common genre
Drama
7 titles
Average runtime
2h 1m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.6
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1980s
7.3 average MV
The 1980s are where the work and the material meet. The Abyss — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1980s
7.3
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1980s
7.4
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1980s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. The Abyss.
Most productive era
2000s
5 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1980s | 1990s | 2000s | 2010s | 2020s |
|---|---|---|---|---|---|
| Drama | — | 7.02 films | 6.83 films | 7.01 film | 6.81 film |
| Action | — | 5.22 films | 6.11 film | — | — |
| Thriller | 7.31 film | 7.41 film | 6.22 films | — | — |
| Comedy | — | — | 6.01 film | 7.01 film | — |
| Crime | — | 6.62 films | 6.51 film | — | — |
| Romance | — | — | 6.01 film | 7.01 film | — |
| Horror | — | 6.61 film | — | — | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
1989The Abyss
Where our catalogue meets this career, as Lisa 'One Night' Standing.
Highest rated performance · Career peak
2001I Am Sam
7.6 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2021Respect
The current state of the argument, as Mama Franklin.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
12 of 12 films
as Detective Jones
Directed by Joel Schumacher
as Lisa 'One Night' Standing
Directed by James Cameron
as Winnie Hicks
Directed by Joel Schumacher
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Gertie
I Am Sam (2001)
Performance score7.4
The performance the rest of the career is read through. Gertie gives Kimberly Scott a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Detective Jones
Falling Down (1993)
Performance score7.2
Falling Down asks for something the previous films did not, and gets it. Detective Jones is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Lisa 'One Night' Standing
The Abyss (1989)
Performance score7.2
The Abyss asks for something the previous films did not, and gets it. Lisa 'One Night' Standing is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Gail
Love & Other Drugs (2010)
Performance score6.9
Love & Other Drugs asks for something the previous films did not, and gets it. Gail is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Gertie
Start here. I Am Sam is the clearest statement of what Kimberly Scott does — accessible, 132 minutes, and rated 7.6 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Kimberly at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
The Abyss (1989)
A deliberate change of key after I Am Sam — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Flatliners (1990)
Keeps the science fiction register of The Abyss but asks for a colder reading of it.
Falling Down (1993)
Same director as Flatliners, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Love & Other Drugs (2010)
Keeps the drama register of Falling Down but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Joel Schumacher
Director
4 films together
Notably Falling Down
James Cameron
Director
1 film together
Notably The Abyss
Jessie Nelson
Director
1 film together
Notably I Am Sam
Gary Fleder
Director
1 film together
Notably Impostor
Kevin Rodney Sullivan
Director
1 film together
Notably Guess Who
Oliver Stone
Director
1 film together
Notably World Trade Center
Edward Zwick
Director
1 film together
Notably Love & Other Drugs
Liesl Tommy
Director
1 film together
Notably Respect
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Joel Schumacher
Director
4 films together · 6.1 avg MV
A working relationship rather than a booking — 4 films, and the register shifts each time.
Best film together
Falling DownJessie Nelson
Director
1 film together · 7.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
I Am SamJames Cameron
Director
1 film together · 7.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The AbyssEdward Zwick
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Love & Other DrugsLiesl Tommy
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
RespectOliver Stone
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
World Trade CenterGary Fleder
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
ImpostorKevin Rodney Sullivan
Director
1 film together · 6.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Guess WhoSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
I Am Sam
as Gertie
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Respect
as Mama Franklin
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
I Am Sam
as Gertie
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
World Trade Center
as Sergeant King
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
I Am Sam
as Gertie
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Kimberly Scott has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
32 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
7 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
I Am Sam
as Gertie
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Falling Down
as Detective Jones
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Respect
as Mama Franklin
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Falling Down
as Detective Jones
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
The Abyss
as Lisa 'One Night' Standing
Images that would survive with the sound switched off.
Best action sequence
Batman & Robin
as Observatory Associate
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Love & Other Drugs
as Gail
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Batman & Robin
as Observatory Associate
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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