Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#124523
of 909177 performers
Top 25%
Laura Waterbury works on quiet performance rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Laura Waterbury appears in 3 films in the Nutevio catalogue, and none of them would work the same way without Laura. Honey, I Shrunk the Kids is the clearest case: a film rated 6.4 by our editors, where the performance carries weight the script only implies.
The recognisable elements are quiet performance, versatility, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for science fiction, comedy, adventure. It is a style built on what is withheld as much as what is played.
Working with Joe Johnston, Savage Steve Holland, Laura Waterbury helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Honey, I Shrunk the Kids (1989) as Female Cop · One Crazy Summer (1986) as Crossing Guard · Mac and Me (1988) as Linda
Career snapshot
Ranked #124523 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
3
1986–1989
Career length
3 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
6.4
Honey, I Shrunk the Kids
Average Nutevio score
5.6
Across catalogue work
Highest IMDb rating
6.3
Honey, I Shrunk the Kids
Most frequent director
Joe Johnston
1 film together
Longest collaboration
1×
With Joe Johnston
Most common genre
Family
3 titles
Average runtime
1h 35m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.1
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1980s
5.6 average MV
The 1980s are where the work and the material meet. Honey, I Shrunk the Kids, Mac and Me, One Crazy Summer — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1980s
5.6
Across 3 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1980s
5.6
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1980s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Honey, I Shrunk the Kids, Mac and Me, One Crazy Summer.
Most productive era
1980s
3 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1980s |
|---|---|
| Comedy | 6.22 films |
| Romance | 6.01 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Career peak
1986One Crazy Summer
Where our catalogue meets this career, as Crossing Guard. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Highest rated performance · Most recent film
6.4 on the Nutevio scale, the top of the catalogue for this performer. The current state of the argument, as Female Cop.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
3 of 3 films
as Female Cop
Directed by Joe Johnston
as Linda
Directed by Unknown
as Crossing Guard
Directed by Savage Steve Holland
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Female Cop
Honey, I Shrunk the Kids (1989)
Performance score6.5
The performance the rest of the career is read through. Female Cop gives Laura Waterbury a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Linda
Mac and Me (1988)
Performance score6.5
Mac and Me asks for something the previous films did not, and gets it. Linda is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Crossing Guard
One Crazy Summer (1986)
Performance score6.5
One Crazy Summer asks for something the previous films did not, and gets it. Crossing Guard is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Female Cop
Start here. Honey, I Shrunk the Kids is the clearest statement of what Laura Waterbury does — accessible, 93 minutes, and rated 6.4 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Laura at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
One Crazy Summer (1986)
Keeps the comedy register of Honey, I Shrunk the Kids but asks for a colder reading of it.
Mac and Me (1988)
Keeps the family register of One Crazy Summer but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Joe Johnston
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Honey, I Shrunk the KidsSavage Steve Holland
Director
1 film together · 6.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
One Crazy SummerSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Honey, I Shrunk the Kids
as Female Cop
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
One Crazy Summer
as Crossing Guard
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Honey, I Shrunk the Kids
as Female Cop
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
One Crazy Summer
as Crossing Guard
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Honey, I Shrunk the Kids
as Female Cop
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Laura Waterbury has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Family Legend
Awarded
3 catalogue titles in family, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Honey, I Shrunk the Kids
as Female Cop
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Honey, I Shrunk the Kids
as Female Cop
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
One Crazy Summer
as Crossing Guard
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Mac and Me
as Linda
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Honey, I Shrunk the Kids
as Female Cop
Images that would survive with the sound switched off.
Best action sequence
Honey, I Shrunk the Kids
as Female Cop
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
One Crazy Summer
as Crossing Guard
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Honey, I Shrunk the Kids
as Female Cop
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
Catherine Lagaʻaia
Built a career in the same territory: adventure and family
Dwayne Johnson
Built a career in the same territory: adventure and family
Rena Owen
Built a career in the same territory: adventure and family
John Tui
Built a career in the same territory: adventure and family
Frankie Adams
Built a career in the same territory: adventure and family
Jemaine Clement
Built a career in the same territory: adventure and family
Have your say
Community
Which Laura Waterbury performance holds up best?
Our readers argue about this one. Make your case, or read the ranked debate already in progress.
Join the conversation
Reference
Continue exploring
Trending performers
Directors they work with
Collections to read next
