Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#4677
of 909177 performers
Top 1%
Kylie Rogers works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Kylie Rogers appears in 10 films in the Nutevio catalogue, and none of them would work the same way without Kylie. Collateral Beauty is the clearest case: a film rated 7.2 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for action, science fiction, thriller. It is a style built on what is withheld as much as what is played.
Working with Timur Bekmambetov, Ari Aster, Cory Finley and others, Kylie Rogers helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Collateral Beauty (2016) as Allison Yardsham · Mercy (2026) as Britt Raven · Fathers and Daughters (2015) as Young Katie
Career snapshot
Ranked #4677 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
10
2014–2026
Career length
12 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.2
Collateral Beauty
Average Nutevio score
6.2
Across catalogue work
Highest IMDb rating
7.2
Collateral Beauty
Most frequent director
Timur Bekmambetov
1 film together
Longest collaboration
1×
With Timur Bekmambetov
Most common genre
Drama
5 titles
Average runtime
1h 49m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.2
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2020s
6.5 average MV
The 2020s are where the work and the material meet. Mercy, Beau Is Afraid, Landscape with Invisible Hand — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2020s
6.5
Across 4 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2020s
6.5
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Run with the Hunted, Skin, Mojave.
Most productive era
2010s
6 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.54 films | 5.91 film |
| Action | 5.01 film | 7.11 film |
| Thriller | 4.82 films | 7.11 film |
| Comedy | 4.91 film | 6.33 films |
| Crime | 5.82 films | — |
| Romance | 7.12 films | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2014Space Station 76
Where our catalogue meets this career, as Sunshine.
Highest rated performance
7.2 on the Nutevio scale, the top of the catalogue for this performer.
Career peak · Most recent film
2026Mercy
Weighing billing against the film's own quality, this is the point where everything aligned at once. The current state of the argument, as Britt Raven.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
10 of 10 films
as Britt Raven
Directed by Timur Bekmambetov
as Allison Yardsham
Directed by David Frankel
as Toni
Directed by Ari Aster
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Britt Raven
Mercy (2026)
Performance score7.2
The performance the rest of the career is read through. Britt Raven gives Kylie Rogers a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Allison Yardsham
Collateral Beauty (2016)
Performance score7.1
Collateral Beauty asks for something the previous films did not, and gets it. Allison Yardsham is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Young Katie
Fathers and Daughters (2015)
Performance score7.0
Fathers and Daughters asks for something the previous films did not, and gets it. Young Katie is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Toni
Beau Is Afraid (2023)
Performance score6.9
Beau Is Afraid asks for something the previous films did not, and gets it. Toni is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Britt Raven
Start here. Mercy is the clearest statement of what Kylie Rogers does — accessible, 100 minutes, and rated 7.1 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Kylie at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Fathers and Daughters (2015)
A deliberate change of key after Mercy — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Collateral Beauty (2016)
Keeps the drama register of Fathers and Daughters but asks for a colder reading of it.
Skin (2019)
Keeps the romance register of Collateral Beauty but asks for a colder reading of it.
Beau Is Afraid (2023)
A deliberate change of key after Skin — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Jack Plotnick
Director
1 film together
Notably Space Station 76
Gabriele Muccino
Director
1 film together
Notably Fathers and Daughters
David Frankel
Director
1 film together
Notably Collateral Beauty
William Monahan
Director
1 film together
Notably Mojave
Gail Lerner
Director
1 film together
Notably Cheaper by the Dozen
Cory Finley
Director
1 film together
Notably Landscape with Invisible Hand
Ari Aster
Director
1 film together
Notably Beau Is Afraid
Timur Bekmambetov
Director
1 film together
Notably Mercy
Behind the camera
Who casts this performer, how often, and what the pairing produces.
David Frankel
Director
1 film together · 7.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Collateral BeautyTimur Bekmambetov
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
MercyGabriele Muccino
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Fathers and DaughtersAri Aster
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Beau Is AfraidGail Lerner
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Cheaper by the DozenCory Finley
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Landscape with Invisible HandWilliam Monahan
Director
1 film together · 5.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
MojaveJack Plotnick
Director
1 film together · 4.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Space Station 76Six degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Fathers and Daughters
as Young Katie
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Collateral Beauty
as Allison Yardsham
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Collateral Beauty
as Allison Yardsham
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Cheaper by the Dozen
as Ella
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Mercy
as Britt Raven
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Kylie Rogers has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
5 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Collateral Beauty
as Allison Yardsham
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Mercy
as Britt Raven
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Collateral Beauty
as Allison Yardsham
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Run with the Hunted
as Young Peaches
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Mercy
as Britt Raven
Images that would survive with the sound switched off.
Best action sequence
Mojave
as Sophie
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Collateral Beauty
as Allison Yardsham
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Space Station 76
as Sunshine
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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