Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#24794
of 909177 performers
Top 5%
Larry Drake works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Larry Drake appears in 7 films in the Nutevio catalogue, and none of them would work the same way without Larry. The Karate Kid is the clearest case: a film rated 7.2 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for comedy, crime, drama. It is a style built on what is withheld as much as what is played.
Working with Jonas Åkerlund, John G. Avildsen, Mel Smith and others, Larry Drake helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
The Karate Kid (1984) as Yahoo #1 · Spun (2003) as Dr. K · Bean (1997) as Elmer
Career snapshot
Ranked #24794 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
7
1984–2003
Career length
19 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.2
The Karate Kid
Average Nutevio score
6.4
Across catalogue work
Highest IMDb rating
7.2
The Karate Kid
Most frequent director
John G. Avildsen
2 films together
Longest collaboration
2×
With John G. Avildsen
Most common genre
Action
4 titles
Average runtime
1h 42m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.4
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1980s
7.2 average MV
The 1980s are where the work and the material meet. The Karate Kid — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1980s
7.2
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1980s
7.2
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1980s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. The Karate Kid.
Most productive era
1990s
4 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1980s | 1990s | 2000s |
|---|---|---|---|
| Drama | 7.21 film | 6.21 film | 6.61 film |
| Action | 7.21 film | 6.13 films | — |
| Thriller | — | 6.02 films | — |
| Comedy | — | 6.61 film | 6.42 films |
| Crime | — | — | 6.61 film |
| Romance | — | 6.21 film | 6.31 film |
| Horror | — | 5.61 film | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Highest rated performance · Career peak
1984The Karate Kid
Where our catalogue meets this career, as Yahoo #1. 7.2 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2003Spun
The current state of the argument, as Dr. K.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
7 of 7 films
as Yahoo #1
Directed by John G. Avildsen
as Dr. K
Directed by Jonas Åkerlund
as Natalie's Dad
Directed by Unknown
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Yahoo #1
The Karate Kid (1984)
Performance score7.1
The performance the rest of the career is read through. Yahoo #1 gives Larry Drake a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Dr. K
Spun (2003)
Performance score6.6
Spun asks for something the previous films did not, and gets it. Dr. K is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Elmer
Bean (1997)
Performance score6.6
Bean asks for something the previous films did not, and gets it. Elmer is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Robert G. Durant
Darkman (1990)
Performance score6.6
Darkman asks for something the previous films did not, and gets it. Robert G. Durant is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Yahoo #1
Start here. The Karate Kid is the clearest statement of what Larry Drake does — accessible, 127 minutes, and rated 7.2 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Larry at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Darkman (1990)
Keeps the action register of The Karate Kid but asks for a colder reading of it.
Bean (1997)
A deliberate change of key after Darkman — same instrument, unfamiliar tuning, and the reason range gets mentioned.
American Pie 2 (2001)
Keeps the comedy register of Bean but asks for a colder reading of it.
Spun (2003)
Keeps the comedy register of American Pie 2 but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
John G. Avildsen
Director
2 films together
Notably The Karate Kid
Sam Raimi
Director
1 film together
Notably Darkman
Bradford May
Director
1 film together
Notably Darkman II: The Return of Durant
Mel Smith
Director
1 film together
Notably Bean
Jonas Åkerlund
Director
1 film together
Notably Spun
Behind the camera
Who casts this performer, how often, and what the pairing produces.
John G. Avildsen
Director
2 films together · 6.7 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
The Karate KidJonas Åkerlund
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
SpunMel Smith
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
BeanSam Raimi
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
DarkmanBradford May
Director
1 film together · 5.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Darkman II: The Return of DurantSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
The Karate Kid
as Yahoo #1
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Inferno
as Ramsey Hogan
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
The Karate Kid
as Yahoo #1
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
The Karate Kid
as Yahoo #1
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
The Karate Kid
as Yahoo #1
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Larry Drake has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Action Legend
Awarded
4 catalogue titles in action, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
The Karate Kid
as Yahoo #1
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
The Karate Kid
as Yahoo #1
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Inferno
as Ramsey Hogan
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Darkman
as Robert G. Durant
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
The Karate Kid
as Yahoo #1
Images that would survive with the sound switched off.
Best action sequence
The Karate Kid
as Yahoo #1
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Spun
as Dr. K
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Bean
as Elmer
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
Michael Caine
Built a career in the same territory: adventure and drama
Matt Damon
Built a career in the same territory: adventure and drama
David Krumholtz
Built a career in the same territory: action and adventure
Tom Hanks
Built a career in the same territory: family and comedy
Bonnie Hunt
Built a career in the same territory: family and comedy
Cillian Murphy
Built a career in the same territory: drama and thriller
Have your say
Community
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Reference
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