Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#31103
of 909177 performers
Top 5%
Lars Brygmann works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Lars Brygmann appears in 9 films in the Nutevio catalogue, and none of them would work the same way without Lars. Holy Meat is the clearest case: a film rated 8.0 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for comedy, crime, drama. It is a style built on what is withheld as much as what is played.
Working with Alison Kuhn, Anders Thomas Jensen, Milad Avaz and others, Lars Brygmann helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Holy Meat (2026) as Bishop Vestergaard · The Last Viking (2025) as Lothar / Keld Gerner Nielsen · Riders of Justice (2020) as Lennart
Career snapshot
Ranked #31103 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
9
2018–2026
Career length
8 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
8.0
Holy Meat
Average Nutevio score
6.7
Across catalogue work
Highest IMDb rating
8.0
Holy Meat
Most frequent director
Anders Thomas Jensen
2 films together
Longest collaboration
2×
With Anders Thomas Jensen
Most common genre
Drama
7 titles
Average runtime
1h 47m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.8 average MV
The 2010s are where the work and the material meet. The Professor and the Madman, Kursk — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.8
Across 2 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.9
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. The Professor and the Madman, Kursk.
Most productive era
2020s
7 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.82 films | 6.65 films |
| Action | 6.61 film | 7.31 film |
| Thriller | 6.82 films | 7.31 film |
| Comedy | — | 6.85 films |
| Crime | — | 7.31 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2018Kursk
Where our catalogue meets this career, as Priz Pilot Kasyenenko.
Highest rated performance · Career peak · Most recent film
2026Holy Meat
8.0 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once. The current state of the argument, as Bishop Vestergaard.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
9 of 9 films
as Bishop Vestergaard
Directed by Alison Kuhn
as Lennart
Directed by Anders Thomas Jensen
as Lothar / Keld Gerner Nielsen
Directed by Anders Thomas Jensen
as Victor Andreasen
Directed by Unknown
as Max Mueller
Directed by Farhad Safinia
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Bishop Vestergaard
Holy Meat (2026)
Performance score8.5
The performance the rest of the career is read through. Bishop Vestergaard gives Lars Brygmann a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Lennart
Riders of Justice (2020)
Performance score7.6
Riders of Justice asks for something the previous films did not, and gets it. Lennart is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Lothar / Keld Gerner Nielsen
The Last Viking (2025)
Performance score7.4
The Last Viking asks for something the previous films did not, and gets it. Lothar / Keld Gerner Nielsen is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Victor Andreasen
Tove’s Room (2023)
Performance score7.1
Tove’s Room asks for something the previous films did not, and gets it. Victor Andreasen is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Bishop Vestergaard
Start here. Holy Meat is the clearest statement of what Lars Brygmann does — accessible, 117 minutes, and rated 8.0 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Lars at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
The Professor and the Madman (2019)
A deliberate change of key after Holy Meat — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Riders of Justice (2020)
Keeps the drama register of The Professor and the Madman but asks for a colder reading of it.
Tove’s Room (2023)
Keeps the drama register of Riders of Justice but asks for a colder reading of it.
The Last Viking (2025)
Keeps the drama register of Tove’s Room but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Anders Thomas Jensen
Director
2 films together
Notably The Last Viking
Thomas Vinterberg
Director
1 film together
Notably Kursk
Farhad Safinia
Director
1 film together
Notably The Professor and the Madman
Ole Christian Madsen
Director
1 film together
Notably The Day We Died
Frederik Meldal Nørgaard
Director
1 film together
Notably My Robot Brother
Milad Avaz
Director
1 film together
Notably Better Times
Alison Kuhn
Director
1 film together
Notably Holy Meat
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Anders Thomas Jensen
Director
2 films together · 7.3 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
The Last VikingAlison Kuhn
Director
1 film together · 8.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Holy MeatFarhad Safinia
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Professor and the MadmanThomas Vinterberg
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
KurskMilad Avaz
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Better TimesOle Christian Madsen
Director
1 film together · 5.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Day We DiedFrederik Meldal Nørgaard
Director
1 film together · 5.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
My Robot BrotherSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Holy Meat
as Bishop Vestergaard
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
The Day We Died
as Finn Nørgaard
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Holy Meat
as Bishop Vestergaard
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Kursk
as Priz Pilot Kasyenenko
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Holy Meat
as Bishop Vestergaard
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Lars Brygmann has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
7 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Holy Meat
as Bishop Vestergaard
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
The Professor and the Madman
as Max Mueller
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
The Day We Died
as Finn Nørgaard
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
The Professor and the Madman
as Max Mueller
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Riders of Justice
as Lennart
Images that would survive with the sound switched off.
Best action sequence
Kursk
as Priz Pilot Kasyenenko
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
The Last Viking
as Lothar / Keld Gerner Nielsen
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
The Last Viking
as Lothar / Keld Gerner Nielsen
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
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Reference
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