Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#29152
of 909177 performers
Top 5%
Kyanna Simone Simpson works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Kyanna Simone Simpson appears in 7 films in the Nutevio catalogue, and none of them would work the same way without Kyanna. The Supremes at Earl's All-You-Can-Eat is the clearest case: a film rated 6.7 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for action, comedy, crime. It is a style built on what is withheld as much as what is played.
Working with Shawn Simmons, Tina Mabry, Gillian Robespierre and others, Kyanna Simone Simpson helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
The Supremes at Earl's All-You-Can-Eat (2024) as Odette (Young) · Project Power (2020) as Tracy · White Boy Rick (2018) as Brenda Moore
Career snapshot
Ranked #29152 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
7
2017–2025
Career length
8 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
6.7
The Supremes at Earl's All-You-Can-Eat
Average Nutevio score
5.4
Across catalogue work
Highest IMDb rating
6.7
The Supremes at Earl's All-You-Can-Eat
Most frequent director
Shawn Simmons
1 film together
Longest collaboration
1×
With Shawn Simmons
Most common genre
Crime
4 titles
Average runtime
1h 32m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.1
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.1 average MV
The 2010s are where the work and the material meet. Ma, White Boy Rick, Fist Fight — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.1
Across 3 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.1
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Ma, White Boy Rick, Fist Fight.
Most productive era
2020s
4 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.41 film | 4.33 films |
| Action | — | 4.23 films |
| Thriller | 5.81 film | 6.31 film |
| Comedy | 6.01 film | 6.52 films |
| Crime | 6.41 film | 4.23 films |
| Horror | 5.81 film | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2017Fist Fight
Where our catalogue meets this career, as Amber.
Highest rated performance · Career peak
2024The Supremes at Earl's All-You-Can-Eat
6.7 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2025Eenie Meanie
The current state of the argument, as Baby Girl.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
7 of 7 films
as Baby Girl
Directed by Shawn Simmons
Directed by Gillian Robespierre
as Tracy
Directed by Henry Joost
as Young Sue Ann
Directed by Tate Taylor
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Odette (Young)
The Supremes at Earl's All-You-Can-Eat (2024)
Performance score6.6
The performance the rest of the career is read through. Odette (Young) gives Kyanna Simone Simpson a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Baby Girl
Eenie Meanie (2025)
Performance score6.5
Eenie Meanie asks for something the previous films did not, and gets it. Baby Girl is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Vegas High
Vegas High (2020)
Performance score6.5
Vegas High asks for something the previous films did not, and gets it. The role is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Tracy
Project Power (2020)
Performance score6.5
Project Power asks for something the previous films did not, and gets it. Tracy is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Odette (Young)
Start here. The Supremes at Earl's All-You-Can-Eat is the clearest statement of what Kyanna Simone Simpson does — accessible, 124 minutes, and rated 6.7 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Kyanna at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Ma (2019)
A deliberate change of key after The Supremes at Earl's All-You-Can-Eat — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Vegas High (2020)
A deliberate change of key after Ma — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Project Power (2020)
Keeps the action register of Vegas High but asks for a colder reading of it.
Eenie Meanie (2025)
Keeps the action register of Project Power but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Richie Keen
Director
1 film together
Notably Fist Fight
Yann Demange
Director
1 film together
Notably White Boy Rick
Tate Taylor
Director
1 film together
Notably Ma
Henry Joost
Director
1 film together
Notably Project Power
Gillian Robespierre
Director
1 film together
Notably Vegas High
Tina Mabry
Director
1 film together
Notably The Supremes at Earl's All-You-Can-Eat
Shawn Simmons
Director
1 film together
Notably Eenie Meanie
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Tina Mabry
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Supremes at Earl's All-You-Can-EatHenry Joost
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Project PowerYann Demange
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
White Boy RickShawn Simmons
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Eenie MeanieRichie Keen
Director
1 film together · 6.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Fist FightTate Taylor
Director
1 film together · 5.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
MaGillian Robespierre
Director
1 film together · 0.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Vegas HighSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
The Supremes at Earl's All-You-Can-Eat
as Odette (Young)
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
The Supremes at Earl's All-You-Can-Eat
as Odette (Young)
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
The Supremes at Earl's All-You-Can-Eat
as Odette (Young)
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Fist Fight
as Amber
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
The Supremes at Earl's All-You-Can-Eat
as Odette (Young)
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Kyanna Simone Simpson has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Crime Legend
Awarded
4 catalogue titles in crime, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
The Supremes at Earl's All-You-Can-Eat
as Odette (Young)
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Eenie Meanie
as Baby Girl
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
The Supremes at Earl's All-You-Can-Eat
as Odette (Young)
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
White Boy Rick
as Brenda Moore
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Eenie Meanie
as Baby Girl
Images that would survive with the sound switched off.
Best action sequence
Eenie Meanie
as Baby Girl
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Eenie Meanie
as Baby Girl
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
White Boy Rick
as Brenda Moore
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
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Built a career in the same territory: drama and thriller
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Morgan Freeman
Built a career in the same territory: action and crime
Matt Damon
Built a career in the same territory: drama and thriller
Ted Levine
Built a career in the same territory: crime and thriller
Leonardo DiCaprio
Built a career in the same territory: thriller and action
Have your say
Community
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Reference
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