Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#5298
of 909177 performers
Top 1%
Kimiko Saito works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Kimiko Saito appears in 6 films in the Nutevio catalogue, and none of them would work the same way without Kimiko. 100 METERS is the clearest case: a film rated 7.8 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for drama, animation, mystery. It is a style built on what is withheld as much as what is played.
Working with Naoyoshi Shiotani, Tatsuya Nagamine, Tetsuro Araki, Kimiko Saito helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
100 METERS (2025) as Woman at the Iwashi Second High School Concession Stand (voice) · Dragon Ball Super: Broly (2018) as Berryblue (voice) · Death Note Relight 1: Visions of a God (2007) as Rem (voice)
Career snapshot
Ranked #5298 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
6
2007–2025
Career length
18 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.8
100 METERS
Average Nutevio score
7.2
Across catalogue work
Highest IMDb rating
8.0
Dragon Ball Super: Broly
Most frequent director
Naoyoshi Shiotani
2 films together
Longest collaboration
2×
With Naoyoshi Shiotani
Most common genre
Animation
6 titles
Average runtime
1h 32m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
7.1
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.7
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2020s
7.4 average MV
The 2020s are where the work and the material meet. 100 METERS, Mononoke the Movie: The Phantom in the Rain — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2020s
7.4
Across 2 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2000s
7.9
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Death Note Relight 1: Visions of a God.
Most productive era
2010s
3 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s | 2020s |
|---|---|---|---|
| Drama | 7.41 film | — | 7.81 film |
| Action | — | 7.71 film | — |
| Thriller | 7.41 film | — | — |
| Crime | 7.41 film | 6.72 films | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2007Death Note Relight 1: Visions of a God
Where our catalogue meets this career, as Rem (voice).
Highest rated performance · Career peak · Most recent film
2025100 METERS
7.8 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once. The current state of the argument, as Woman at the Iwashi Second High School Concession Stand (voice).
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
6 of 6 films
as Woman at the Iwashi Second High School Concession Stand (voice)
Directed by Unknown
as Berryblue (voice)
Directed by Tatsuya Nagamine
as Rem (voice)
Directed by Tetsuro Araki
as Choju (voice)
Directed by Unknown
as Gentaku Aiko (voice)
Directed by Naoyoshi Shiotani
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Woman at the Iwashi Second High School Concession Stand (voice)
100 METERS (2025)
Performance score7.6
The performance the rest of the career is read through. Woman at the Iwashi Second High School Concession Stand (voice) gives Kimiko Saito a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Berryblue (voice)
Dragon Ball Super: Broly (2018)
Performance score7.5
Dragon Ball Super: Broly asks for something the previous films did not, and gets it. Berryblue (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Rem (voice)
Death Note Relight 1: Visions of a God (2007)
Performance score7.5
Death Note Relight 1: Visions of a God asks for something the previous films did not, and gets it. Rem (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Choju (voice)
Mononoke the Movie: The Phantom in the Rain (2024)
Performance score7.0
Mononoke the Movie: The Phantom in the Rain asks for something the previous films did not, and gets it. Choju (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Woman at the Iwashi Second High School Concession Stand (voice)
Start here. 100 METERS is the clearest statement of what Kimiko Saito does — accessible, 107 minutes, and rated 7.8 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Kimiko at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Death Note Relight 1: Visions of a God (2007)
Keeps the drama register of 100 METERS but asks for a colder reading of it.
Dragon Ball Super: Broly (2018)
Keeps the animation register of Death Note Relight 1: Visions of a God but asks for a colder reading of it.
Psycho-Pass: Sinners of the System - Case.2 First Guardian (2019)
Keeps the science fiction register of Dragon Ball Super: Broly but asks for a colder reading of it.
Mononoke the Movie: The Phantom in the Rain (2024)
Keeps the animation register of Psycho-Pass: Sinners of the System - Case.2 First Guardian but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Naoyoshi Shiotani
Director
2 films together
Notably Psycho-Pass: Sinners of the System - Case.2 First Guardian
Tetsuro Araki
Director
1 film together
Notably Death Note Relight 1: Visions of a God
Tatsuya Nagamine
Director
1 film together
Notably Dragon Ball Super: Broly
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Naoyoshi Shiotani
Director
2 films together · 6.7 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
Psycho-Pass: Sinners of the System - Case.2 First GuardianTatsuya Nagamine
Director
1 film together · 7.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Dragon Ball Super: BrolyTetsuro Araki
Director
1 film together · 7.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Death Note Relight 1: Visions of a GodSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
100 METERS
as Woman at the Iwashi Second High School Concession Stand (voice)
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
100 METERS
as Woman at the Iwashi Second High School Concession Stand (voice)
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
100 METERS
as Woman at the Iwashi Second High School Concession Stand (voice)
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
100 METERS
as Woman at the Iwashi Second High School Concession Stand (voice)
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
100 METERS
as Woman at the Iwashi Second High School Concession Stand (voice)
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Kimiko Saito has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Animation Legend
Awarded
6 catalogue titles in animation, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Mononoke the Movie: The Phantom in the Rain
as Choju (voice)
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Dragon Ball Super: Broly
as Berryblue (voice)
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
100 METERS
as Woman at the Iwashi Second High School Concession Stand (voice)
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Mononoke the Movie: The Phantom in the Rain
as Choju (voice)
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Dragon Ball Super: Broly
as Berryblue (voice)
Images that would survive with the sound switched off.
Best action sequence
Dragon Ball Super: Broly
as Berryblue (voice)
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
100 METERS
as Woman at the Iwashi Second High School Concession Stand (voice)
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Mononoke the Movie: The Phantom in the Rain
as Choju (voice)
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Tom Hanks
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Have your say
Community
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Reference
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