Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#4118
of 909177 performers
Top 1%
Lauren Graham represents the rare performer whose career became more ambitious with every decade — 35 years in, and Lauren is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Lauren Graham appears in 13 films in the Nutevio catalogue, and none of them would work the same way without Lauren. Reminders of Him is the clearest case: a film rated 7.8 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for romance, drama, comedy. It is a style built on what is withheld as much as what is played.
Working with Dallas Jenkins, Tristram Shapeero, Ryan Fleck and others, Lauren Graham helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Reminders of Him (2026) as Grace Landry · Twinless (2025) as Lisa · It's Kind of a Funny Story (2010) as Lynn Gilner
Career snapshot
Ranked #4118 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
13
1991–2026
Career length
35 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.8
Reminders of Him
Average Nutevio score
6.5
Across catalogue work
Highest IMDb rating
7.8
Reminders of Him
Most frequent director
Dallas Jenkins
1 film together
Longest collaboration
1×
With Dallas Jenkins
Most common genre
Drama
8 titles
Average runtime
1h 48m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
7.0
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.6
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2020s
7.3 average MV
The 2020s are where the work and the material meet. Reminders of Him, Twinless, The Best Christmas Pageant Ever — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2020s
7.3
Across 3 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2020s
7.3
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1990s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Nightwatch, Until the End of the World.
Most productive era
2000s
5 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1990s | 2000s | 2010s | 2020s |
|---|---|---|---|---|
| Drama | 6.42 films | 6.82 films | 7.01 film | 7.33 films |
| Action | — | 6.11 film | — | — |
| Thriller | 6.11 film | — | — | — |
| Comedy | — | 6.23 films | 6.22 films | 7.02 films |
| Romance | — | 6.91 film | 7.01 film | 7.81 film |
| Horror | 6.11 film | — | — | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
1991Until the End of the World
Where our catalogue meets this career, as Heidi.
Highest rated performance · Career peak · Most recent film
2026Reminders of Him
7.8 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once. The current state of the argument, as Grace Landry.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
13 of 13 films
as Grace Landry
Directed by Unknown
as Lynn Gilner
Directed by Ryan Fleck
as Angelica
Directed by Unknown
as Narrator / Adult Beth Bradley (voice)
Directed by Dallas Jenkins
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Grace Landry
Reminders of Him (2026)
Performance score7.8
The performance the rest of the career is read through. Grace Landry gives Lauren Graham a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Lisa
Twinless (2025)
Performance score7.4
Twinless asks for something the previous films did not, and gets it. Lisa is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Lynn Gilner
It's Kind of a Funny Story (2010)
Performance score7.1
It's Kind of a Funny Story asks for something the previous films did not, and gets it. Lynn Gilner is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Angelica
Sweet November (2001)
Performance score7.1
Sweet November asks for something the previous films did not, and gets it. Angelica is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Grace Landry
Start here. Reminders of Him is the clearest statement of what Lauren Graham does — accessible, 114 minutes, and rated 7.8 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Lauren at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Sweet November (2001)
Same director as Reminders of Him, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
It's Kind of a Funny Story (2010)
Keeps the romance register of Sweet November but asks for a colder reading of it.
The Best Christmas Pageant Ever (2024)
Keeps the comedy register of It's Kind of a Funny Story but asks for a colder reading of it.
Twinless (2025)
Keeps the comedy register of The Best Christmas Pageant Ever but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Wim Wenders
Director
1 film together
Notably Until the End of the World
Ole Bornedal
Director
1 film together
Notably Nightwatch
Adam Shankman
Director
1 film together
Notably The Pacifier
Tom Shadyac
Director
1 film together
Notably Evan Almighty
Marc Abraham
Director
1 film together
Notably Flash of Genius
Phil Lord
Director
1 film together
Notably Cloudy with a Chance of Meatballs
Ryan Fleck
Director
1 film together
Notably It's Kind of a Funny Story
Tristram Shapeero
Director
1 film together
Notably A Merry Friggin' Christmas
Dallas Jenkins
Director
1 film together
Notably The Best Christmas Pageant Ever
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Ryan Fleck
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
It's Kind of a Funny StoryDallas Jenkins
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Best Christmas Pageant EverPhil Lord
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Cloudy with a Chance of MeatballsWim Wenders
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Until the End of the WorldMarc Abraham
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Flash of GeniusAdam Shankman
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The PacifierOle Bornedal
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
NightwatchTom Shadyac
Director
1 film together · 5.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Evan AlmightyTristram Shapeero
Director
1 film together · 5.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
A Merry Friggin' ChristmasSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Reminders of Him
as Grace Landry
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Reminders of Him
as Grace Landry
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Reminders of Him
as Grace Landry
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Until the End of the World
as Heidi
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Reminders of Him
as Grace Landry
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Lauren Graham has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
35 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
8 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Reminders of Him
as Grace Landry
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Reminders of Him
as Grace Landry
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Reminders of Him
as Grace Landry
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Nightwatch
as Marie
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Reminders of Him
as Grace Landry
Images that would survive with the sound switched off.
Best action sequence
The Pacifier
as Claire Fletcher
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
It's Kind of a Funny Story
as Lynn Gilner
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Cloudy with a Chance of Meatballs
as Fran Lockwood (voice)
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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