Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#89275
of 909177 performers
Top 10%
Lara Amersey works on quiet performance rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Lara Amersey appears in 6 films in the Nutevio catalogue, and none of them would work the same way without Lara. We Met in December is the clearest case: a film rated 6.7 by our editors, where the performance carries weight the script only implies.
The recognisable elements are quiet performance, versatility, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for tv movie, thriller, romance. It is a style built on what is withheld as much as what is played.
Working with Elsbeth McCall, John Bradshaw, George A. Romero, Lara Amersey helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
We Met in December (2025) as Olivia · Cider and Sunsets (2022) as Lara Ashcroft · Well Suited For Christmas (2022) as Dhruvi Patel
Career snapshot
Ranked #89275 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
6
2005–2026
Career length
21 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
6.7
We Met in December
Average Nutevio score
6.0
Across catalogue work
Highest IMDb rating
6.7
We Met in December
Most frequent director
Elsbeth McCall
1 film together
Longest collaboration
1×
With Elsbeth McCall
Most common genre
TV Movie
5 titles
Average runtime
1h 27m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2000s
6.3 average MV
The 2000s are where the work and the material meet. Land of the Dead — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2000s
6.3
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2000s
6.3
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Land of the Dead.
Most productive era
2020s
4 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s | 2020s |
|---|---|---|---|
| Drama | — | — | 6.52 films |
| Thriller | 6.31 film | 6.21 film | 4.01 film |
| Comedy | — | — | 6.32 films |
| Romance | — | — | 6.43 films |
| Horror | 6.31 film | — | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2005Land of the Dead
Where our catalogue meets this career, as Dead Teenage Girl.
Highest rated performance · Career peak
6.7 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2026The Night Everything Changed
The current state of the argument, as Tina.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
6 of 6 films
as Lara Ashcroft
Directed by John Bradshaw
as Dhruvi Patel
Directed by Unknown
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Olivia
We Met in December (2025)
Performance score6.9
The performance the rest of the career is read through. Olivia gives Lara Amersey a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Tina
The Night Everything Changed (2026)
Performance score6.5
The Night Everything Changed asks for something the previous films did not, and gets it. Tina is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Lara Ashcroft
Cider and Sunsets (2022)
Performance score6.5
Cider and Sunsets asks for something the previous films did not, and gets it. Lara Ashcroft is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Dhruvi Patel
Well Suited For Christmas (2022)
Performance score6.5
Well Suited For Christmas asks for something the previous films did not, and gets it. Dhruvi Patel is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Olivia
Start here. We Met in December is the clearest statement of what Lara Amersey does — accessible, 84 minutes, and rated 6.7 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Lara at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
My Mother's Killer Boyfriend (2019)
Same director as We Met in December, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Cider and Sunsets (2022)
Keeps the tv movie register of My Mother's Killer Boyfriend but asks for a colder reading of it.
Well Suited For Christmas (2022)
Keeps the romance register of Cider and Sunsets but asks for a colder reading of it.
The Night Everything Changed (2026)
Keeps the tv movie register of Well Suited For Christmas but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Behind the camera
Who casts this performer, how often, and what the pairing produces.
John Bradshaw
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Cider and SunsetsGeorge A. Romero
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Land of the DeadElsbeth McCall
Director
1 film together · 4.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Night Everything ChangedSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
We Met in December
as Olivia
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
We Met in December
as Olivia
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
We Met in December
as Olivia
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Land of the Dead
as Dead Teenage Girl
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
We Met in December
as Olivia
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Lara Amersey has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
21 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
TV Movie Legend
Awarded
5 catalogue titles in tv movie, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
We Met in December
as Olivia
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Land of the Dead
as Dead Teenage Girl
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
We Met in December
as Olivia
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
My Mother's Killer Boyfriend
as Carrie Knolls
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
We Met in December
as Olivia
Images that would survive with the sound switched off.
Best action sequence
Land of the Dead
as Dead Teenage Girl
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Well Suited For Christmas
as Dhruvi Patel
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Cider and Sunsets
as Lara Ashcroft
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
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Built a career in the same territory: family and comedy
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Edward Norton
Built a career in the same territory: comedy and drama
Tom Wilkinson
Built a career in the same territory: comedy and drama
Matt Damon
Built a career in the same territory: drama and thriller
Michael Caine
Built a career in the same territory: drama and thriller
Have your say
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Reference
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