Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#32469
of 909177 performers
Top 5%
Lawrence Hilton-Jacobs represents the rare performer whose career became more ambitious with every decade — 52 years in, and Lawrence is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Lawrence Hilton-Jacobs appears in 6 films in the Nutevio catalogue, and none of them would work the same way without Lawrence. Breakdown: 1975 is the clearest case: a film rated 6.9 by our editors, where the performance carries weight the script only implies.
The recognisable elements are quiet performance, versatility, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for action, documentary, tv movie. It is a style built on what is withheld as much as what is played.
Working with Kevin Grevioux, Morgan Neville, Gary Jones and others, Lawrence Hilton-Jacobs helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Breakdown: 1975 (2025) as Self · Death Wish (1974) as Mugger in Park #2 (uncredited) · War Dawgz (2025) as Lawrence Slate
Career snapshot
Ranked #32469 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
6
1974–2026
Career length
52 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
6.9
Breakdown: 1975
Average Nutevio score
4.3
Across catalogue work
Highest IMDb rating
6.9
Death Wish
Most frequent director
Kevin Grevioux
1 film together
Longest collaboration
1×
With Kevin Grevioux
Most common genre
Action
3 titles
Average runtime
0h 48m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.5
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1970s
6.8 average MV
The 1970s are where the work and the material meet. Death Wish — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1970s
6.8
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1970s
6.9
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1970s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Death Wish.
Most productive era
2020s
5 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1970s | 2020s |
|---|---|---|
| Drama | 6.81 film | — |
| Action | 6.81 film | 6.02 films |
| Crime | 6.81 film | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
1974Death Wish
Where our catalogue meets this career, as Mugger in Park #2 (uncredited).
Highest rated performance · Career peak
2025Breakdown: 1975
6.9 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
The current state of the argument, as Richard “Ricky” Fowler.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
6 of 6 films
as Self
Directed by Morgan Neville
as Mugger in Park #2 (uncredited)
Directed by Michael Winner
as Lawrence Slate
Directed by Kevin Grevioux
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Self
Breakdown: 1975 (2025)
Performance score6.8
The performance the rest of the career is read through. Self gives Lawrence Hilton-Jacobs a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Mugger in Park #2 (uncredited)
Death Wish (1974)
Performance score6.7
Death Wish asks for something the previous films did not, and gets it. Mugger in Park #2 (uncredited) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Richard “Ricky” Fowler
When They're Gone (2026)
Performance score6.5
When They're Gone asks for something the previous films did not, and gets it. Richard “Ricky” Fowler is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Lawrence Slate
War Dawgz (2025)
Performance score6.5
War Dawgz asks for something the previous films did not, and gets it. Lawrence Slate is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Self
Start here. Breakdown: 1975 is the clearest statement of what Lawrence Hilton-Jacobs does — accessible, 92 minutes, and rated 6.9 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Lawrence at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Death Wish (1974)
A deliberate change of key after Breakdown: 1975 — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Escape from Death Block 13 (2021)
Keeps the action register of Death Wish but asks for a colder reading of it.
War Dawgz (2025)
Keeps the action register of Escape from Death Block 13 but asks for a colder reading of it.
When They're Gone (2026)
A deliberate change of key after War Dawgz — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Michael Winner
Director
1 film together
Notably Death Wish
Gary Jones
Director
1 film together
Notably Escape from Death Block 13
Morgan Neville
Director
1 film together
Notably Breakdown: 1975
Kevin Grevioux
Director
1 film together
Notably War Dawgz
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Morgan Neville
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Breakdown: 1975Michael Winner
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Death WishKevin Grevioux
Director
1 film together · 6.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
War DawgzGary Jones
Director
1 film together · 6.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Escape from Death Block 13Six degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Breakdown: 1975
as Self
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Death Wish
as Mugger in Park #2 (uncredited)
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Death Wish
as Mugger in Park #2 (uncredited)
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Death Wish
as Mugger in Park #2 (uncredited)
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Breakdown: 1975
as Self
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Lawrence Hilton-Jacobs has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
52 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Action Legend
Awarded
3 catalogue titles in action, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Breakdown: 1975
as Self
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Death Wish
as Mugger in Park #2 (uncredited)
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Death Wish
as Mugger in Park #2 (uncredited)
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Death Wish
as Mugger in Park #2 (uncredited)
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Death Wish
as Mugger in Park #2 (uncredited)
Images that would survive with the sound switched off.
Best action sequence
Death Wish
as Mugger in Park #2 (uncredited)
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Death Wish
as Mugger in Park #2 (uncredited)
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Breakdown: 1975
as Self
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Reference
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