Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#10663
of 909177 performers
Top 5%
Kirk Fox represents the rare performer whose career became more ambitious with every decade — 32 years in, and Kirk is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Kirk Fox appears in 11 films in the Nutevio catalogue, and none of them would work the same way without Kirk. The Patriot is the clearest case: a film rated 7.2 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for comedy, horror, drama. It is a style built on what is withheld as much as what is played.
Working with Tyler Cornack, Lara Everly, Don Michael Paul and others, Kirk Fox helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
The Patriot (2000) as Skunk · Wyatt Earp (1994) as Pete Spence · Forgetting Sarah Marshall (2008) as Mixer
Career snapshot
Ranked #10663 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
11
1994–2026
Career length
32 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.2
The Patriot
Average Nutevio score
4.7
Across catalogue work
Highest IMDb rating
7.2
The Patriot
Most frequent director
Tyler Cornack
1 film together
Longest collaboration
1×
With Tyler Cornack
Most common genre
Comedy
7 titles
Average runtime
1h 53m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1990s
6.5 average MV
The 1990s are where the work and the material meet. The Postman, Wyatt Earp — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1990s
6.5
Across 2 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1990s
6.5
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1990s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. The Postman, Wyatt Earp.
Most productive era
2020s
5 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1990s | 2000s | 2010s | 2020s |
|---|---|---|---|---|
| Drama | 6.71 film | 6.23 films | 4.31 film | 5.31 film |
| Action | 6.31 film | 7.21 film | — | 6.21 film |
| Comedy | — | 5.82 films | — | 3.25 films |
| Crime | — | — | — | 6.21 film |
| Romance | — | 5.82 films | — | — |
| Horror | — | — | — | 5.31 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
1994Wyatt Earp
Where our catalogue meets this career, as Pete Spence.
Highest rated performance · Career peak
2000The Patriot
7.2 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2026Plantman & Blondie: A Dress Up Gang Film
The current state of the argument, as Fox.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
11 of 11 films
as Skunk
Directed by Roland Emmerich
as Archie Moses
Directed by Don Michael Paul
as Pete Spence
Directed by Lawrence Kasdan
as Skip
Directed by Tyler Cornack
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Skunk
The Patriot (2000)
Performance score7.1
The performance the rest of the career is read through. Skunk gives Kirk Fox a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Archie Moses
Bulletproof 2 (2020)
Performance score6.7
Bulletproof 2 asks for something the previous films did not, and gets it. Archie Moses is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Pete Spence
Wyatt Earp (1994)
Performance score6.6
Wyatt Earp asks for something the previous films did not, and gets it. Pete Spence is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Rocky
Busboys (2026)
Performance score6.5
Busboys asks for something the previous films did not, and gets it. Rocky is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Skunk
Start here. The Patriot is the clearest statement of what Kirk Fox does — accessible, 165 minutes, and rated 7.2 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Kirk at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Wyatt Earp (1994)
Keeps the drama register of The Patriot but asks for a colder reading of it.
Bulletproof 2 (2020)
A deliberate change of key after Wyatt Earp — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Busboys (2026)
Keeps the comedy register of Bulletproof 2 but asks for a colder reading of it.
Mermaid (2026)
Keeps the comedy register of Busboys but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Lawrence Kasdan
Director
1 film together
Notably Wyatt Earp
Kevin Costner
Director
1 film together
Notably The Postman
Roland Emmerich
Director
1 film together
Notably The Patriot
Nicholas Stoller
Director
1 film together
Notably Forgetting Sarah Marshall
Vicky Jenson
Director
1 film together
Notably Post Grad
Daniel Weingarten
Director
1 film together
Notably Up There
Don Michael Paul
Director
1 film together
Notably Bulletproof 2
Lara Everly
Director
1 film together
Notably Heritage Day
Tyler Cornack
Director
1 film together
Notably Mermaid
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Roland Emmerich
Director
1 film together · 7.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The PatriotLawrence Kasdan
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Wyatt EarpNicholas Stoller
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Forgetting Sarah MarshallKevin Costner
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The PostmanDon Michael Paul
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Bulletproof 2Tyler Cornack
Director
1 film together · 5.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
MermaidVicky Jenson
Director
1 film together · 5.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Post GradDaniel Weingarten
Director
1 film together · 4.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Up ThereLara Everly
Director
1 film together · 0.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Heritage DaySix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
The Patriot
as Skunk
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Forgetting Sarah Marshall
as Mixer
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
The Patriot
as Skunk
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Wyatt Earp
as Pete Spence
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
The Patriot
as Skunk
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Kirk Fox has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
32 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
7 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
The Patriot
as Skunk
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
The Patriot
as Skunk
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Forgetting Sarah Marshall
as Mixer
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Bulletproof 2
as Archie Moses
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
The Patriot
as Skunk
Images that would survive with the sound switched off.
Best action sequence
The Postman
as Gangly Recruit
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Forgetting Sarah Marshall
as Mixer
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
The Postman
as Gangly Recruit
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Reference
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