Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#810
of 909177 performers
Top 1%
Lana Condor works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Lana Condor appears in 14 films in the Nutevio catalogue, and none of them would work the same way without Lana. To All the Boys I've Loved Before is the clearest case: a film rated 7.6 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for horror, thriller, comedy. It is a style built on what is withheld as much as what is played.
Working with Jeff Wadlow, Vicky Jewson, Steve Barnett and others, Lana Condor helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
To All the Boys I've Loved Before (2018) as Lara Jean Song Covey · To All the Boys: Always and Forever (2021) as Lara Jean Song Covey · Roll Up Your Sleeves (2021) as Self
Career snapshot
Ranked #810 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
14
2016–2026
Career length
10 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.6
To All the Boys I've Loved Before
Average Nutevio score
6.4
Across catalogue work
Highest IMDb rating
7.6
To All the Boys I've Loved Before
Most frequent director
Michael Fimognari
2 films together
Longest collaboration
2×
With Michael Fimognari
Most common genre
Comedy
7 titles
Average runtime
1h 43m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.2
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.8 average MV
The 2010s are where the work and the material meet. Summer Night, Alita: Battle Angel, To All the Boys I've Loved Before — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.8
Across 5 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.8
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Summer Night, Alita: Battle Angel, To All the Boys I've Loved Before.
Most productive era
2020s
9 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.22 films | 7.51 film |
| Action | 7.03 films | 6.82 films |
| Thriller | 7.11 film | 6.73 films |
| Comedy | 6.42 films | 5.65 films |
| Crime | 7.11 film | — |
| Romance | 6.42 films | 7.03 films |
| Horror | — | 6.72 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2016Patriots Day
Where our catalogue meets this career, as Li.
Highest rated performance · Career peak
2018To All the Boys I've Loved Before
7.6 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2026Pretty Lethal
The current state of the argument, as Princess.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
14 of 14 films
as Lara Jean Song Covey
Directed by Michael Fimognari
as Lara Jean Song Covey
Directed by Unknown
as Ruby Gillman (voice)
Directed by Kirk DeMicco
as Lara Jean Song Covey
Directed by Michael Fimognari
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Lara Jean Song Covey
To All the Boys: Always and Forever (2021)
Performance score8.1
The performance the rest of the career is read through. Lara Jean Song Covey gives Lana Condor a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Lara Jean Song Covey
To All the Boys I've Loved Before (2018)
Performance score8.1
To All the Boys I've Loved Before asks for something the previous films did not, and gets it. Lara Jean Song Covey is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Ruby Gillman (voice)
Ruby Gillman, Teenage Kraken (2023)
Performance score7.8
Ruby Gillman, Teenage Kraken asks for something the previous films did not, and gets it. Ruby Gillman (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Lara Jean Song Covey
To All the Boys: P.S. I Still Love You (2020)
Performance score7.4
To All the Boys: P.S. I Still Love You asks for something the previous films did not, and gets it. Lara Jean Song Covey is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Lara Jean Song Covey
Start here. To All the Boys: Always and Forever is the clearest statement of what Lana Condor does — accessible, 114 minutes, and rated 7.5 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Lana at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
To All the Boys I've Loved Before (2018)
Keeps the romance register of To All the Boys: Always and Forever but asks for a colder reading of it.
To All the Boys: P.S. I Still Love You (2020)
Keeps the romance register of To All the Boys I've Loved Before but asks for a colder reading of it.
Roll Up Your Sleeves (2021)
A deliberate change of key after To All the Boys: P.S. I Still Love You — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Ruby Gillman, Teenage Kraken (2023)
A deliberate change of key after Roll Up Your Sleeves — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Michael Fimognari
Director
2 films together
Notably To All the Boys: Always and Forever
Bryan Singer
Director
1 film together
Notably X-Men: Apocalypse
Peter Berg
Director
1 film together
Notably Patriots Day
Robert Rodriguez
Director
1 film together
Notably Alita: Battle Angel
Joseph Cross
Director
1 film together
Notably Summer Night
Kirk DeMicco
Director
1 film together
Notably Ruby Gillman, Teenage Kraken
Steve Barnett
Director
1 film together
Notably Valiant One
Vicky Jewson
Director
1 film together
Notably Pretty Lethal
Jeff Wadlow
Director
1 film together
Notably The Devil's Mouth
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Michael Fimognari
Director
2 films together · 7.2 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
To All the Boys: Always and ForeverRobert Rodriguez
Director
1 film together · 7.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Alita: Battle AngelKirk DeMicco
Director
1 film together · 7.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Ruby Gillman, Teenage KrakenPeter Berg
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Patriots DayVicky Jewson
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Pretty LethalSteve Barnett
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Valiant OneJeff Wadlow
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Devil's MouthBryan Singer
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
X-Men: ApocalypseJoseph Cross
Director
1 film together · 5.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Summer NightSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
To All the Boys: Always and Forever
as Lara Jean Song Covey
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
To All the Boys: Always and Forever
as Lara Jean Song Covey
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
To All the Boys I've Loved Before
as Lara Jean Song Covey
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Roll Up Your Sleeves
as Self
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
To All the Boys: Always and Forever
as Lara Jean Song Covey
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Lana Condor has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
7 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
To All the Boys I've Loved Before
as Lara Jean Song Covey
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Patriots Day
as Li
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
To All the Boys: Always and Forever
as Lara Jean Song Covey
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Ruby Gillman, Teenage Kraken
as Ruby Gillman (voice)
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Alita: Battle Angel
as Koyomi
Images that would survive with the sound switched off.
Best action sequence
Alita: Battle Angel
as Koyomi
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Summer Night
as Lexi
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Ruby Gillman, Teenage Kraken
as Ruby Gillman (voice)
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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