Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#6512
of 909177 performers
Top 1%
Laverne Cox works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Laverne Cox appears in 14 films in the Nutevio catalogue, and none of them would work the same way without Laverne. Norman Lear: 100 Years of Music and Laughter is the clearest case: a film rated 8.0 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for science fiction, comedy, family. It is a style built on what is withheld as much as what is played.
Working with Andy Serkis, Jonah Hill, Jessica Yu and others, Laverne Cox helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Norman Lear: 100 Years of Music and Laughter (2022) as Self · Savage X Fenty Show (2019) as Self · Disclosure (2020) as Self - Actress
Career snapshot
Ranked #6512 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
14
2015–2026
Career length
11 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
8.0
Norman Lear: 100 Years of Music and Laughter
Average Nutevio score
6.5
Across catalogue work
Highest IMDb rating
8.0
Savage X Fenty Show
Most frequent director
Andy Serkis
1 film together
Longest collaboration
1×
With Andy Serkis
Most common genre
Comedy
8 titles
Average runtime
1h 32m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.9
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.8 average MV
The 2010s are where the work and the material meet. Savage X Fenty Show, Can You Keep a Secret?, Charlie's Angels — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.8
Across 4 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.8
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Savage X Fenty Show, Can You Keep a Secret?, Charlie's Angels.
Most productive era
2020s
10 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.41 film | 6.43 films |
| Action | 6.41 film | 6.12 films |
| Thriller | — | 7.02 films |
| Comedy | 6.43 films | 6.35 films |
| Crime | — | 7.02 films |
| Romance | 6.41 film | — |
| Horror | — | 5.71 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2015Grandma
Where our catalogue meets this career, as Deathy.
Highest rated performance
8.0 on the Nutevio scale, the top of the catalogue for this performer.
Career peak
2020Disclosure
Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2026Outcome
The current state of the argument, as Virginia Allen-Green.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
14 of 14 films
as Self - Actress
Directed by Unknown
as Self
Directed by Unknown
as Gail
Directed by Emerald Fennell
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Self - Actress
Disclosure (2020)
Performance score8.3
The performance the rest of the career is read through. Self - Actress gives Laverne Cox a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Self
Norman Lear: 100 Years of Music and Laughter (2022)
Performance score7.8
Norman Lear: 100 Years of Music and Laughter asks for something the previous films did not, and gets it. Self is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Self
Savage X Fenty Show (2019)
Performance score7.8
Savage X Fenty Show asks for something the previous films did not, and gets it. Self is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Gail
Promising Young Woman (2020)
Performance score7.5
Promising Young Woman asks for something the previous films did not, and gets it. Gail is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Self - Actress
Start here. Disclosure is the clearest statement of what Laverne Cox does — accessible, 108 minutes, and rated 7.8 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Laverne at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Savage X Fenty Show (2019)
Keeps the documentary register of Disclosure but asks for a colder reading of it.
Promising Young Woman (2020)
A deliberate change of key after Savage X Fenty Show — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Jolt (2021)
Keeps the crime register of Promising Young Woman but asks for a colder reading of it.
Norman Lear: 100 Years of Music and Laughter (2022)
Same director as Jolt, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Company kept
The directors and performers this career keeps returning to.
Paul Weitz
Director
1 film together
Notably Grandma
Elizabeth Banks
Director
1 film together
Notably Charlie's Angels
Alex Rudzinski
Director
1 film together
Notably Savage X Fenty Show
Emerald Fennell
Director
1 film together
Notably Promising Young Woman
Justin Simien
Director
1 film together
Notably Bad Hair
McG
Director
1 film together
Notably Uglies
Jessica Yu
Director
1 film together
Notably A Very Jonas Christmas Movie
Jonah Hill
Director
1 film together
Notably Outcome
Andy Serkis
Director
1 film together
Notably Animal Farm
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Alex Rudzinski
Director
1 film together · 8.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Savage X Fenty ShowEmerald Fennell
Director
1 film together · 7.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Promising Young WomanAndy Serkis
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Animal FarmElizabeth Banks
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Charlie's AngelsPaul Weitz
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
GrandmaJessica Yu
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
A Very Jonas Christmas MovieMcG
Director
1 film together · 5.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
UgliesJustin Simien
Director
1 film together · 5.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Bad HairJonah Hill
Director
1 film together · 5.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
OutcomeSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Disclosure
as Self - Actress
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Can You Keep a Secret?
as Cybill
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Savage X Fenty Show
as Self
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Charlie's Angels
as Bomb Instructor
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Disclosure
as Self - Actress
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Laverne Cox has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
8 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Savage X Fenty Show
as Self
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Promising Young Woman
as Gail
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Can You Keep a Secret?
as Cybill
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Promising Young Woman
as Gail
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Savage X Fenty Show
as Self
Images that would survive with the sound switched off.
Best action sequence
Charlie's Angels
as Bomb Instructor
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Promising Young Woman
as Gail
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Bad Hair
as Virgie
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Cillian Murphy
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Have your say
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Reference
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